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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 60 240 81 it is the complementary color RGB 195 15 174. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 60 240 81. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 60 240 81: RGB 65 240 76, RGB 82 255 95, RGB 99 255 114, RGB 116 255 133 and RGB 133 255 152

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 60 240 81. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 60 240 81: RGB 60 240 81, RGB 43 222 62, RGB 26 204 43, RGB 9 186 24 and RGB 0 168 5

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 0 / 66 / 6

HEX #3CF051

RGB 60 240 81

HSL 127, 0.86%, 0.59%

LAB 83.9, -73.91, 61.88

 

Complementary color

CMYK 0 / 92 / 11 / 24

HEX #C30FAE

RGB 195 15 174

HSL 307, 0.86%, 0.41%

LAB 45.63, 75.96, -38.56

 

CMYK 73 / 0 / 68 / 6

HEX #41F04C

RGB 65 240 76

HSL 123.77, 0.85%, 0.6%

LAB 83.95, -73.65, 63.88

 

CMYK 68 / 0 / 63 / 0

HEX #52FF5F

RGB 82 255 95

HSL 124.51, 1%, 0.66%

LAB 88.99, -73.81, 61.97

 

CMYK 61 / 0 / 55 / 0

HEX #63FF72

RGB 99 255 114

HSL 125.77, 1%, 0.69%

LAB 89.57, -68.44, 54.61

 

CMYK 55 / 0 / 48 / 0

HEX #74FF85

RGB 116 255 133

HSL 127.34, 1%, 0.73%

LAB 90.29, -62.2, 46.84

 

CMYK 48 / 0 / 40 / 0

HEX #85FF98

RGB 133 255 152

HSL 129.34, 1%, 0.76%

LAB 91.13, -55.21, 38.87

 

CMYK 75 / 0 / 66 / 6

HEX #3CF051

RGB 60 240 81

HSL 127, 0.86%, 0.59%

LAB 83.9, -73.91, 61.88

 

CMYK 81 / 0 / 72 / 13

HEX #2BDE3E

RGB 43 222 62

HSL 126.37, 0.73%, 0.52%

LAB 77.94, -72.26, 62.64

 

CMYK 87 / 0 / 79 / 20

HEX #1ACC2B

RGB 26 204 43

HSL 125.73, 0.77%, 0.45%

LAB 71.95, -69.98, 62.88

 

CMYK 95 / 0 / 87 / 27

HEX #09BA18

RGB 9 186 24

HSL 125.08, 0.91%, 0.38%

LAB 65.94, -66.92, 62.21

 

CMYK 100 / 0 / 97 / 34

HEX #00A805

RGB 0 168 5

HSL 121.79, 1%, 0.33%

LAB 59.9, -62.92, 60.16

 

CMYK 75 / 0 / 66 / 6

HEX #3CF051

RGB 60 240 81

HSL 127, 0.86%, 0.59%

LAB 83.9, -73.91, 61.88

 

CMYK 75 / 0 / 54 / 6

HEX #3CF06F

RGB 60 240 111

HSL 137, 0.86%, 0.59%

LAB 84.19, -70.44, 49.33

 

CMYK 75 / 0 / 41 / 6

HEX #3CF08D

RGB 60 240 141

HSL 147, 0.86%, 0.59%

LAB 84.59, -65.78, 35.4

 

CMYK 75 / 0 / 29 / 6

HEX #3CF0AB

RGB 60 240 171

HSL 157, 0.86%, 0.59%

LAB 85.11, -59.96, 20.87

 

CMYK 75 / 0 / 16 / 6

HEX #3CF0C9

RGB 60 240 201

HSL 167, 0.86%, 0.59%

LAB 85.75, -53.08, 6.19

 

CMYK 75 / 0 / 66 / 6

HEX #3CF051

RGB 60 240 81

HSL 127, 0.86%, 0.59%

LAB 83.9, -73.91, 61.88

 

CMYK 75 / 0 / 67 / 86

HEX #09240C

RGB 9 36 12

HSL 126.67, 0.6%, 0.09%

LAB 11.6, -16.81, 11.91

 

CMYK 75 / 0 / 67 / 66

HEX #16571D

RGB 22 87 29

HSL 126.46, 0.6%, 0.21%

LAB 31.98, -33.46, 27.28

 

CMYK 75 / 0 / 66 / 46

HEX #238A2F

RGB 35 138 47

HSL 126.99, 0.6%, 0.34%

LAB 50.38, -47.79, 39.35

 

CMYK 75 / 0 / 66 / 26

HEX #2FBD40

RGB 47 189 64

HSL 127.18, 0.6%, 0.46%

LAB 67.55, -61.29, 50.93

 

CMYK 75 / 0 / 66 / 6

HEX #3CF051

RGB 60 240 81

HSL 127, 0.86%, 0.59%

LAB 83.9, -73.91, 61.88

 

CMYK 75 / 24 / 0 / 6

HEX #3CB7F0

RGB 60 183 240

HSL 199, 0.86%, 0.59%

LAB 70.26, -15.05, -37.96

 

CMYK 0 / 75 / 54 / 6

HEX #F03C6F

RGB 240 60 111

HSL 343, 0.86%, 0.59%

LAB 54.97, 70.08, 13.98

 

CMYK 75 / 0 / 66 / 6

HEX #3CF051

RGB 60 240 81

HSL 127, 0.86%, 0.59%

LAB 83.9, -73.91, 61.88

 

CMYK 66 / 75 / 0 / 6

HEX #513CF0

RGB 81 60 240

HSL 247, 0.86%, 0.59%

LAB 40.04, 59.47, -86.47

 

CMYK 0 / 66 / 75 / 6

HEX #F0513C

RGB 240 81 60

HSL 7, 0.86%, 0.59%

LAB 56.82, 59.86, 45.59

 

CMYK 75 / 0 / 66 / 6

HEX #3CF051

RGB 60 240 81

HSL 127, 0.86%, 0.59%

LAB 83.9, -73.91, 61.88

 

CMYK 75 / 24 / 0 / 6

HEX #3CB7F0

RGB 60 183 240

HSL 199, 0.86%, 0.59%

LAB 70.26, -15.05, -37.96

 

CMYK 0 / 75 / 9 / 6

HEX #F03CDB

RGB 240 60 219

HSL 307, 0.86%, 0.59%

LAB 58.86, 81.88, -43.18

 

CMYK 0 / 51 / 75 / 6

HEX #F0753C

RGB 240 117 60

HSL 19, 0.86%, 0.59%

LAB 62.99, 43.7, 52.08

 

CMYK 75 / 0 / 66 / 6

HEX #3CF051

RGB 60 240 81

HSL 127, 0.86%, 0.59%

LAB 83.9, -73.91, 61.88

 

CMYK 75 / 46 / 0 / 6

HEX #3C81F0

RGB 60 129 240

HSL 217, 0.86%, 0.59%

LAB 55.02, 16.1, -62.08

 

CMYK 0 / 75 / 9 / 6

HEX #F03CDB

RGB 240 60 219

HSL 307, 0.86%, 0.59%

LAB 58.86, 81.88, -43.18

 

CMYK 0 / 29 / 75 / 6

HEX #F0AB3C

RGB 240 171 60

HSL 37, 0.86%, 0.59%

LAB 74.81, 15.71, 63.9

 

Description

Color code: RGB 60 240 81 | qconv.com Color code: RGB 60 240 81 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 60 red, 240 green and 81 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
60 240 81 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, none magenta, 66 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 0% 66% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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