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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 5 25 154 it is the complementary color RGB 250 230 101. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 5 25 154. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 5 25 154: RGB 10 25 149, RGB 27 43 168, RGB 44 61 187, RGB 61 79 206 and RGB 78 97 225

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 5 25 154. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 5 25 154: RGB 5 25 154, RGB 0 7 135, RGB 0 0 116, RGB 0 0 97 and RGB 0 0 78

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 97 / 84 / 0 / 40

HEX #05199A

RGB 5 25 154

HSL 231.95, 0.94%, 0.31%

LAB 20.29, 45.34, -68.78

 

Complementary color

CMYK 0 / 8 / 60 / 2

HEX #FAE665

RGB 250 230 101

HSL 51.95, 0.94%, 0.69%

LAB 90.71, -8.29, 63.77

 

CMYK 93 / 83 / 0 / 42

HEX #0A1995

RGB 10 25 149

HSL 233.53, 0.87%, 0.31%

LAB 19.76, 43.81, -66.56

 

CMYK 84 / 74 / 0 / 34

HEX #1B2BA8

RGB 27 43 168

HSL 233.19, 0.72%, 0.38%

LAB 26.12, 41.01, -67.6

 

CMYK 76 / 67 / 0 / 27

HEX #2C3DBB

RGB 44 61 187

HSL 232.87, 0.62%, 0.45%

LAB 32.83, 38.07, -67.85

 

CMYK 70 / 62 / 0 / 19

HEX #3D4FCE

RGB 61 79 206

HSL 232.55, 0.6%, 0.52%

LAB 39.65, 35.41, -67.74

 

CMYK 65 / 57 / 0 / 12

HEX #4E61E1

RGB 78 97 225

HSL 232.24, 0.71%, 0.59%

LAB 46.45, 33.11, -67.48

 

CMYK 97 / 84 / 0 / 40

HEX #05199A

RGB 5 25 154

HSL 231.95, 0.94%, 0.31%

LAB 20.29, 45.34, -68.78

 

CMYK 100 / 95 / 0 / 47

HEX #000787

RGB 0 7 135

HSL 236.89, 1%, 0.26%

LAB 14.96, 46.75, -65.83

 

CMYK 100 / 100 / 0 / 55

HEX #000074

RGB 0 0 116

HSL 240, 1%, 0.23%

LAB 11, 44.27, -60.29

 

CMYK 100 / 100 / 0 / 62

HEX #000061

RGB 0 0 97

HSL 240, 1%, 0.19%

LAB 7.8, 39.01, -53.13

 

CMYK 100 / 100 / 0 / 69

HEX #00004E

RGB 0 0 78

HSL 240, 1%, 0.15%

LAB 4.97, 31.45, -44.88

 

CMYK 97 / 84 / 0 / 40

HEX #05199A

RGB 5 25 154

HSL 231.95, 0.94%, 0.31%

LAB 20.29, 45.34, -68.78

 

CMYK 95 / 97 / 0 / 40

HEX #070499

RGB 7 4 153

HSL 241.21, 0.95%, 0.31%

LAB 17.61, 52.9, -72.62

 

CMYK 80 / 97 / 0 / 40

HEX #1F0499

RGB 31 4 153

HSL 250.87, 0.95%, 0.31%

LAB 18.71, 53.38, -70.76

 

CMYK 63 / 97 / 0 / 40

HEX #380499

RGB 56 4 153

HSL 260.94, 0.95%, 0.31%

LAB 20.93, 54.54, -67

 

CMYK 47 / 97 / 0 / 40

HEX #510499

RGB 81 4 153

HSL 271.01, 0.95%, 0.31%

LAB 24.12, 56.55, -61.63

 

CMYK 97 / 84 / 0 / 40

HEX #05199A

RGB 5 25 154

HSL 231.95, 0.94%, 0.31%

LAB 20.29, 45.34, -68.78

 

CMYK 97 / 84 / 0 / 20

HEX #0721CD

RGB 7 33 205

HSL 232.12, 0.93%, 0.42%

LAB 28.22, 57.76, -86.08

 

CMYK 100 / 100 / 0 / 100

HEX #000001

RGB 0 0 1

HSL 240, 1%, 0%

LAB 0.02, 0.14, -0.38

 

CMYK 96 / 85 / 0 / 80

HEX #020834

RGB 2 8 52

HSL 232.8, 0.93%, 0.11%

LAB 3.92, 13.06, -27.97

 

CMYK 97 / 83 / 0 / 60

HEX #031167

RGB 3 17 103

HSL 231.6, 0.94%, 0.21%

LAB 11.95, 31.81, -50.18

 

CMYK 97 / 84 / 0 / 40

HEX #05199A

RGB 5 25 154

HSL 231.95, 0.94%, 0.31%

LAB 20.29, 45.34, -68.78

 

CMYK 0 / 97 / 5 / 40

HEX #990491

RGB 153 4 145

HSL 303.22, 0.95%, 0.31%

LAB 35.8, 65.41, -37.18

 

CMYK 44 / 0 / 97 / 40

HEX #569904

RGB 86 153 4

HSL 86.98, 0.95%, 0.31%

LAB 56.85, -42.31, 58.61

 

CMYK 97 / 84 / 0 / 40

HEX #05199A

RGB 5 25 154

HSL 231.95, 0.94%, 0.31%

LAB 20.29, 45.34, -68.78

 

CMYK 0 / 97 / 82 / 40

HEX #99041B

RGB 153 4 27

HSL 350.74, 0.95%, 0.31%

LAB 31.67, 54.63, 32.48

 

CMYK 82 / 0 / 97 / 40

HEX #1B9904

RGB 27 153 4

HSL 110.74, 0.95%, 0.31%

LAB 55.1, -56.56, 56.47

 

CMYK 97 / 84 / 0 / 40

HEX #05199A

RGB 5 25 154

HSL 231.95, 0.94%, 0.31%

LAB 20.29, 45.34, -68.78

 

CMYK 0 / 97 / 5 / 40

HEX #990491

RGB 153 4 145

HSL 303.22, 0.95%, 0.31%

LAB 35.8, 65.41, -37.18

 

CMYK 0 / 14 / 97 / 40

HEX #998304

RGB 153 131 4

HSL 51.14, 0.95%, 0.31%

LAB 55.09, -2.82, 59.36

 

CMYK 97 / 0 / 92 / 40

HEX #04990C

RGB 4 153 12

HSL 123.22, 0.95%, 0.31%

LAB 54.9, -58.26, 54.94

 

CMYK 97 / 84 / 0 / 40

HEX #05199A

RGB 5 25 154

HSL 231.95, 0.94%, 0.31%

LAB 20.29, 45.34, -68.78

 

CMYK 0 / 97 / 34 / 40

HEX #990465

RGB 153 4 101

HSL 320.94, 0.95%, 0.31%

LAB 33.56, 59.72, -13.03

 

CMYK 0 / 14 / 97 / 40

HEX #998304

RGB 153 131 4

HSL 51.14, 0.95%, 0.31%

LAB 55.09, -2.82, 59.36

 

CMYK 97 / 0 / 63 / 40

HEX #049938

RGB 4 153 56

HSL 140.94, 0.95%, 0.31%

LAB 55.17, -54.85, 40.51

 

Description

Color code: RGB 5 25 154 | qconv.com Color code: RGB 5 25 154 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 5 red, 25 green and 154 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
5 25 154 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 97 cyan, 84 magenta, none yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
97% 84% 0% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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