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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 60 156 115 it is the complementary color RGB 195 99 140. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 60 156 115. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 60 156 115: RGB 65 156 110, RGB 82 174 129, RGB 99 192 148, RGB 116 210 167 and RGB 133 228 186

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 60 156 115. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 60 156 115: RGB 60 156 115, RGB 43 138 96, RGB 26 120 77, RGB 9 102 58 and RGB 0 84 39

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 0 / 26 / 39

HEX #3C9C73

RGB 60 156 115

HSL 154.38, 0.44%, 0.42%

LAB 58.01, -38.16, 13.27

 

Complementary color

CMYK 0 / 49 / 28 / 24

HEX #C3638C

RGB 195 99 140

HSL 334.38, 0.44%, 0.58%

LAB 54.47, 43, -4.87

 

CMYK 58 / 0 / 29 / 39

HEX #419C6E

RGB 65 156 110

HSL 149.67, 0.41%, 0.43%

LAB 58.06, -38.17, 16.16

 

CMYK 53 / 0 / 26 / 32

HEX #52AE81

RGB 82 174 129

HSL 150.65, 0.36%, 0.5%

LAB 64.68, -38.12, 14.91

 

CMYK 48 / 0 / 23 / 25

HEX #63C094

RGB 99 192 148

HSL 151.61, 0.42%, 0.57%

LAB 71.21, -37.97, 13.78

 

CMYK 45 / 0 / 20 / 18

HEX #74D2A7

RGB 116 210 167

HSL 152.55, 0.51%, 0.64%

LAB 77.64, -37.79, 12.74

 

CMYK 42 / 0 / 18 / 11

HEX #85E4BA

RGB 133 228 186

HSL 153.47, 0.64%, 0.71%

LAB 83.98, -37.57, 11.78

 

CMYK 62 / 0 / 26 / 39

HEX #3C9C73

RGB 60 156 115

HSL 154.38, 0.44%, 0.42%

LAB 58.01, -38.16, 13.27

 

CMYK 69 / 0 / 30 / 46

HEX #2B8A60

RGB 43 138 96

HSL 153.47, 0.52%, 0.35%

LAB 51.31, -37.93, 14.64

 

CMYK 78 / 0 / 36 / 53

HEX #1A784D

RGB 26 120 77

HSL 152.55, 0.64%, 0.29%

LAB 44.5, -37.35, 16.19

 

CMYK 91 / 0 / 43 / 60

HEX #09663A

RGB 9 102 58

HSL 151.61, 0.84%, 0.22%

LAB 37.6, -36.16, 17.99

 

CMYK 100 / 0 / 54 / 67

HEX #005427

RGB 0 84 39

HSL 147.86, 1%, 0.16%

LAB 30.61, -33.98, 20.05

 

CMYK 62 / 0 / 26 / 39

HEX #3C9C73

RGB 60 156 115

HSL 154.38, 0.44%, 0.42%

LAB 58.01, -38.16, 13.27

 

CMYK 62 / 0 / 16 / 40

HEX #3B9A81

RGB 59 154 129

HSL 164.21, 0.45%, 0.42%

LAB 57.68, -34.11, 4.89

 

CMYK 62 / 0 / 6 / 40

HEX #3B9A90

RGB 59 154 144

HSL 173.68, 0.45%, 0.42%

LAB 58.09, -30.14, -3.04

 

CMYK 62 / 5 / 0 / 40

HEX #3B939A

RGB 59 147 154

HSL 184.42, 0.45%, 0.42%

LAB 56.22, -23.78, -11.54

 

CMYK 62 / 14 / 0 / 40

HEX #3B849A

RGB 59 132 154

HSL 193.89, 0.45%, 0.42%

LAB 51.57, -15.82, -18.58

 

CMYK 62 / 0 / 26 / 39

HEX #3C9C73

RGB 60 156 115

HSL 154.38, 0.44%, 0.42%

LAB 58.01, -38.16, 13.27

 

CMYK 61 / 0 / 26 / 19

HEX #50CF99

RGB 80 207 153

HSL 154.49, 0.57%, 0.56%

LAB 75.22, -47.65, 16.63

 

CMYK 67 / 0 / 33 / 99

HEX #010302

RGB 1 3 2

HSL 150, 0.5%, 0.01%

LAB 0.69, -0.66, 0.19

 

CMYK 61 / 0 / 26 / 79

HEX #153628

RGB 21 54 40

HSL 154.55, 0.44%, 0.15%

LAB 19.85, -16.21, 5.18

 

CMYK 62 / 0 / 27 / 59

HEX #28694D

RGB 40 105 77

HSL 154.15, 0.45%, 0.28%

LAB 39.73, -28.02, 9.69

 

CMYK 62 / 0 / 26 / 39

HEX #3C9C73

RGB 60 156 115

HSL 154.38, 0.44%, 0.42%

LAB 58.01, -38.16, 13.27

 

CMYK 62 / 47 / 0 / 40

HEX #3B519A

RGB 59 81 154

HSL 226.11, 0.45%, 0.42%

LAB 36.27, 15.22, -42.55

 

CMYK 0 / 51 / 62 / 40

HEX #9A4B3B

RGB 154 75 59

HSL 10.11, 0.45%, 0.42%

LAB 41.56, 31.56, 24.78

 

CMYK 62 / 0 / 26 / 39

HEX #3C9C73

RGB 60 156 115

HSL 154.38, 0.44%, 0.42%

LAB 58.01, -38.16, 13.27

 

CMYK 27 / 62 / 0 / 40

HEX #713B9A

RGB 113 59 154

HSL 274.11, 0.45%, 0.42%

LAB 35.93, 41.52, -42.82

 

CMYK 0 / 27 / 62 / 40

HEX #9A713B

RGB 154 113 59

HSL 34.11, 0.45%, 0.42%

LAB 50.68, 10.07, 35.82

 

CMYK 62 / 0 / 26 / 39

HEX #3C9C73

RGB 60 156 115

HSL 154.38, 0.44%, 0.42%

LAB 58.01, -38.16, 13.27

 

CMYK 62 / 47 / 0 / 40

HEX #3B519A

RGB 59 81 154

HSL 226.11, 0.45%, 0.42%

LAB 36.27, 15.22, -42.55

 

CMYK 0 / 62 / 35 / 40

HEX #9A3B64

RGB 154 59 100

HSL 334.11, 0.45%, 0.42%

LAB 39.44, 43.79, -3.54

 

CMYK 0 / 14 / 62 / 40

HEX #9A843B

RGB 154 132 59

HSL 46.11, 0.45%, 0.42%

LAB 55.77, -0.68, 41.65

 

CMYK 62 / 0 / 26 / 39

HEX #3C9C73

RGB 60 156 115

HSL 154.38, 0.44%, 0.42%

LAB 58.01, -38.16, 13.27

 

CMYK 57 / 62 / 0 / 40

HEX #423B9A

RGB 66 59 154

HSL 244.42, 0.45%, 0.42%

LAB 30.92, 30.94, -51.15

 

CMYK 0 / 62 / 35 / 40

HEX #9A3B64

RGB 154 59 100

HSL 334.11, 0.45%, 0.42%

LAB 39.44, 43.79, -3.54

 

CMYK 5 / 0 / 62 / 40

HEX #939A3B

RGB 147 154 59

HSL 64.42, 0.45%, 0.42%

LAB 61.33, -15.66, 47.62

 

Description

Color code: RGB 60 156 115 | qconv.com Color code: RGB 60 156 115 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 60 red, 156 green and 115 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
60 156 115 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, none magenta, 26 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 0% 26% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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