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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 61 223 176 it is the complementary color RGB 194 32 79. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 61 223 176. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 61 223 176: RGB 66 223 171, RGB 83 241 190, RGB 100 255 209, RGB 117 255 228 and RGB 134 255 247

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 61 223 176. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 61 223 176: RGB 61 223 176, RGB 44 205 157, RGB 27 187 138, RGB 10 169 119 and RGB 0 151 100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 0 / 21 / 13

HEX #3DDFB0

RGB 61 223 176

HSL 162.59, 0.72%, 0.56%

LAB 80.12, -52.07, 11.28

 

Complementary color

CMYK 0 / 84 / 59 / 24

HEX #C2204F

RGB 194 32 79

HSL 342.59, 0.72%, 0.44%

LAB 42.86, 63.08, 15.53

 

CMYK 70 / 0 / 23 / 13

HEX #42DFAB

RGB 66 223 171

HSL 160.13, 0.71%, 0.57%

LAB 80.11, -52.55, 13.9

 

CMYK 66 / 0 / 21 / 5

HEX #53F1BE

RGB 83 241 190

HSL 160.63, 0.85%, 0.64%

LAB 86.24, -52.97, 12.68

 

CMYK 61 / 0 / 18 / 0

HEX #64FFD1

RGB 100 255 209

HSL 162.19, 1%, 0.7%

LAB 91.16, -51.58, 9.9

 

CMYK 54 / 0 / 11 / 0

HEX #75FFE4

RGB 117 255 228

HSL 168.26, 1%, 0.73%

LAB 92.09, -44.01, 1.48

 

CMYK 47 / 0 / 3 / 0

HEX #86FFF7

RGB 134 255 247

HSL 176.03, 1%, 0.76%

LAB 93.15, -35.95, -6.73

 

CMYK 73 / 0 / 21 / 13

HEX #3DDFB0

RGB 61 223 176

HSL 162.59, 0.72%, 0.56%

LAB 80.12, -52.07, 11.28

 

CMYK 79 / 0 / 23 / 20

HEX #2CCD9D

RGB 44 205 157

HSL 162.11, 0.65%, 0.49%

LAB 73.95, -51.3, 12.61

 

CMYK 86 / 0 / 26 / 27

HEX #1BBB8A

RGB 27 187 138

HSL 161.63, 0.75%, 0.42%

LAB 67.73, -50.19, 14.08

 

CMYK 94 / 0 / 30 / 34

HEX #0AA977

RGB 10 169 119

HSL 161.13, 0.89%, 0.35%

LAB 61.46, -48.65, 15.71

 

CMYK 100 / 0 / 34 / 41

HEX #009764

RGB 0 151 100

HSL 159.74, 1%, 0.3%

LAB 55.13, -46.57, 17.53

 

CMYK 73 / 0 / 21 / 13

HEX #3DDFB0

RGB 61 223 176

HSL 162.59, 0.72%, 0.56%

LAB 80.12, -52.07, 11.28

 

CMYK 72 / 0 / 9 / 13

HEX #3EDFCA

RGB 62 223 202

HSL 172.17, 0.72%, 0.56%

LAB 80.77, -45.47, -1.57

 

CMYK 72 / 2 / 0 / 13

HEX #3EDADF

RGB 62 218 223

HSL 181.86, 0.72%, 0.56%

LAB 79.89, -37.47, -14.07

 

CMYK 72 / 14 / 0 / 13

HEX #3EBFDF

RGB 62 191 223

HSL 191.93, 0.72%, 0.56%

LAB 71.97, -24.46, -26.08

 

CMYK 72 / 26 / 0 / 13

HEX #3EA4DF

RGB 62 164 223

HSL 201.99, 0.72%, 0.56%

LAB 64.08, -10.2, -38.29

 

CMYK 73 / 0 / 21 / 13

HEX #3DDFB0

RGB 61 223 176

HSL 162.59, 0.72%, 0.56%

LAB 80.12, -52.07, 11.28

 

CMYK 74 / 0 / 21 / 93

HEX #05130F

RGB 5 19 15

HSL 162.86, 0.58%, 0.05%

LAB 4.81, -5.1, 0.65

 

CMYK 73 / 0 / 21 / 73

HEX #134637

RGB 19 70 55

HSL 162.35, 0.57%, 0.17%

LAB 26.14, -21.07, 4.16

 

CMYK 73 / 0 / 21 / 53

HEX #21795F

RGB 33 121 95

HSL 162.27, 0.57%, 0.3%

LAB 45.39, -32.34, 6.9

 

CMYK 73 / 0 / 21 / 33

HEX #2FAC88

RGB 47 172 136

HSL 162.72, 0.57%, 0.43%

LAB 63.25, -42.38, 8.89

 

CMYK 73 / 0 / 21 / 13

HEX #3DDFB0

RGB 61 223 176

HSL 162.59, 0.72%, 0.56%

LAB 80.12, -52.07, 11.28

 

CMYK 72 / 65 / 0 / 13

HEX #3E4EDF

RGB 62 78 223

HSL 234.04, 0.72%, 0.56%

LAB 40.9, 42.05, -75.45

 

CMYK 0 / 51 / 72 / 13

HEX #DF6E3E

RGB 223 110 62

HSL 17.89, 0.72%, 0.56%

LAB 59.15, 40.77, 46.28

 

CMYK 73 / 0 / 21 / 13

HEX #3DDFB0

RGB 61 223 176

HSL 162.59, 0.72%, 0.56%

LAB 80.12, -52.07, 11.28

 

CMYK 22 / 72 / 0 / 13

HEX #AF3EDF

RGB 175 62 223

HSL 282.11, 0.72%, 0.56%

LAB 49.36, 68.71, -61.18

 

CMYK 0 / 22 / 72 / 13

HEX #DFAF3E

RGB 223 175 62

HSL 42.11, 0.72%, 0.56%

LAB 73.99, 6.44, 61.7

 

CMYK 73 / 0 / 21 / 13

HEX #3DDFB0

RGB 61 223 176

HSL 162.59, 0.72%, 0.56%

LAB 80.12, -52.07, 11.28

 

CMYK 72 / 65 / 0 / 13

HEX #3E4EDF

RGB 62 78 223

HSL 234.04, 0.72%, 0.56%

LAB 40.9, 42.05, -75.45

 

CMYK 0 / 72 / 51 / 13

HEX #DF3E6E

RGB 223 62 110

HSL 342.11, 0.72%, 0.56%

LAB 52.13, 64.62, 10.15

 

CMYK 0 / 7 / 72 / 13

HEX #DFCF3E

RGB 223 207 62

HSL 54.04, 0.72%, 0.56%

LAB 82.2, -10.13, 69.72

 

CMYK 73 / 0 / 21 / 13

HEX #3DDFB0

RGB 61 223 176

HSL 162.59, 0.72%, 0.56%

LAB 80.12, -52.07, 11.28

 

CMYK 58 / 72 / 0 / 13

HEX #5E3EDF

RGB 94 62 223

HSL 251.93, 0.72%, 0.56%

LAB 39.84, 55.02, -77.1

 

CMYK 0 / 72 / 51 / 13

HEX #DF3E6E

RGB 223 62 110

HSL 342.11, 0.72%, 0.56%

LAB 52.13, 64.62, 10.15

 

CMYK 14 / 0 / 72 / 13

HEX #BFDF3E

RGB 191 223 62

HSL 71.93, 0.72%, 0.56%

LAB 84.07, -31.12, 70.68

 

Description

Color code: RGB 61 223 176 | qconv.com Color code: RGB 61 223 176 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 61 red, 223 green and 176 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
61 223 176 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, none magenta, 21 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 0% 21% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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