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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3C5B5D it is the complementary color #C3A4A2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3C5B5D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3C5B5D shade: #415B58, #526D6B, #637F7E, #749191 and #85A3A4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3C5B5D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3C5B5D shade: #3C5B5D, #2B494A, #1A3737, #092524 and #001311

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3C5B5D shade: #3C5B5D, #3C525D, #3C495D, #3C405D and #403C5D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3C5B5D shade: #3C5B5D, #3C525D, #3C495D, #3C405D and #3C3C5D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3C5B5D shade matches the following richer shades: #3C5B5D, #2F666A, #237176, #177C82 and #0A878F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3C5B5D shade: #3C5B5D, #485051, #544645, #613B38 and #6D302C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3C5B5D shade: #3C5D4D, #3C5D56, #3C5C5D, #3C535D and #3C4A5D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3C5B5D shade: #1B2A2B, #2C4344, #3C5B5D, #4C7476 and #5C8D90

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3C5B5D shade: #3C5B5D, #443C5D and #5D523C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3C5B5D shade: #3C5B5D, #5D3C5C and #5C5D3C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3C5B5D shade: #3C5B5D, #443C5D, #5D3D3C and #555D3C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3C5B5D shade: #3C5B5D, #4E3C5D, #5D3D3C and #4B5D3C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 2 / 0 / 64

HEX #3C5B5D

RGB 60 91 93

HSL 183.64, 0.22%, 0.3%

LAB 36.43, -10.77, -4.79

 

Complementary color

CMYK 0 / 16 / 17 / 24

HEX #C3A4A2

RGB 195 164 162

HSL 3.64, 0.22%, 0.7%

LAB 70.01, 11.02, 5.27

 

CMYK 29 / 0 / 3 / 64

HEX #415B58

RGB 65 91 88

HSL 173.08, 0.17%, 0.31%

LAB 36.58, -10.43, -1.43

 

CMYK 25 / 0 / 2 / 57

HEX #526D6B

RGB 82 109 107

HSL 175.56, 0.14%, 0.37%

LAB 43.93, -10.31, -2.12

 

CMYK 22 / 0 / 1 / 50

HEX #637F7E

RGB 99 127 126

HSL 177.86, 0.12%, 0.44%

LAB 51.08, -10.21, -2.76

 

CMYK 20 / 0 / 0 / 43

HEX #749191

RGB 116 145 145

HSL 180, 0.12%, 0.51%

LAB 58.04, -10.14, -3.38

 

CMYK 19 / 1 / 0 / 36

HEX #85A3A4

RGB 133 163 164

HSL 181.94, 0.15%, 0.58%

LAB 64.85, -10.08, -3.96

 

CMYK 35 / 2 / 0 / 64

HEX #3C5B5D

RGB 60 91 93

HSL 183.64, 0.22%, 0.3%

LAB 36.43, -10.77, -4.79

 

CMYK 42 / 1 / 0 / 71

HEX #2B494A

RGB 43 73 74

HSL 181.94, 0.26%, 0.23%

LAB 28.83, -10.84, -4.14

 

CMYK 53 / 0 / 0 / 78

HEX #1A3737

RGB 26 55 55

HSL 180, 0.36%, 0.16%

LAB 20.93, -10.86, -3.39

 

CMYK 76 / 0 / 3 / 85

HEX #092524

RGB 9 37 36

HSL 177.86, 0.61%, 0.09%

LAB 12.66, -10.7, -2.48

 

CMYK 100 / 0 / 11 / 93

HEX #001311

RGB 0 19 17

HSL 173.68, 1%, 0.04%

LAB 4.57, -6.03, -0.85

 

CMYK 35 / 2 / 0 / 64

HEX #3C5B5D

RGB 60 91 93

HSL 183.64, 0.22%, 0.3%

LAB 36.43, -10.77, -4.79

 

CMYK 35 / 12 / 0 / 64

HEX #3C525D

RGB 60 82 93

HSL 200, 0.22%, 0.3%

LAB 33.53, -5.36, -9.13

 

CMYK 35 / 22 / 0 / 64

HEX #3C495D

RGB 60 73 93

HSL 216.36, 0.22%, 0.3%

LAB 30.68, 0.31, -13.47

 

CMYK 35 / 31 / 0 / 64

HEX #3C405D

RGB 60 64 93

HSL 232.73, 0.22%, 0.3%

LAB 27.89, 6.2, -17.76

 

CMYK 31 / 35 / 0 / 64

HEX #403C5D

RGB 64 60 93

HSL 247.27, 0.22%, 0.3%

LAB 27.05, 10.21, -19.04

 

CMYK 35 / 2 / 0 / 64

HEX #3C5B5D

RGB 60 91 93

HSL 183.64, 0.22%, 0.3%

LAB 36.43, -10.77, -4.79

 

CMYK 35 / 12 / 0 / 64

HEX #3C525D

RGB 60 82 93

HSL 200, 0.22%, 0.3%

LAB 33.53, -5.36, -9.13

 

CMYK 35 / 22 / 0 / 64

HEX #3C495D

RGB 60 73 93

HSL 216.36, 0.22%, 0.3%

LAB 30.68, 0.31, -13.47

 

CMYK 35 / 31 / 0 / 64

HEX #3C405D

RGB 60 64 93

HSL 232.73, 0.22%, 0.3%

LAB 27.89, 6.2, -17.76

 

CMYK 35 / 35 / 0 / 64

HEX #3C3C5D

RGB 60 60 93

HSL 240, 0.22%, 0.3%

LAB 26.69, 8.88, -19.64

 

CMYK 35 / 2 / 0 / 64

HEX #3C5B5D

RGB 60 91 93

HSL 183.64, 0.22%, 0.3%

LAB 36.43, -10.77, -4.79

 

CMYK 56 / 4 / 0 / 58

HEX #2F666A

RGB 47 102 106

HSL 184.07, 0.39%, 0.3%

LAB 39.83, -16.82, -7.81

 

CMYK 70 / 4 / 0 / 54

HEX #237176

RGB 35 113 118

HSL 183.61, 0.54%, 0.3%

LAB 43.47, -21.34, -9.66

 

CMYK 82 / 5 / 0 / 49

HEX #177C82

RGB 23 124 130

HSL 183.36, 0.7%, 0.3%

LAB 47.25, -24.67, -11.15

 

CMYK 93 / 6 / 0 / 44

HEX #0A878F

RGB 10 135 143

HSL 183.61, 0.87%, 0.3%

LAB 51.12, -26.87, -12.95

 

CMYK 35 / 2 / 0 / 64

HEX #3C5B5D

RGB 60 91 93

HSL 183.64, 0.22%, 0.3%

LAB 36.43, -10.77, -4.79

 

CMYK 11 / 1 / 0 / 68

HEX #485051

RGB 72 80 81

HSL 186.67, 0.06%, 0.3%

LAB 33.37, -2.95, -1.68

 

CMYK 0 / 17 / 18 / 67

HEX #544645

RGB 84 70 69

HSL 4, 0.1%, 0.3%

LAB 31.1, 5.76, 2.81

 

CMYK 0 / 39 / 42 / 62

HEX #613B38

RGB 97 59 56

HSL 4.39, 0.27%, 0.3%

LAB 29.3, 16.38, 8.9

 

CMYK 0 / 56 / 60 / 57

HEX #6D302C

RGB 109 48 44

HSL 3.69, 0.42%, 0.3%

LAB 28.24, 26.76, 15.59

 

CMYK 35 / 0 / 17 / 64

HEX #3C5D4D

RGB 60 93 77

HSL 150.91, 0.22%, 0.3%

LAB 36.6, -15.99, 5.4

 

CMYK 35 / 0 / 8 / 64

HEX #3C5D56

RGB 60 93 86

HSL 167.27, 0.22%, 0.3%

LAB 36.86, -13.78, 0.19

 

CMYK 35 / 1 / 0 / 64

HEX #3C5C5D

RGB 60 92 93

HSL 181.82, 0.22%, 0.3%

LAB 36.75, -11.35, -4.31

 

CMYK 35 / 11 / 0 / 64

HEX #3C535D

RGB 60 83 93

HSL 198.18, 0.22%, 0.3%

LAB 33.85, -5.97, -8.65

 

CMYK 35 / 20 / 0 / 64

HEX #3C4A5D

RGB 60 74 93

HSL 214.55, 0.22%, 0.3%

LAB 30.99, -0.33, -12.99

 

CMYK 37 / 2 / 0 / 83

HEX #1B2A2B

RGB 27 42 43

HSL 183.75, 0.23%, 0.14%

LAB 15.82, -5.97, -2.69

 

CMYK 35 / 1 / 0 / 73

HEX #2C4344

RGB 44 67 68

HSL 182.5, 0.21%, 0.22%

LAB 26.64, -8.6, -3.47

 

CMYK 35 / 2 / 0 / 64

HEX #3C5B5D

RGB 60 91 93

HSL 183.64, 0.22%, 0.3%

LAB 36.43, -10.77, -4.79

 

CMYK 36 / 2 / 0 / 54

HEX #4C7476

RGB 76 116 118

HSL 182.86, 0.22%, 0.38%

LAB 46.09, -13.39, -5.57

 

CMYK 36 / 2 / 0 / 44

HEX #5C8D90

RGB 92 141 144

HSL 183.46, 0.22%, 0.46%

LAB 55.42, -15.63, -6.85

 

CMYK 35 / 2 / 0 / 64

HEX #3C5B5D

RGB 60 91 93

HSL 183.64, 0.22%, 0.3%

LAB 36.43, -10.77, -4.79

 

CMYK 27 / 35 / 0 / 64

HEX #443C5D

RGB 68 60 93

HSL 254.55, 0.22%, 0.3%

LAB 27.44, 11.58, -18.41

 

CMYK 0 / 12 / 35 / 64

HEX #5D523C

RGB 93 82 60

HSL 40, 0.22%, 0.3%

LAB 35.38, 0.8, 14.59

 

CMYK 35 / 2 / 0 / 64

HEX #3C5B5D

RGB 60 91 93

HSL 183.64, 0.22%, 0.3%

LAB 36.43, -10.77, -4.79

 

CMYK 0 / 35 / 1 / 64

HEX #5D3C5C

RGB 93 60 92

HSL 301.82, 0.22%, 0.3%

LAB 30.23, 20.4, -13.21

 

CMYK 1 / 0 / 35 / 64

HEX #5C5D3C

RGB 92 93 60

HSL 61.82, 0.22%, 0.3%

LAB 38.6, -6.26, 18.87

 

CMYK 35 / 2 / 0 / 64

HEX #3C5B5D

RGB 60 91 93

HSL 183.64, 0.22%, 0.3%

LAB 36.43, -10.77, -4.79

 

CMYK 27 / 35 / 0 / 64

HEX #443C5D

RGB 68 60 93

HSL 254.55, 0.22%, 0.3%

LAB 27.44, 11.58, -18.41

 

CMYK 0 / 34 / 35 / 64

HEX #5D3D3C

RGB 93 61 60

HSL 1.82, 0.22%, 0.3%

LAB 29.39, 13.92, 6.34

 

CMYK 9 / 0 / 35 / 64

HEX #555D3C

RGB 85 93 60

HSL 74.55, 0.22%, 0.3%

LAB 38, -9.36, 17.95

 

CMYK 35 / 2 / 0 / 64

HEX #3C5B5D

RGB 60 91 93

HSL 183.64, 0.22%, 0.3%

LAB 36.43, -10.77, -4.79

 

CMYK 16 / 35 / 0 / 64

HEX #4E3C5D

RGB 78 60 93

HSL 272.73, 0.22%, 0.3%

LAB 28.49, 15.12, -16.69

 

CMYK 0 / 34 / 35 / 64

HEX #5D3D3C

RGB 93 61 60

HSL 1.82, 0.22%, 0.3%

LAB 29.39, 13.92, 6.34

 

CMYK 19 / 0 / 35 / 64

HEX #4B5D3C

RGB 75 93 60

HSL 92.73, 0.22%, 0.3%

LAB 37.21, -13.64, 16.77

 

Description

Color code: HEX #3C5B5D | qconv.com Color code: HEX #3C5B5D | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 60 red, 91 green and 93 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
60 91 93 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, 2 magenta, none yellow and 64 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 2% 0% 64% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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