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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 61 167 221 it is the complementary color RGB 194 88 34. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 61 167 221. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 61 167 221: RGB 66 167 216, RGB 83 185 235, RGB 100 203 254, RGB 117 221 255 and RGB 134 239 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 61 167 221. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 61 167 221: RGB 61 167 221, RGB 44 149 202, RGB 27 131 183, RGB 10 113 164 and RGB 0 95 145

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 24 / 0 / 13

HEX #3DA7DD

RGB 61 167 221

HSL 200.25, 0.7%, 0.55%

LAB 64.84, -12.65, -36

 

Complementary color

CMYK 0 / 55 / 82 / 24

HEX #C25822

RGB 194 88 34

HSL 20.25, 0.7%, 0.45%

LAB 50.17, 39.46, 49.17

 

CMYK 69 / 23 / 0 / 15

HEX #42A7D8

RGB 66 167 216

HSL 199.6, 0.66%, 0.55%

LAB 64.77, -13.63, -33.35

 

CMYK 65 / 21 / 0 / 8

HEX #53B9EB

RGB 83 185 235

HSL 199.74, 0.79%, 0.62%

LAB 71.24, -14.56, -33.68

 

CMYK 61 / 20 / 0 / 0

HEX #64CBFE

RGB 100 203 254

HSL 199.87, 0.99%, 0.69%

LAB 77.62, -15.3, -34

 

CMYK 54 / 13 / 0 / 0

HEX #75DDFF

RGB 117 221 255

HSL 194.78, 1%, 0.73%

LAB 83.29, -21.04, -25.78

 

CMYK 47 / 6 / 0 / 0

HEX #86EFFF

RGB 134 239 255

HSL 187.93, 1%, 0.76%

LAB 88.93, -26.38, -17.18

 

CMYK 72 / 24 / 0 / 13

HEX #3DA7DD

RGB 61 167 221

HSL 200.25, 0.7%, 0.55%

LAB 64.84, -12.65, -36

 

CMYK 78 / 26 / 0 / 21

HEX #2C95CA

RGB 44 149 202

HSL 200.13, 0.64%, 0.48%

LAB 58.32, -11.27, -35.63

 

CMYK 85 / 28 / 0 / 28

HEX #1B83B7

RGB 27 131 183

HSL 200, 0.74%, 0.41%

LAB 51.71, -9.49, -35.2

 

CMYK 94 / 31 / 0 / 36

HEX #0A71A4

RGB 10 113 164

HSL 199.87, 0.89%, 0.34%

LAB 45.02, -7.18, -34.69

 

CMYK 100 / 34 / 0 / 43

HEX #005F91

RGB 0 95 145

HSL 200.69, 1%, 0.28%

LAB 38.25, -4.24, -34.07

 

CMYK 72 / 24 / 0 / 13

HEX #3DA7DD

RGB 61 167 221

HSL 200.25, 0.7%, 0.55%

LAB 64.84, -12.65, -36

 

CMYK 73 / 36 / 0 / 14

HEX #3B8CDC

RGB 59 140 220

HSL 209.81, 0.7%, 0.55%

LAB 56.93, 2.1, -47.88

 

CMYK 73 / 49 / 0 / 14

HEX #3B71DC

RGB 59 113 220

HSL 219.88, 0.7%, 0.55%

LAB 49.38, 18.65, -59.95

 

CMYK 73 / 61 / 0 / 14

HEX #3B56DC

RGB 59 86 220

HSL 229.94, 0.7%, 0.55%

LAB 42.39, 35.72, -71.3

 

CMYK 73 / 73 / 0 / 14

HEX #3B3BDC

RGB 59 59 220

HSL 240, 0.7%, 0.55%

LAB 36.41, 51.79, -81.11

 

CMYK 72 / 24 / 0 / 13

HEX #3DA7DD

RGB 61 167 221

HSL 200.25, 0.7%, 0.55%

LAB 64.84, -12.65, -36

 

CMYK 71 / 24 / 0 / 93

HEX #050D11

RGB 5 13 17

HSL 200, 0.55%, 0.04%

LAB 3.26, -1.44, -2.73

 

CMYK 72 / 25 / 0 / 73

HEX #133344

RGB 19 51 68

HSL 200.82, 0.56%, 0.17%

LAB 19.73, -5.42, -14.08

 

CMYK 72 / 24 / 0 / 53

HEX #215A77

RGB 33 90 119

HSL 200.23, 0.57%, 0.3%

LAB 35.92, -8.27, -21.81

 

CMYK 72 / 25 / 0 / 33

HEX #2F80AA

RGB 47 128 170

HSL 200.49, 0.57%, 0.43%

LAB 50.62, -10.25, -29.36

 

CMYK 72 / 24 / 0 / 13

HEX #3DA7DD

RGB 61 167 221

HSL 200.25, 0.7%, 0.55%

LAB 64.84, -12.65, -36

 

CMYK 34 / 73 / 0 / 14

HEX #913BDC

RGB 145 59 220

HSL 272.05, 0.7%, 0.55%

LAB 44.68, 63.68, -67.24

 

CMYK 0 / 5 / 73 / 14

HEX #DCD13B

RGB 220 209 59

HSL 55.9, 0.7%, 0.55%

LAB 82.45, -12.54, 70.91

 

CMYK 72 / 24 / 0 / 13

HEX #3DA7DD

RGB 61 167 221

HSL 200.25, 0.7%, 0.55%

LAB 64.84, -12.65, -36

 

CMYK 0 / 73 / 24 / 14

HEX #DC3BA7

RGB 220 59 167

HSL 319.75, 0.7%, 0.55%

LAB 53.1, 70.69, -22.46

 

CMYK 24 / 0 / 73 / 14

HEX #A7DC3B

RGB 167 220 59

HSL 79.75, 0.7%, 0.55%

LAB 81.68, -39.25, 68.86

 

CMYK 72 / 24 / 0 / 13

HEX #3DA7DD

RGB 61 167 221

HSL 200.25, 0.7%, 0.55%

LAB 64.84, -12.65, -36

 

CMYK 34 / 73 / 0 / 14

HEX #913BDC

RGB 145 59 220

HSL 272.05, 0.7%, 0.55%

LAB 44.68, 63.68, -67.24

 

CMYK 0 / 49 / 73 / 14

HEX #DC713B

RGB 220 113 59

HSL 20.12, 0.7%, 0.55%

LAB 59.29, 37.94, 47.8

 

CMYK 39 / 0 / 73 / 14

HEX #86DC3B

RGB 134 220 59

HSL 92.05, 0.7%, 0.55%

LAB 79.94, -51.04, 66.55

 

CMYK 72 / 24 / 0 / 13

HEX #3DA7DD

RGB 61 167 221

HSL 200.25, 0.7%, 0.55%

LAB 64.84, -12.65, -36

 

CMYK 12 / 73 / 0 / 14

HEX #C13BDC

RGB 193 59 220

HSL 289.94, 0.7%, 0.55%

LAB 51.42, 72.75, -56.03

 

CMYK 0 / 49 / 73 / 14

HEX #DC713B

RGB 220 113 59

HSL 20.12, 0.7%, 0.55%

LAB 59.29, 37.94, 47.8

 

CMYK 61 / 0 / 73 / 14

HEX #56DC3B

RGB 86 220 59

HSL 109.94, 0.7%, 0.55%

LAB 78.16, -64.59, 64.19

 

Description

Color code: RGB 61 167 221 | qconv.com Color code: RGB 61 167 221 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 61 red, 167 green and 221 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
61 167 221 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, 24 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 24% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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