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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 62 110 107 it is the complementary color RGB 193 145 148. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 62 110 107. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 62 110 107: RGB 67 110 102, RGB 84 128 121, RGB 101 146 140, RGB 118 164 159 and RGB 135 182 178

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 62 110 107. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 62 110 107: RGB 62 110 107, RGB 45 92 88, RGB 28 74 69, RGB 11 56 50 and RGB 0 38 31

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 0 / 3 / 57

HEX #3E6E6B

RGB 62 110 107

HSL 176.25, 0.28%, 0.34%

LAB 43.12, -17.09, -3.45

 

Complementary color

CMYK 0 / 25 / 23 / 24

HEX #C19194

RGB 193 145 148

HSL 356.25, 0.28%, 0.66%

LAB 64.74, 18.56, 5.48

 

CMYK 39 / 0 / 7 / 57

HEX #436E66

RGB 67 110 102

HSL 168.84, 0.24%, 0.35%

LAB 43.22, -16.96, -0.26

 

CMYK 34 / 0 / 5 / 50

HEX #548079

RGB 84 128 121

HSL 170.45, 0.21%, 0.42%

LAB 50.34, -16.79, -1.03

 

CMYK 31 / 0 / 4 / 43

HEX #65928C

RGB 101 146 140

HSL 172, 0.18%, 0.48%

LAB 57.29, -16.63, -1.73

 

CMYK 28 / 0 / 3 / 36

HEX #76A49F

RGB 118 164 159

HSL 173.48, 0.2%, 0.55%

LAB 64.08, -16.49, -2.4

 

CMYK 26 / 0 / 2 / 29

HEX #87B6B2

RGB 135 182 178

HSL 174.89, 0.24%, 0.62%

LAB 70.75, -16.37, -3.03

 

CMYK 44 / 0 / 3 / 57

HEX #3E6E6B

RGB 62 110 107

HSL 176.25, 0.28%, 0.34%

LAB 43.12, -17.09, -3.45

 

CMYK 51 / 0 / 4 / 64

HEX #2D5C58

RGB 45 92 88

HSL 174.89, 0.34%, 0.27%

LAB 35.82, -17.13, -2.66

 

CMYK 62 / 0 / 7 / 71

HEX #1C4A45

RGB 28 74 69

HSL 173.48, 0.45%, 0.2%

LAB 28.31, -17.05, -1.75

 

CMYK 80 / 0 / 11 / 78

HEX #0B3832

RGB 11 56 50

HSL 172, 0.67%, 0.13%

LAB 20.56, -16.65, -0.62

 

CMYK 100 / 0 / 18 / 85

HEX #00261F

RGB 0 38 31

HSL 168.95, 1%, 0.07%

LAB 12.51, -15.56, 0.86

 

CMYK 44 / 0 / 3 / 57

HEX #3E6E6B

RGB 62 110 107

HSL 176.25, 0.28%, 0.34%

LAB 43.12, -17.09, -3.45

 

CMYK 44 / 4 / 0 / 57

HEX #3E6A6E

RGB 62 106 110

HSL 185, 0.28%, 0.34%

LAB 41.93, -14.03, -7.02

 

CMYK 44 / 11 / 0 / 57

HEX #3E626E

RGB 62 98 110

HSL 195, 0.28%, 0.34%

LAB 39.39, -9.42, -10.85

 

CMYK 44 / 19 / 0 / 57

HEX #3E596E

RGB 62 89 110

HSL 206.25, 0.28%, 0.34%

LAB 36.55, -4.01, -15.17

 

CMYK 44 / 26 / 0 / 57

HEX #3E516E

RGB 62 81 110

HSL 216.25, 0.28%, 0.34%

LAB 34.06, 1, -19.01

 

CMYK 44 / 0 / 3 / 57

HEX #3E6E6B

RGB 62 110 107

HSL 176.25, 0.28%, 0.34%

LAB 43.12, -17.09, -3.45

 

CMYK 43 / 0 / 2 / 37

HEX #5BA19D

RGB 91 161 157

HSL 176.57, 0.28%, 0.49%

LAB 61.78, -23.04, -4.82

 

CMYK 44 / 0 / 3 / 17

HEX #77D4CE

RGB 119 212 206

HSL 176.13, 0.52%, 0.65%

LAB 79.31, -29.09, -5.68

 

CMYK 37 / 0 / 0 / 97

HEX #050808

RGB 5 8 8

HSL 180, 0.23%, 0.03%

LAB 2.02, -0.78, -0.28

 

CMYK 44 / 0 / 3 / 77

HEX #213B39

RGB 33 59 57

HSL 175.38, 0.28%, 0.18%

LAB 22.82, -10.54, -1.91

 

CMYK 44 / 0 / 3 / 57

HEX #3E6E6B

RGB 62 110 107

HSL 176.25, 0.28%, 0.34%

LAB 43.12, -17.09, -3.45

 

CMYK 38 / 44 / 0 / 57

HEX #443E6E

RGB 68 62 110

HSL 247.5, 0.28%, 0.34%

LAB 28.9, 15.25, -27.03

 

CMYK 0 / 20 / 44 / 57

HEX #6E583E

RGB 110 88 62

HSL 32.5, 0.28%, 0.34%

LAB 38.97, 5.15, 18.49

 

CMYK 44 / 0 / 3 / 57

HEX #3E6E6B

RGB 62 110 107

HSL 176.25, 0.28%, 0.34%

LAB 43.12, -17.09, -3.45

 

CMYK 3 / 44 / 0 / 57

HEX #6B3E6E

RGB 107 62 110

HSL 296.25, 0.28%, 0.34%

LAB 33.34, 27.99, -19.75

 

CMYK 0 / 3 / 44 / 57

HEX #6E6B3E

RGB 110 107 62

HSL 56.25, 0.28%, 0.34%

LAB 44.49, -6.06, 25.6

 

CMYK 44 / 0 / 3 / 57

HEX #3E6E6B

RGB 62 110 107

HSL 176.25, 0.28%, 0.34%

LAB 43.12, -17.09, -3.45

 

CMYK 38 / 44 / 0 / 57

HEX #443E6E

RGB 68 62 110

HSL 247.5, 0.28%, 0.34%

LAB 28.9, 15.25, -27.03

 

CMYK 0 / 44 / 41 / 57

HEX #6E3E41

RGB 110 62 65

HSL 356.25, 0.28%, 0.34%

LAB 32.13, 21.35, 7.3

 

CMYK 5 / 0 / 44 / 57

HEX #686E3E

RGB 104 110 62

HSL 67.5, 0.28%, 0.34%

LAB 44.86, -10.43, 25.96

 

CMYK 44 / 0 / 3 / 57

HEX #3E6E6B

RGB 62 110 107

HSL 176.25, 0.28%, 0.34%

LAB 43.12, -17.09, -3.45

 

CMYK 25 / 44 / 0 / 57

HEX #533E6E

RGB 83 62 110

HSL 266.25, 0.28%, 0.34%

LAB 30.42, 19.97, -24.53

 

CMYK 0 / 44 / 41 / 57

HEX #6E3E41

RGB 110 62 65

HSL 356.25, 0.28%, 0.34%

LAB 32.13, 21.35, 7.3

 

CMYK 19 / 0 / 44 / 57

HEX #596E3E

RGB 89 110 62

HSL 86.25, 0.28%, 0.34%

LAB 43.69, -16.87, 24.23

 

Description

Color code: RGB 62 110 107 | qconv.com Color code: RGB 62 110 107 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 62 red, 110 green and 107 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
62 110 107 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, none magenta, 3 yellow and 57 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 0% 3% 57% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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