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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 60 195 148 it is the complementary color RGB 195 60 107. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 60 195 148. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 60 195 148: RGB 65 195 143, RGB 82 213 162, RGB 99 231 181, RGB 116 249 200 and RGB 133 255 219

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 60 195 148. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 60 195 148: RGB 60 195 148, RGB 43 177 129, RGB 26 159 110, RGB 9 141 91 and RGB 0 123 72

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 0 / 24 / 24

HEX #3CC394

RGB 60 195 148

HSL 159.11, 0.53%, 0.5%

LAB 70.96, -47.27, 13.27

 

Complementary color

CMYK 0 / 69 / 45 / 24

HEX #C33C6B

RGB 195 60 107

HSL 339.11, 0.53%, 0.5%

LAB 46.84, 56.92, 3.76

 

CMYK 67 / 0 / 27 / 24

HEX #41C38F

RGB 65 195 143

HSL 156, 0.52%, 0.51%

LAB 70.97, -47.58, 15.99

 

CMYK 62 / 0 / 24 / 16

HEX #52D5A2

RGB 82 213 162

HSL 156.64, 0.61%, 0.58%

LAB 77.28, -47.83, 14.73

 

CMYK 57 / 0 / 22 / 9

HEX #63E7B5

RGB 99 231 181

HSL 157.27, 0.73%, 0.65%

LAB 83.52, -47.92, 13.58

 

CMYK 53 / 0 / 20 / 2

HEX #74F9C8

RGB 116 249 200

HSL 157.89, 0.92%, 0.72%

LAB 89.69, -47.92, 12.51

 

CMYK 48 / 0 / 14 / 0

HEX #85FFDB

RGB 133 255 219

HSL 162.3, 1%, 0.76%

LAB 92.41, -42.64, 6.66

 

CMYK 69 / 0 / 24 / 24

HEX #3CC394

RGB 60 195 148

HSL 159.11, 0.53%, 0.5%

LAB 70.96, -47.27, 13.27

 

CMYK 76 / 0 / 27 / 31

HEX #2BB181

RGB 43 177 129

HSL 158.51, 0.61%, 0.43%

LAB 64.6, -46.67, 14.64

 

CMYK 84 / 0 / 31 / 38

HEX #1A9F6E

RGB 26 159 110

HSL 157.89, 0.72%, 0.36%

LAB 58.17, -45.72, 16.17

 

CMYK 94 / 0 / 35 / 45

HEX #098D5B

RGB 9 141 91

HSL 157.27, 0.88%, 0.29%

LAB 51.68, -44.25, 17.9

 

CMYK 100 / 0 / 41 / 52

HEX #007B48

RGB 0 123 72

HSL 155.12, 1%, 0.24%

LAB 45.13, -42.08, 19.85

 

CMYK 69 / 0 / 24 / 24

HEX #3CC394

RGB 60 195 148

HSL 159.11, 0.53%, 0.5%

LAB 70.96, -47.27, 13.27

 

CMYK 70 / 0 / 13 / 24

HEX #3BC3AA

RGB 59 195 170

HSL 168.97, 0.54%, 0.5%

LAB 71.46, -42.04, 2.04

 

CMYK 70 / 0 / 2 / 24

HEX #3BC3C0

RGB 59 195 192

HSL 178.68, 0.54%, 0.5%

LAB 72.07, -36.06, -9.05

 

CMYK 70 / 11 / 0 / 24

HEX #3BAEC3

RGB 59 174 195

HSL 189.26, 0.54%, 0.5%

LAB 65.86, -25.01, -20.05

 

CMYK 70 / 22 / 0 / 24

HEX #3B98C3

RGB 59 152 195

HSL 198.97, 0.54%, 0.5%

LAB 59.28, -13.42, -30.17

 

CMYK 69 / 0 / 24 / 24

HEX #3CC394

RGB 60 195 148

HSL 159.11, 0.53%, 0.5%

LAB 70.96, -47.27, 13.27

 

CMYK 69 / 0 / 24 / 4

HEX #4CF6BB

RGB 76 246 187

HSL 159.18, 0.9%, 0.63%

LAB 87.5, -56.71, 15.99

 

CMYK 69 / 0 / 24 / 84

HEX #0D2A20

RGB 13 42 32

HSL 159.31, 0.53%, 0.11%

LAB 14.66, -13.97, 3.3

 

CMYK 69 / 0 / 24 / 64

HEX #1D5D47

RGB 29 93 71

HSL 159.38, 0.52%, 0.24%

LAB 35.09, -26.15, 6.78

 

CMYK 69 / 0 / 24 / 44

HEX #2C906D

RGB 44 144 109

HSL 159, 0.53%, 0.37%

LAB 53.59, -37.32, 10.39

 

CMYK 69 / 0 / 24 / 24

HEX #3CC394

RGB 60 195 148

HSL 159.11, 0.53%, 0.5%

LAB 70.96, -47.27, 13.27

 

CMYK 70 / 59 / 0 / 24

HEX #3B50C3

RGB 59 80 195

HSL 230.74, 0.54%, 0.5%

LAB 38.91, 30.62, -62.57

 

CMYK 0 / 52 / 70 / 24

HEX #C35D3B

RGB 195 93 59

HSL 15, 0.54%, 0.5%

LAB 51.55, 38.37, 38.24

 

CMYK 69 / 0 / 24 / 24

HEX #3CC394

RGB 60 195 148

HSL 159.11, 0.53%, 0.5%

LAB 70.96, -47.27, 13.27

 

CMYK 25 / 70 / 0 / 24

HEX #933BC3

RGB 147 59 195

HSL 278.82, 0.54%, 0.5%

LAB 43.17, 58.54, -55.27

 

CMYK 0 / 25 / 70 / 24

HEX #C3933B

RGB 195 147 59

HSL 38.82, 0.54%, 0.5%

LAB 63.99, 9.22, 51.8

 

CMYK 69 / 0 / 24 / 24

HEX #3CC394

RGB 60 195 148

HSL 159.11, 0.53%, 0.5%

LAB 70.96, -47.27, 13.27

 

CMYK 70 / 59 / 0 / 24

HEX #3B50C3

RGB 59 80 195

HSL 230.74, 0.54%, 0.5%

LAB 38.91, 30.62, -62.57

 

CMYK 0 / 70 / 45 / 24

HEX #C33B6B

RGB 195 59 107

HSL 338.82, 0.54%, 0.5%

LAB 46.7, 57.3, 3.56

 

CMYK 0 / 11 / 70 / 24

HEX #C3AE3B

RGB 195 174 59

HSL 50.74, 0.54%, 0.5%

LAB 71, -5.28, 59.01

 

CMYK 69 / 0 / 24 / 24

HEX #3CC394

RGB 60 195 148

HSL 159.11, 0.53%, 0.5%

LAB 70.96, -47.27, 13.27

 

CMYK 59 / 70 / 0 / 24

HEX #503BC3

RGB 80 59 195

HSL 249.26, 0.54%, 0.5%

LAB 35.54, 46.35, -68.01

 

CMYK 0 / 70 / 45 / 24

HEX #C33B6B

RGB 195 59 107

HSL 338.82, 0.54%, 0.5%

LAB 46.7, 57.3, 3.56

 

CMYK 11 / 0 / 70 / 24

HEX #AEC33B

RGB 174 195 59

HSL 69.26, 0.54%, 0.5%

LAB 75.04, -24.86, 62.49

 

Description

Color code: RGB 60 195 148 | qconv.com Color code: RGB 60 195 148 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 60 red, 195 green and 148 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
60 195 148 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, none magenta, 24 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 0% 24% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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