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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 62 121 226 it is the complementary color RGB 193 134 29. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 62 121 226. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 62 121 226: RGB 67 121 221, RGB 84 139 240, RGB 101 157 255, RGB 118 175 255 and RGB 135 193 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 62 121 226. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 62 121 226: RGB 62 121 226, RGB 45 103 207, RGB 28 85 188, RGB 11 67 169 and RGB 0 49 150

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 46 / 0 / 11

HEX #3E79E2

RGB 62 121 226

HSL 218.41, 0.74%, 0.56%

LAB 52.05, 16.21, -59.03

 

Complementary color

CMYK 0 / 31 / 85 / 24

HEX #C1861D

RGB 193 134 29

HSL 38.41, 0.74%, 0.44%

LAB 60.32, 14.25, 59.78

 

CMYK 70 / 45 / 0 / 13

HEX #4379DD

RGB 67 121 221

HSL 218.96, 0.69%, 0.56%

LAB 51.94, 15.11, -56.39

 

CMYK 65 / 42 / 0 / 6

HEX #548BF0

RGB 84 139 240

HSL 218.85, 0.84%, 0.64%

LAB 58.64, 13.39, -56.23

 

CMYK 60 / 38 / 0 / 0

HEX #659DFF

RGB 101 157 255

HSL 218.18, 1%, 0.7%

LAB 65.04, 10.67, -54.24

 

CMYK 54 / 31 / 0 / 0

HEX #76AFFF

RGB 118 175 255

HSL 215.04, 1%, 0.73%

LAB 70.69, 3.69, -45.28

 

CMYK 47 / 24 / 0 / 0

HEX #87C1FF

RGB 135 193 255

HSL 211, 1%, 0.76%

LAB 76.38, -2.5, -36.33

 

CMYK 73 / 46 / 0 / 11

HEX #3E79E2

RGB 62 121 226

HSL 218.41, 0.74%, 0.56%

LAB 52.05, 16.21, -59.03

 

CMYK 78 / 50 / 0 / 19

HEX #2D67CF

RGB 45 103 207

HSL 218.52, 0.64%, 0.49%

LAB 45.31, 18.53, -59.15

 

CMYK 85 / 55 / 0 / 26

HEX #1C55BC

RGB 28 85 188

HSL 218.63, 0.74%, 0.42%

LAB 38.51, 21.37, -59.19

 

CMYK 93 / 60 / 0 / 34

HEX #0B43A9

RGB 11 67 169

HSL 218.73, 0.88%, 0.35%

LAB 31.69, 24.88, -59.06

 

CMYK 100 / 67 / 0 / 41

HEX #003196

RGB 0 49 150

HSL 220.4, 1%, 0.29%

LAB 24.95, 29.05, -58.6

 

CMYK 73 / 46 / 0 / 11

HEX #3E79E2

RGB 62 121 226

HSL 218.41, 0.74%, 0.56%

LAB 52.05, 16.21, -59.03

 

CMYK 74 / 59 / 0 / 12

HEX #3B5CE1

RGB 59 92 225

HSL 228.07, 0.73%, 0.56%

LAB 44.26, 33.73, -71.09

 

CMYK 74 / 71 / 0 / 12

HEX #3B41E1

RGB 59 65 225

HSL 237.83, 0.73%, 0.56%

LAB 38.1, 50.07, -81.19

 

CMYK 64 / 74 / 0 / 12

HEX #513BE1

RGB 81 59 225

HSL 247.95, 0.73%, 0.56%

LAB 38.4, 55.54, -80.65

 

CMYK 52 / 74 / 0 / 12

HEX #6D3BE1

RGB 109 59 225

HSL 258.07, 0.73%, 0.56%

LAB 40.92, 59.12, -76.41

 

CMYK 73 / 46 / 0 / 11

HEX #3E79E2

RGB 62 121 226

HSL 218.41, 0.74%, 0.56%

LAB 52.05, 16.21, -59.03

 

CMYK 73 / 45 / 0 / 91

HEX #060C16

RGB 6 12 22

HSL 217.5, 0.57%, 0.05%

LAB 3.25, 0.39, -5.98

 

CMYK 73 / 47 / 0 / 71

HEX #142749

RGB 20 39 73

HSL 218.49, 0.57%, 0.18%

LAB 15.91, 5.33, -23.51

 

CMYK 73 / 47 / 0 / 51

HEX #22427C

RGB 34 66 124

HSL 218.67, 0.57%, 0.31%

LAB 28.62, 9.44, -36.45

 

CMYK 73 / 46 / 0 / 31

HEX #305EAF

RGB 48 94 175

HSL 218.27, 0.57%, 0.44%

LAB 40.78, 12.6, -47.85

 

CMYK 73 / 46 / 0 / 11

HEX #3E79E2

RGB 62 121 226

HSL 218.41, 0.74%, 0.56%

LAB 52.05, 16.21, -59.03

 

CMYK 12 / 74 / 0 / 12

HEX #C63BE1

RGB 198 59 225

HSL 290.24, 0.73%, 0.56%

LAB 52.48, 74.62, -57.13

 

CMYK 17 / 0 / 74 / 12

HEX #BBE13B

RGB 187 225 59

HSL 73.73, 0.73%, 0.56%

LAB 84.34, -33.77, 71.84

 

CMYK 73 / 46 / 0 / 11

HEX #3E79E2

RGB 62 121 226

HSL 218.41, 0.74%, 0.56%

LAB 52.05, 16.21, -59.03

 

CMYK 0 / 74 / 47 / 12

HEX #E13B78

RGB 225 59 120

HSL 337.95, 0.73%, 0.56%

LAB 52.39, 67, 4.55

 

CMYK 47 / 0 / 74 / 12

HEX #78E13B

RGB 120 225 59

HSL 97.95, 0.73%, 0.56%

LAB 80.83, -57.41, 67.23

 

CMYK 73 / 46 / 0 / 11

HEX #3E79E2

RGB 62 121 226

HSL 218.41, 0.74%, 0.56%

LAB 52.05, 16.21, -59.03

 

CMYK 12 / 74 / 0 / 12

HEX #C63BE1

RGB 198 59 225

HSL 290.24, 0.73%, 0.56%

LAB 52.48, 74.62, -57.13

 

CMYK 0 / 27 / 74 / 12

HEX #E1A43B

RGB 225 164 59

HSL 37.95, 0.73%, 0.56%

LAB 71.47, 13.01, 60.47

 

CMYK 61 / 0 / 74 / 12

HEX #57E13B

RGB 87 225 59

HSL 109.88, 0.73%, 0.56%

LAB 79.72, -66.06, 65.77

 

CMYK 73 / 46 / 0 / 11

HEX #3E79E2

RGB 62 121 226

HSL 218.41, 0.74%, 0.56%

LAB 52.05, 16.21, -59.03

 

CMYK 0 / 74 / 10 / 12

HEX #E13BCB

RGB 225 59 203

HSL 307.95, 0.73%, 0.56%

LAB 55.53, 76.69, -39.48

 

CMYK 0 / 27 / 74 / 12

HEX #E1A43B

RGB 225 164 59

HSL 37.95, 0.73%, 0.56%

LAB 71.47, 13.01, 60.47

 

CMYK 74 / 0 / 64 / 12

HEX #3BE151

RGB 59 225 81

HSL 127.95, 0.73%, 0.56%

LAB 79.26, -69.35, 56.79

 

Description

Color code: RGB 62 121 226 | qconv.com Color code: RGB 62 121 226 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 62 red, 121 green and 226 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
62 121 226 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, 46 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 46% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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