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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 60 72.8 91.4 it is the complementary color RGB 195 182.2 163.6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 60 72.8 91.4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 60 72.8 91.4 shade: RGB 65 72.8 86.4, RGB 82 90.8 105.4, RGB 99 108.8 124.4, RGB 116 126.8 143.4 and RGB 133 144.8 162.4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 60 72.8 91.4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 60 72.8 91.4 shade: RGB 60 72.8 91.4, RGB 43 54.8 72.4, RGB 26 36.8 53.4, RGB 9 18.8 34.4 and RGB 0 0.8 15.4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 60 72.8 91.4 shade: RGB 60 74 93, RGB 60 65 93, RGB 65 60 93, RGB 73 60 93 and RGB 82 60 93

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 60 72.8 91.4 shade: RGB 60 74 93, RGB 60 65 93 and RGB 60 60 93

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 60 72.8 91.4 shade matches the following richer shades: RGB 60 74 93, RGB 48 71 105, RGB 36 69 117, RGB 23 67 130 and RGB 11 64 142

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 60 72.8 91.4 shade: RGB 60 74 93, RGB 73 76 80, RGB 85 78 68, RGB 98 80 55 and RGB 110 83 43

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 60 72.8 91.4 shade: RGB 60 91 93, RGB 60 82 93, RGB 60 74 93, RGB 60 65 93 and RGB 64 60 93

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 60 72.8 91.4 shade: RGB 28 34 43, RGB 44 54 68, RGB 60 74 93, RGB 77 93 118 and RGB 93 113 142

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 60 72.8 91.4 shade: RGB 60 72.8 91.4, RGB 86 60 93 and RGB 87 93 60

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 60 72.8 91.4 shade: RGB 60 72.8 91.4, RGB 93 60 74 and RGB 74 93 60

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 60 72.8 91.4 shade: RGB 60 72.8 91.4, RGB 86 60 93, RGB 93 79 60 and RGB 67 93 60

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 60 72.8 91.4 shade: RGB 60 72.8 91.4, RGB 93 60 90, RGB 93 79 60 and RGB 60 93 63

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 20 / 0 / 64

HEX #3C485B

RGB 60 72.8 91.4

HSL 215.54, 0.21%, 0.3%

LAB 30.55, -0.03, -12.64

 

Complementary color

CMYK 0 / 7 / 16 / 24

HEX #C3B6A3

RGB 195 182.2 163.6

HSL 35.54, 0.21%, 0.7%

LAB 74.7, 1.43, 11.1

 

CMYK 25 / 16 / 0 / 66

HEX #414856

RGB 65 72.8 86.4

HSL 218.13, 0.14%, 0.3%

LAB 30.74, 0.3, -9.11

 

CMYK 22 / 14 / 0 / 59

HEX #525A69

RGB 82 90.8 105.4

HSL 217.44, 0.12%, 0.37%

LAB 38.32, 0.1, -9.5

 

CMYK 20 / 13 / 0 / 51

HEX #636C7C

RGB 99 108.8 124.4

HSL 216.85, 0.11%, 0.44%

LAB 45.65, -0.08, -9.89

 

CMYK 19 / 12 / 0 / 44

HEX #747E8F

RGB 116 126.8 143.4

HSL 216.35, 0.11%, 0.51%

LAB 52.77, -0.25, -10.3

 

CMYK 18 / 11 / 0 / 36

HEX #8590A2

RGB 133 144.8 162.4

HSL 215.92, 0.14%, 0.58%

LAB 59.71, -0.4, -10.71

 

CMYK 34 / 20 / 0 / 64

HEX #3C485B

RGB 60 72.8 91.4

HSL 215.54, 0.21%, 0.3%

LAB 30.55, -0.03, -12.64

 

CMYK 41 / 24 / 0 / 72

HEX #2B3648

RGB 43 54.8 72.4

HSL 215.92, 0.25%, 0.23%

LAB 22.65, 0.3, -12.42

 

CMYK 51 / 31 / 0 / 79

HEX #1A2435

RGB 26 36.8 53.4

HSL 216.35, 0.35%, 0.16%

LAB 14.35, 0.79, -12.28

 

CMYK 74 / 45 / 0 / 87

HEX #091222

RGB 9 18.8 34.4

HSL 216.85, 0.59%, 0.09%

LAB 5.73, 1.36, -11.85

 

CMYK 100 / 95 / 0 / 94

HEX #00000F

RGB 0 0.8 15.4

HSL 236.88, 1%, 0.03%

LAB 0.48, 1.94, -5.93

 

CMYK 35 / 20 / 0 / 64

HEX #3C4A5D

RGB 60 74 93

HSL 214.55, 0.22%, 0.3%

LAB 30.99, -0.33, -12.99

 

CMYK 35 / 30 / 0 / 64

HEX #3C415D

RGB 60 65 93

HSL 230.91, 0.22%, 0.3%

LAB 28.2, 5.54, -17.29

 

CMYK 30 / 35 / 0 / 64

HEX #413C5D

RGB 65 60 93

HSL 249.09, 0.22%, 0.3%

LAB 27.15, 10.55, -18.88

 

CMYK 22 / 35 / 0 / 64

HEX #493C5D

RGB 73 60 93

HSL 263.64, 0.22%, 0.3%

LAB 27.95, 13.33, -17.58

 

CMYK 12 / 35 / 0 / 64

HEX #523C5D

RGB 82 60 93

HSL 280, 0.22%, 0.3%

LAB 28.94, 16.57, -15.96

 

CMYK 35 / 20 / 0 / 64

HEX #3C4A5D

RGB 60 74 93

HSL 214.55, 0.22%, 0.3%

LAB 30.99, -0.33, -12.99

 

CMYK 35 / 30 / 0 / 64

HEX #3C415D

RGB 60 65 93

HSL 230.91, 0.22%, 0.3%

LAB 28.2, 5.54, -17.29

 

CMYK 35 / 35 / 0 / 64

HEX #3C3C5D

RGB 60 60 93

HSL 240, 0.22%, 0.3%

LAB 26.69, 8.88, -19.64

 

CMYK 35 / 20 / 0 / 64

HEX #3C4A5D

RGB 60 74 93

HSL 214.55, 0.22%, 0.3%

LAB 30.99, -0.33, -12.99

 

CMYK 54 / 32 / 0 / 59

HEX #304769

RGB 48 71 105

HSL 215.79, 0.37%, 0.3%

LAB 29.8, 1.92, -22.54

 

CMYK 69 / 41 / 0 / 54

HEX #244575

RGB 36 69 117

HSL 215.56, 0.53%, 0.3%

LAB 29.2, 5, -31.12

 

CMYK 82 / 48 / 0 / 49

HEX #174382

RGB 23 67 130

HSL 215.33, 0.7%, 0.3%

LAB 28.92, 9.67, -39.73

 

CMYK 92 / 55 / 0 / 44

HEX #0B408E

RGB 11 64 142

HSL 215.73, 0.86%, 0.3%

LAB 28.62, 15.79, -47.67

 

CMYK 35 / 20 / 0 / 64

HEX #3C4A5D

RGB 60 74 93

HSL 214.55, 0.22%, 0.3%

LAB 30.99, -0.33, -12.99

 

CMYK 9 / 5 / 0 / 69

HEX #494C50

RGB 73 76 80

HSL 214.29, 0.05%, 0.3%

LAB 32.18, -0.3, -2.79

 

CMYK 0 / 8 / 20 / 67

HEX #554E44

RGB 85 78 68

HSL 35.29, 0.11%, 0.3%

LAB 33.56, 0.98, 6.97

 

CMYK 0 / 18 / 44 / 62

HEX #625037

RGB 98 80 55

HSL 34.88, 0.28%, 0.3%

LAB 35.22, 3.64, 17.55

 

CMYK 0 / 25 / 61 / 57

HEX #6E532B

RGB 110 83 43

HSL 35.82, 0.44%, 0.3%

LAB 37.25, 6.18, 27.46

 

CMYK 35 / 2 / 0 / 64

HEX #3C5B5D

RGB 60 91 93

HSL 183.64, 0.22%, 0.3%

LAB 36.43, -10.77, -4.79

 

CMYK 35 / 12 / 0 / 64

HEX #3C525D

RGB 60 82 93

HSL 200, 0.22%, 0.3%

LAB 33.53, -5.36, -9.13

 

CMYK 35 / 20 / 0 / 64

HEX #3C4A5D

RGB 60 74 93

HSL 214.55, 0.22%, 0.3%

LAB 30.99, -0.33, -12.99

 

CMYK 35 / 30 / 0 / 64

HEX #3C415D

RGB 60 65 93

HSL 230.91, 0.22%, 0.3%

LAB 28.2, 5.54, -17.29

 

CMYK 31 / 35 / 0 / 64

HEX #403C5D

RGB 64 60 93

HSL 247.27, 0.22%, 0.3%

LAB 27.05, 10.21, -19.04

 

CMYK 35 / 21 / 0 / 83

HEX #1C222B

RGB 28 34 43

HSL 216, 0.21%, 0.14%

LAB 13.02, -0.02, -6.88

 

CMYK 35 / 21 / 0 / 73

HEX #2C3644

RGB 44 54 68

HSL 215, 0.21%, 0.22%

LAB 22.27, -0.19, -10.05

 

CMYK 35 / 20 / 0 / 64

HEX #3C4A5D

RGB 60 74 93

HSL 214.55, 0.22%, 0.3%

LAB 30.99, -0.33, -12.99

 

CMYK 35 / 21 / 0 / 54

HEX #4D5D76

RGB 77 93 118

HSL 216.59, 0.21%, 0.38%

LAB 39.1, 0.47, -16.11

 

CMYK 35 / 20 / 0 / 44

HEX #5D718E

RGB 93 113 142

HSL 215.51, 0.21%, 0.46%

LAB 47.09, 0.05, -18.24

 

CMYK 34 / 20 / 0 / 64

HEX #3C485B

RGB 60 72.8 91.4

HSL 215.54, 0.21%, 0.3%

LAB 30.55, -0.03, -12.64

 

CMYK 8 / 35 / 0 / 64

HEX #563C5D

RGB 86 60 93

HSL 287.27, 0.22%, 0.3%

LAB 29.41, 18.04, -15.19

 

CMYK 6 / 0 / 35 / 64

HEX #575D3C

RGB 87 93 60

HSL 70.91, 0.22%, 0.3%

LAB 38.17, -8.48, 18.21

 

CMYK 34 / 20 / 0 / 64

HEX #3C485B

RGB 60 72.8 91.4

HSL 215.54, 0.21%, 0.3%

LAB 30.55, -0.03, -12.64

 

CMYK 0 / 35 / 20 / 64

HEX #5D3C4A

RGB 93 60 74

HSL 334.55, 0.22%, 0.3%

LAB 29.55, 16.85, -2.57

 

CMYK 20 / 0 / 35 / 64

HEX #4A5D3C

RGB 74 93 60

HSL 94.55, 0.22%, 0.3%

LAB 37.13, -14.06, 16.65

 

CMYK 34 / 20 / 0 / 64

HEX #3C485B

RGB 60 72.8 91.4

HSL 215.54, 0.21%, 0.3%

LAB 30.55, -0.03, -12.64

 

CMYK 8 / 35 / 0 / 64

HEX #563C5D

RGB 86 60 93

HSL 287.27, 0.22%, 0.3%

LAB 29.41, 18.04, -15.19

 

CMYK 0 / 15 / 35 / 64

HEX #5D4F3C

RGB 93 79 60

HSL 34.55, 0.22%, 0.3%

LAB 34.49, 2.64, 13.4

 

CMYK 28 / 0 / 35 / 64

HEX #435D3C

RGB 67 93 60

HSL 107.27, 0.22%, 0.3%

LAB 36.65, -16.9, 15.92

 

CMYK 34 / 20 / 0 / 64

HEX #3C485B

RGB 60 72.8 91.4

HSL 215.54, 0.21%, 0.3%

LAB 30.55, -0.03, -12.64

 

CMYK 0 / 35 / 3 / 64

HEX #5D3C5A

RGB 93 60 90

HSL 305.45, 0.22%, 0.3%

LAB 30.15, 19.98, -12.05

 

CMYK 0 / 15 / 35 / 64

HEX #5D4F3C

RGB 93 79 60

HSL 34.55, 0.22%, 0.3%

LAB 34.49, 2.64, 13.4

 

CMYK 35 / 0 / 32 / 64

HEX #3C5D3F

RGB 60 93 63

HSL 125.45, 0.22%, 0.3%

LAB 36.27, -19.01, 13.52

 

Description

Color code: RGB 60 72.8 91.4 | qconv.com Color code: RGB 60 72.8 91.4 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 60 red, 72.8 green and 91.4 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
60 72.8 91.4 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, 20 magenta, none yellow and 64 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 20% 0% 64% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

52% - ふとんなどの寝具なら東京西川公式サイト
Link: http://www.nishikawasangyo.co.jp

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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