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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 61 77 202 it is the complementary color RGB 194 178 53. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 61 77 202. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 61 77 202: RGB 66 77 197, RGB 83 95 216, RGB 100 113 235, RGB 117 131 254 and RGB 134 149 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 61 77 202. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 61 77 202: RGB 61 77 202, RGB 44 59 183, RGB 27 41 164, RGB 10 23 145 and RGB 0 5 126

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 62 / 0 / 21

HEX #3D4DCA

RGB 61 77 202

HSL 233.19, 0.57%, 0.52%

LAB 38.84, 35.27, -66.75

 

Complementary color

CMYK 0 / 8 / 73 / 24

HEX #C2B235

RGB 194 178 53

HSL 53.19, 0.57%, 0.48%

LAB 71.94, -8.1, 62.2

 

CMYK 66 / 61 / 0 / 23

HEX #424DC5

RGB 66 77 197

HSL 234.96, 0.53%, 0.52%

LAB 38.72, 34.21, -64.02

 

CMYK 62 / 56 / 0 / 15

HEX #535FD8

RGB 83 95 216

HSL 234.59, 0.63%, 0.59%

LAB 45.61, 32.11, -63.72

 

CMYK 57 / 52 / 0 / 8

HEX #6471EB

RGB 100 113 235

HSL 234.22, 0.77%, 0.66%

LAB 52.42, 30.32, -63.39

 

CMYK 54 / 48 / 0 / 0

HEX #7583FE

RGB 117 131 254

HSL 233.87, 0.99%, 0.73%

LAB 59.13, 28.79, -63.07

 

CMYK 47 / 42 / 0 / 0

HEX #8695FF

RGB 134 149 255

HSL 232.56, 1%, 0.76%

LAB 64.79, 22.13, -54.52

 

CMYK 70 / 62 / 0 / 21

HEX #3D4DCA

RGB 61 77 202

HSL 233.19, 0.57%, 0.52%

LAB 38.84, 35.27, -66.75

 

CMYK 76 / 68 / 0 / 28

HEX #2C3BB7

RGB 44 59 183

HSL 233.53, 0.61%, 0.45%

LAB 31.99, 37.9, -66.86

 

CMYK 84 / 75 / 0 / 36

HEX #1B29A4

RGB 27 41 164

HSL 233.87, 0.72%, 0.37%

LAB 25.26, 40.79, -66.61

 

CMYK 93 / 84 / 0 / 43

HEX #0A1791

RGB 10 23 145

HSL 234.22, 0.87%, 0.3%

LAB 18.89, 43.49, -65.52

 

CMYK 100 / 96 / 0 / 51

HEX #00057E

RGB 0 5 126

HSL 237.62, 1%, 0.25%

LAB 13.32, 44.89, -62.85

 

CMYK 70 / 62 / 0 / 21

HEX #3D4DCA

RGB 61 77 202

HSL 233.19, 0.57%, 0.52%

LAB 38.84, 35.27, -66.75

 

CMYK 66 / 69 / 0 / 21

HEX #453ECA

RGB 69 62 202

HSL 243, 0.57%, 0.52%

LAB 35.94, 45.36, -71.48

 

CMYK 54 / 69 / 0 / 21

HEX #5D3ECA

RGB 93 62 202

HSL 253.29, 0.57%, 0.52%

LAB 37.91, 48.78, -68.17

 

CMYK 43 / 69 / 0 / 21

HEX #743ECA

RGB 116 62 202

HSL 263.14, 0.57%, 0.52%

LAB 40.28, 52.73, -64.2

 

CMYK 31 / 69 / 0 / 21

HEX #8B3ECA

RGB 139 62 202

HSL 273, 0.57%, 0.52%

LAB 43.06, 57.14, -59.56

 

CMYK 70 / 62 / 0 / 21

HEX #3D4DCA

RGB 61 77 202

HSL 233.19, 0.57%, 0.52%

LAB 38.84, 35.27, -66.75

 

CMYK 70 / 62 / 0 / 1

HEX #4C60FD

RGB 76 96 253

HSL 233.22, 0.98%, 0.65%

LAB 48.25, 42.95, -80.26

 

CMYK 69 / 61 / 0 / 81

HEX #0F1331

RGB 15 19 49

HSL 232.94, 0.53%, 0.13%

LAB 7.13, 9.3, -20.57

 

CMYK 70 / 62 / 0 / 61

HEX #1E2664

RGB 30 38 100

HSL 233.14, 0.54%, 0.25%

LAB 18.29, 19.01, -37.75

 

CMYK 70 / 62 / 0 / 41

HEX #2E3A97

RGB 46 58 151

HSL 233.14, 0.53%, 0.39%

LAB 29.01, 27.16, -52.5

 

CMYK 70 / 62 / 0 / 21

HEX #3D4DCA

RGB 61 77 202

HSL 233.19, 0.57%, 0.52%

LAB 38.84, 35.27, -66.75

 

CMYK 0 / 69 / 6 / 21

HEX #CA3EBE

RGB 202 62 190

HSL 305.14, 0.57%, 0.52%

LAB 51.52, 68.63, -38.56

 

CMYK 34 / 0 / 69 / 21

HEX #86CA3E

RGB 134 202 62

HSL 89.14, 0.57%, 0.52%

LAB 74.61, -43.36, 60.12

 

CMYK 70 / 62 / 0 / 21

HEX #3D4DCA

RGB 61 77 202

HSL 233.19, 0.57%, 0.52%

LAB 38.84, 35.27, -66.75

 

CMYK 0 / 69 / 61 / 21

HEX #CA3E4F

RGB 202 62 79

HSL 352.71, 0.57%, 0.52%

LAB 47.71, 56.06, 22.25

 

CMYK 61 / 0 / 69 / 21

HEX #4FCA3E

RGB 79 202 62

HSL 112.71, 0.57%, 0.52%

LAB 72.4, -59.74, 57.13

 

CMYK 70 / 62 / 0 / 21

HEX #3D4DCA

RGB 61 77 202

HSL 233.19, 0.57%, 0.52%

LAB 38.84, 35.27, -66.75

 

CMYK 0 / 69 / 6 / 21

HEX #CA3EBE

RGB 202 62 190

HSL 305.14, 0.57%, 0.52%

LAB 51.52, 68.63, -38.56

 

CMYK 0 / 8 / 69 / 21

HEX #CABA3E

RGB 202 186 62

HSL 53.14, 0.57%, 0.52%

LAB 74.84, -8.35, 61.88

 

CMYK 69 / 0 / 63 / 21

HEX #3ECA4A

RGB 62 202 74

HSL 125.14, 0.57%, 0.52%

LAB 72.07, -62.07, 51.76

 

CMYK 70 / 62 / 0 / 21

HEX #3D4DCA

RGB 61 77 202

HSL 233.19, 0.57%, 0.52%

LAB 38.84, 35.27, -66.75

 

CMYK 0 / 69 / 27 / 21

HEX #CA3E94

RGB 202 62 148

HSL 323.14, 0.57%, 0.52%

LAB 49.67, 62.7, -16.73

 

CMYK 0 / 8 / 69 / 21

HEX #CABA3E

RGB 202 186 62

HSL 53.14, 0.57%, 0.52%

LAB 74.84, -8.35, 61.88

 

CMYK 69 / 0 / 43 / 21

HEX #3ECA74

RGB 62 202 116

HSL 143.14, 0.57%, 0.52%

LAB 72.58, -56.15, 32.36

 

Description

Color code: RGB 61 77 202 | qconv.com Color code: RGB 61 77 202 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 61 red, 77 green and 202 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
61 77 202 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, 62 magenta, none yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 62% 0% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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