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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 62 189 84 it is the complementary color RGB 193 66 171. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 62 189 84. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 62 189 84: RGB 67 189 79, RGB 84 207 98, RGB 101 225 117, RGB 118 243 136 and RGB 135 255 155

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 62 189 84. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 62 189 84: RGB 62 189 84, RGB 45 171 65, RGB 28 153 46, RGB 11 135 27 and RGB 0 117 8

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 0 / 56 / 26

HEX #3EBD54

RGB 62 189 84

HSL 130.39, 0.51%, 0.49%

LAB 68.06, -56.36, 42.61

 

Complementary color

CMYK 0 / 66 / 11 / 24

HEX #C142AB

RGB 193 66 171

HSL 310.39, 0.51%, 0.51%

LAB 49.71, 62.03, -30.41

 

CMYK 65 / 0 / 58 / 26

HEX #43BD4F

RGB 67 189 79

HSL 125.9, 0.48%, 0.5%

LAB 68.13, -56, 45.07

 

CMYK 59 / 0 / 53 / 19

HEX #54CF62

RGB 84 207 98

HSL 126.83, 0.56%, 0.57%

LAB 74.44, -56.45, 43.74

 

CMYK 55 / 0 / 48 / 12

HEX #65E175

RGB 101 225 117

HSL 127.74, 0.67%, 0.64%

LAB 80.68, -56.65, 42.4

 

CMYK 51 / 0 / 44 / 5

HEX #76F388

RGB 118 243 136

HSL 128.64, 0.84%, 0.71%

LAB 86.86, -56.69, 41.09

 

CMYK 47 / 0 / 39 / 0

HEX #87FF9B

RGB 135 255 155

HSL 130, 1%, 0.76%

LAB 91.25, -54.22, 37.57

 

CMYK 67 / 0 / 56 / 26

HEX #3EBD54

RGB 62 189 84

HSL 130.39, 0.51%, 0.49%

LAB 68.06, -56.36, 42.61

 

CMYK 74 / 0 / 62 / 33

HEX #2DAB41

RGB 45 171 65

HSL 129.52, 0.58%, 0.42%

LAB 61.71, -55.48, 43.96

 

CMYK 82 / 0 / 70 / 40

HEX #1C992E

RGB 28 153 46

HSL 128.64, 0.69%, 0.35%

LAB 55.3, -54.01, 45.11

 

CMYK 92 / 0 / 80 / 47

HEX #0B871B

RGB 11 135 27

HSL 127.74, 0.85%, 0.29%

LAB 48.86, -51.66, 45.69

 

CMYK 100 / 0 / 93 / 54

HEX #007508

RGB 0 117 8

HSL 124.1, 1%, 0.23%

LAB 42.37, -48.12, 44.94

 

CMYK 67 / 0 / 56 / 26

HEX #3EBD54

RGB 62 189 84

HSL 130.39, 0.51%, 0.49%

LAB 68.06, -56.36, 42.61

 

CMYK 68 / 0 / 45 / 26

HEX #3DBC67

RGB 61 188 103

HSL 139.84, 0.51%, 0.49%

LAB 67.97, -53.32, 33.07

 

CMYK 68 / 0 / 34 / 26

HEX #3DBC7C

RGB 61 188 124

HSL 149.76, 0.51%, 0.49%

LAB 68.32, -49.44, 22.52

 

CMYK 68 / 0 / 22 / 26

HEX #3DBC92

RGB 61 188 146

HSL 160.16, 0.51%, 0.49%

LAB 68.78, -44.64, 11.27

 

CMYK 68 / 0 / 11 / 26

HEX #3DBCA7

RGB 61 188 167

HSL 170.08, 0.51%, 0.49%

LAB 69.29, -39.42, 0.53

 

CMYK 67 / 0 / 56 / 26

HEX #3EBD54

RGB 62 189 84

HSL 130.39, 0.51%, 0.49%

LAB 68.06, -56.36, 42.61

 

CMYK 67 / 0 / 55 / 6

HEX #4FF06B

RGB 79 240 107

HSL 130.43, 0.84%, 0.63%

LAB 84.51, -68.01, 51.62

 

CMYK 67 / 0 / 56 / 86

HEX #0C2410

RGB 12 36 16

HSL 130, 0.5%, 0.09%

LAB 11.81, -15.02, 10.2

 

CMYK 67 / 0 / 55 / 66

HEX #1D5727

RGB 29 87 39

HSL 130.34, 0.5%, 0.23%

LAB 32.31, -30.34, 22.3

 

CMYK 67 / 0 / 56 / 46

HEX #2D8A3D

RGB 45 138 61

HSL 130.32, 0.51%, 0.36%

LAB 50.77, -44.05, 33.08

 

CMYK 67 / 0 / 56 / 26

HEX #3EBD54

RGB 62 189 84

HSL 130.39, 0.51%, 0.49%

LAB 68.06, -56.36, 42.61

 

CMYK 68 / 25 / 0 / 26

HEX #3D8DBC

RGB 61 141 188

HSL 202.2, 0.51%, 0.49%

LAB 55.76, -9.32, -31.67

 

CMYK 0 / 68 / 52 / 26

HEX #BC3D5A

RGB 188 61 90

HSL 346.3, 0.51%, 0.49%

LAB 45.31, 52.86, 11.88

 

CMYK 67 / 0 / 56 / 26

HEX #3EBD54

RGB 62 189 84

HSL 130.39, 0.51%, 0.49%

LAB 68.06, -56.36, 42.61

 

CMYK 56 / 68 / 0 / 26

HEX #523DBC

RGB 82 61 188

HSL 249.92, 0.51%, 0.49%

LAB 35.52, 43.39, -63.93

 

CMYK 0 / 56 / 68 / 26

HEX #BC523D

RGB 188 82 61

HSL 9.92, 0.51%, 0.49%

LAB 48.34, 41.31, 33.12

 

CMYK 67 / 0 / 56 / 26

HEX #3EBD54

RGB 62 189 84

HSL 130.39, 0.51%, 0.49%

LAB 68.06, -56.36, 42.61

 

CMYK 68 / 25 / 0 / 26

HEX #3D8DBC

RGB 61 141 188

HSL 202.2, 0.51%, 0.49%

LAB 55.76, -9.32, -31.67

 

CMYK 0 / 68 / 11 / 26

HEX #BC3DA7

RGB 188 61 167

HSL 309.92, 0.51%, 0.49%

LAB 48.03, 62.09, -30.73

 

CMYK 0 / 43 / 68 / 26

HEX #BC6B3D

RGB 188 107 61

HSL 21.73, 0.51%, 0.49%

LAB 53.54, 28.29, 39.17

 

CMYK 67 / 0 / 56 / 26

HEX #3EBD54

RGB 62 189 84

HSL 130.39, 0.51%, 0.49%

LAB 68.06, -56.36, 42.61

 

CMYK 68 / 45 / 0 / 26

HEX #3D67BC

RGB 61 103 188

HSL 220.16, 0.51%, 0.49%

LAB 44.69, 13.61, -49.15

 

CMYK 0 / 68 / 11 / 26

HEX #BC3DA7

RGB 188 61 167

HSL 309.92, 0.51%, 0.49%

LAB 48.03, 62.09, -30.73

 

CMYK 0 / 22 / 68 / 26

HEX #BC923D

RGB 188 146 61

HSL 40.16, 0.51%, 0.49%

LAB 63, 6.81, 49.63

 

Description

Color code: RGB 62 189 84 | qconv.com Color code: RGB 62 189 84 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 62 red, 189 green and 84 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
62 189 84 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, none magenta, 56 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 0% 56% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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