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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 62 161 39 it is the complementary color RGB 193 94 216. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 62 161 39. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 62 161 39: RGB 67 161 34, RGB 84 179 53, RGB 101 197 72, RGB 118 215 91 and RGB 135 233 110

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 62 161 39. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 62 161 39: RGB 62 161 39, RGB 45 143 20, RGB 28 125 1, RGB 11 107 0 and RGB 0 89 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 0 / 76 / 37

HEX #3EA127

RGB 62 161 39

HSL 108.69, 0.61%, 0.39%

LAB 58.66, -51.02, 51.49

 

Complementary color

CMYK 11 / 56 / 0 / 15

HEX #C15ED8

RGB 193 94 216

HSL 288.69, 0.61%, 0.61%

LAB 56.39, 57.58, -45.84

 

CMYK 58 / 0 / 79 / 37

HEX #43A122

RGB 67 161 34

HSL 104.41, 0.65%, 0.38%

LAB 58.79, -50.08, 53.36

 

CMYK 53 / 0 / 70 / 30

HEX #54B335

RGB 84 179 53

HSL 105.24, 0.54%, 0.45%

LAB 65.26, -50.82, 53.22

 

CMYK 49 / 0 / 63 / 23

HEX #65C548

RGB 101 197 72

HSL 106.08, 0.52%, 0.53%

LAB 71.67, -51.23, 52.5

 

CMYK 45 / 0 / 58 / 16

HEX #76D75B

RGB 118 215 91

HSL 106.94, 0.61%, 0.6%

LAB 78, -51.41, 51.5

 

CMYK 42 / 0 / 53 / 9

HEX #87E96E

RGB 135 233 110

HSL 107.8, 0.74%, 0.67%

LAB 84.25, -51.46, 50.38

 

CMYK 61 / 0 / 76 / 37

HEX #3EA127

RGB 62 161 39

HSL 108.69, 0.61%, 0.39%

LAB 58.66, -51.02, 51.49

 

CMYK 69 / 0 / 86 / 44

HEX #2D8F14

RGB 45 143 20

HSL 107.8, 0.75%, 0.32%

LAB 52.12, -49.74, 51.02

 

CMYK 78 / 0 / 99 / 51

HEX #1C7D01

RGB 28 125 1

HSL 106.94, 0.98%, 0.25%

LAB 45.52, -47.72, 49.25

 

CMYK 90 / 0 / 100 / 58

HEX #0B6B00

RGB 11 107 0

HSL 113.83, 1%, 0.21%

LAB 38.88, -44.37, 44.05

 

CMYK 100 / 0 / 100 / 65

HEX #005900

RGB 0 89 0

HSL 120, 1%, 0.17%

LAB 32.13, -39.99, 38.6

 

CMYK 61 / 0 / 76 / 37

HEX #3EA127

RGB 62 161 39

HSL 108.69, 0.61%, 0.39%

LAB 58.66, -51.02, 51.49

 

CMYK 74 / 0 / 76 / 37

HEX #2AA026

RGB 42 160 38

HSL 118.03, 0.62%, 0.39%

LAB 57.82, -54.92, 50.85

 

CMYK 76 / 0 / 66 / 37

HEX #26A036

RGB 38 160 54

HSL 127.87, 0.62%, 0.39%

LAB 57.87, -54.1, 44.53

 

CMYK 76 / 0 / 53 / 37

HEX #26A04B

RGB 38 160 75

HSL 138.2, 0.62%, 0.39%

LAB 58.1, -51.35, 34.84

 

CMYK 76 / 0 / 41 / 37

HEX #26A05F

RGB 38 160 95

HSL 148.03, 0.62%, 0.39%

LAB 58.4, -47.88, 24.74

 

CMYK 61 / 0 / 76 / 37

HEX #3EA127

RGB 62 161 39

HSL 108.69, 0.61%, 0.39%

LAB 58.66, -51.02, 51.49

 

CMYK 61 / 0 / 76 / 17

HEX #52D433

RGB 82 212 51

HSL 108.45, 0.65%, 0.52%

LAB 75.53, -63.32, 64.21

 

CMYK 63 / 0 / 75 / 97

HEX #030802

RGB 3 8 2

HSL 110, 0.6%, 0.02%

LAB 1.78, -2.14, 1.81

 

CMYK 61 / 0 / 76 / 77

HEX #173B0E

RGB 23 59 14

HSL 108, 0.62%, 0.14%

LAB 21.36, -23.09, 23.17

 

CMYK 62 / 0 / 75 / 57

HEX #2A6E1B

RGB 42 110 27

HSL 109.16, 0.61%, 0.27%

LAB 40.77, -37.87, 37.85

 

CMYK 61 / 0 / 76 / 37

HEX #3EA127

RGB 62 161 39

HSL 108.69, 0.61%, 0.39%

LAB 58.66, -51.02, 51.49

 

CMYK 76 / 0 / 0 / 37

HEX #26A0A0

RGB 38 160 160

HSL 180, 0.62%, 0.39%

LAB 59.97, -31.49, -9.38

 

CMYK 0 / 76 / 31 / 37

HEX #A0266F

RGB 160 38 111

HSL 324.1, 0.62%, 0.39%

LAB 37.86, 55.31, -12.73

 

CMYK 61 / 0 / 76 / 37

HEX #3EA127

RGB 62 161 39

HSL 108.69, 0.61%, 0.39%

LAB 58.66, -51.02, 51.49

 

CMYK 76 / 61 / 0 / 37

HEX #263FA0

RGB 38 63 160

HSL 227.7, 0.62%, 0.39%

LAB 30.65, 26.15, -55.31

 

CMYK 0 / 76 / 61 / 37

HEX #A0263F

RGB 160 38 63

HSL 347.7, 0.62%, 0.39%

LAB 36.4, 50.71, 15.82

 

CMYK 61 / 0 / 76 / 37

HEX #3EA127

RGB 62 161 39

HSL 108.69, 0.61%, 0.39%

LAB 58.66, -51.02, 51.49

 

CMYK 76 / 0 / 0 / 37

HEX #26A0A0

RGB 38 160 160

HSL 180, 0.62%, 0.39%

LAB 59.97, -31.49, -9.38

 

CMYK 16 / 76 / 0 / 37

HEX #8726A0

RGB 135 38 160

HSL 287.7, 0.62%, 0.39%

LAB 36.13, 57.19, -45.96

 

CMYK 0 / 76 / 76 / 37

HEX #A02626

RGB 160 38 38

HSL 0, 0.62%, 0.39%

LAB 35.98, 49.34, 30.93

 

CMYK 61 / 0 / 76 / 37

HEX #3EA127

RGB 62 161 39

HSL 108.69, 0.61%, 0.39%

LAB 58.66, -51.02, 51.49

 

CMYK 76 / 23 / 0 / 37

HEX #267BA0

RGB 38 123 160

HSL 198.2, 0.62%, 0.39%

LAB 48.41, -12.13, -27.01

 

CMYK 16 / 76 / 0 / 37

HEX #8726A0

RGB 135 38 160

HSL 287.7, 0.62%, 0.39%

LAB 36.13, 57.19, -45.96

 

CMYK 0 / 53 / 76 / 37

HEX #A04B26

RGB 160 75 38

HSL 18.2, 0.62%, 0.39%

LAB 42.22, 32.74, 37.66

 

Description

Color code: RGB 62 161 39 | qconv.com Color code: RGB 62 161 39 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 62 red, 161 green and 39 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
62 161 39 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, none magenta, 76 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 0% 76% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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