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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 5 228 88 it is the complementary color RGB 250 27 167. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 5 228 88. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 5 228 88: RGB 10 228 83, RGB 27 246 102, RGB 44 255 121, RGB 61 255 140 and RGB 78 255 159

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 5 228 88. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 5 228 88: RGB 5 228 88, RGB 0 210 69, RGB 0 192 50, RGB 0 174 31 and RGB 0 156 12

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 98 / 0 / 61 / 11

HEX #05E458

RGB 5 228 88

HSL 142.33, 0.96%, 0.46%

LAB 79.74, -73.89, 54.24

 

Complementary color

CMYK 0 / 89 / 33 / 2

HEX #FA1BA7

RGB 250 27 167

HSL 322.33, 0.96%, 0.54%

LAB 55.99, 84.52, -17.57

 

CMYK 96 / 0 / 64 / 11

HEX #0AE453

RGB 10 228 83

HSL 140.09, 0.92%, 0.47%

LAB 79.71, -74.3, 56.33

 

CMYK 89 / 0 / 59 / 4

HEX #1BF666

RGB 27 246 102

HSL 140.55, 0.92%, 0.54%

LAB 85.56, -76.63, 54.9

 

CMYK 83 / 0 / 53 / 0

HEX #2CFF79

RGB 44 255 121

HSL 141.9, 1%, 0.59%

LAB 88.66, -75.63, 50.09

 

CMYK 76 / 0 / 45 / 0

HEX #3DFF8C

RGB 61 255 140

HSL 144.43, 1%, 0.62%

LAB 89.11, -70.98, 41.74

 

CMYK 69 / 0 / 38 / 0

HEX #4EFF9F

RGB 78 255 159

HSL 147.46, 1%, 0.65%

LAB 89.69, -65.42, 33.23

 

CMYK 98 / 0 / 61 / 11

HEX #05E458

RGB 5 228 88

HSL 142.33, 0.96%, 0.46%

LAB 79.74, -73.89, 54.24

 

CMYK 100 / 0 / 67 / 18

HEX #00D245

RGB 0 210 69

HSL 139.71, 1%, 0.41%

LAB 73.88, -70.87, 55.64

 

CMYK 100 / 0 / 74 / 25

HEX #00C032

RGB 0 192 50

HSL 135.63, 1%, 0.38%

LAB 67.97, -67.41, 56.65

 

CMYK 100 / 0 / 82 / 32

HEX #00AE1F

RGB 0 174 31

HSL 130.69, 1%, 0.34%

LAB 61.97, -63.61, 56.89

 

CMYK 100 / 0 / 92 / 39

HEX #009C0C

RGB 0 156 12

HSL 124.62, 1%, 0.31%

LAB 55.89, -59.36, 55.78

 

CMYK 98 / 0 / 61 / 11

HEX #05E458

RGB 5 228 88

HSL 142.33, 0.96%, 0.46%

LAB 79.74, -73.89, 54.24

 

CMYK 98 / 0 / 46 / 10

HEX #04E57C

RGB 4 229 124

HSL 152, 0.97%, 0.46%

LAB 80.47, -69.05, 38.39

 

CMYK 98 / 0 / 29 / 10

HEX #04E5A2

RGB 4 229 162

HSL 162.13, 0.97%, 0.46%

LAB 81.11, -61.6, 19.92

 

CMYK 98 / 0 / 13 / 10

HEX #04E5C7

RGB 4 229 199

HSL 172, 0.97%, 0.46%

LAB 81.94, -52.6, 1.65

 

CMYK 98 / 3 / 0 / 10

HEX #04DEE5

RGB 4 222 229

HSL 181.87, 0.97%, 0.46%

LAB 80.7, -41.13, -16.11

 

CMYK 98 / 0 / 61 / 11

HEX #05E458

RGB 5 228 88

HSL 142.33, 0.96%, 0.46%

LAB 79.74, -73.89, 54.24

 

CMYK 96 / 0 / 63 / 91

HEX #011809

RGB 1 24 9

HSL 140.87, 0.92%, 0.05%

LAB 6.14, -10.54, 5.3

 

CMYK 97 / 0 / 61 / 71

HEX #024B1D

RGB 2 75 29

HSL 142.19, 0.95%, 0.15%

LAB 27.11, -32.09, 21.49

 

CMYK 98 / 0 / 61 / 51

HEX #037E31

RGB 3 126 49

HSL 142.44, 0.95%, 0.25%

LAB 45.86, -47.02, 33.13

 

CMYK 98 / 0 / 62 / 31

HEX #04B144

RGB 4 177 68

HSL 142.2, 0.96%, 0.35%

LAB 63.25, -60.9, 44.24

 

CMYK 98 / 0 / 61 / 11

HEX #05E458

RGB 5 228 88

HSL 142.33, 0.96%, 0.46%

LAB 79.74, -73.89, 54.24

 

CMYK 98 / 55 / 0 / 10

HEX #0466E5

RGB 4 102 229

HSL 213.87, 0.97%, 0.46%

LAB 45.89, 25.31, -70.76

 

CMYK 0 / 98 / 95 / 10

HEX #E5040C

RGB 229 4 12

HSL 357.87, 0.97%, 0.46%

LAB 47.97, 73.63, 58.64

 

CMYK 98 / 0 / 61 / 11

HEX #05E458

RGB 5 228 88

HSL 142.33, 0.96%, 0.46%

LAB 79.74, -73.89, 54.24

 

CMYK 62 / 98 / 0 / 10

HEX #5704E5

RGB 87 4 229

HSL 262.13, 0.97%, 0.46%

LAB 33.5, 74.39, -91.03

 

CMYK 0 / 62 / 98 / 10

HEX #E55704

RGB 229 87 4

HSL 22.13, 0.97%, 0.46%

LAB 55.57, 52.42, 64.61

 

CMYK 98 / 0 / 61 / 11

HEX #05E458

RGB 5 228 88

HSL 142.33, 0.96%, 0.46%

LAB 79.74, -73.89, 54.24

 

CMYK 98 / 55 / 0 / 10

HEX #0466E5

RGB 4 102 229

HSL 213.87, 0.97%, 0.46%

LAB 45.89, 25.31, -70.76

 

CMYK 0 / 98 / 36 / 10

HEX #E50493

RGB 229 4 147

HSL 321.87, 0.97%, 0.46%

LAB 50.51, 80.43, -14.38

 

CMYK 0 / 42 / 98 / 10

HEX #E58404

RGB 229 132 4

HSL 34.13, 0.97%, 0.46%

LAB 64.3, 30.41, 69.93

 

CMYK 98 / 0 / 61 / 11

HEX #05E458

RGB 5 228 88

HSL 142.33, 0.96%, 0.46%

LAB 79.74, -73.89, 54.24

 

CMYK 98 / 85 / 0 / 10

HEX #0422E5

RGB 4 34 229

HSL 232, 0.97%, 0.46%

LAB 31.41, 64.43, -94.63

 

CMYK 0 / 98 / 36 / 10

HEX #E50493

RGB 229 4 147

HSL 321.87, 0.97%, 0.46%

LAB 50.51, 80.43, -14.38

 

CMYK 0 / 13 / 98 / 10

HEX #E5C704

RGB 229 199 4

HSL 52, 0.97%, 0.46%

LAB 80.47, -4.89, 81.06

 

Description

Color code: RGB 5 228 88 | qconv.com Color code: RGB 5 228 88 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 5 red, 228 green and 88 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
5 228 88 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 98 cyan, none magenta, 61 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
98% 0% 61% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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