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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 5 217 248 it is the complementary color RGB 250 38 7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 5 217 248. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 5 217 248: RGB 10 217 243, RGB 27 235 255, RGB 44 253 255, RGB 61 255 255 and RGB 78 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 5 217 248. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 5 217 248: RGB 5 217 248, RGB 0 199 229, RGB 0 181 210, RGB 0 163 191 and RGB 0 145 172

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 98 / 13 / 0 / 3

HEX #05D9F8

RGB 5 217 248

HSL 187.65, 0.96%, 0.5%

LAB 79.86, -32.9, -27.49

 

Complementary color

CMYK 0 / 85 / 97 / 2

HEX #FA2607

RGB 250 38 7

HSL 7.65, 0.96%, 0.5%

LAB 53.73, 74.6, 65.12

 

CMYK 96 / 11 / 0 / 5

HEX #0AD9F3

RGB 10 217 243

HSL 186.7, 0.92%, 0.5%

LAB 79.71, -34.38, -25.07

 

CMYK 89 / 8 / 0 / 0

HEX #1BEBFF

RGB 27 235 255

HSL 185.26, 1%, 0.55%

LAB 85.44, -38.48, -22.68

 

CMYK 83 / 1 / 0 / 0

HEX #2CFDFF

RGB 44 253 255

HSL 180.57, 1%, 0.59%

LAB 90.78, -45.61, -14.61

 

CMYK 76 / 0 / 0 / 0

HEX #3DFFFF

RGB 61 255 255

HSL 180, 1%, 0.62%

LAB 91.56, -45.14, -13.42

 

CMYK 69 / 0 / 0 / 0

HEX #4EFFFF

RGB 78 255 255

HSL 180, 1%, 0.65%

LAB 91.85, -43.33, -12.97

 

CMYK 98 / 13 / 0 / 3

HEX #05D9F8

RGB 5 217 248

HSL 187.65, 0.96%, 0.5%

LAB 79.86, -32.9, -27.49

 

CMYK 100 / 13 / 0 / 10

HEX #00C7E5

RGB 0 199 229

HSL 187.86, 1%, 0.45%

LAB 73.87, -30.48, -26.48

 

CMYK 100 / 14 / 0 / 18

HEX #00B5D2

RGB 0 181 210

HSL 188.29, 1%, 0.41%

LAB 67.8, -27.89, -25.43

 

CMYK 100 / 15 / 0 / 25

HEX #00A3BF

RGB 0 163 191

HSL 188.8, 1%, 0.37%

LAB 61.62, -25.24, -24.38

 

CMYK 100 / 16 / 0 / 33

HEX #0091AC

RGB 0 145 172

HSL 189.42, 1%, 0.34%

LAB 55.31, -22.52, -23.32

 

CMYK 98 / 13 / 0 / 3

HEX #05D9F8

RGB 5 217 248

HSL 187.65, 0.96%, 0.5%

LAB 79.86, -32.9, -27.49

 

CMYK 98 / 28 / 0 / 2

HEX #05B4F9

RGB 5 180 249

HSL 196.97, 0.96%, 0.5%

LAB 69.12, -13.78, -44.67

 

CMYK 98 / 44 / 0 / 2

HEX #058BF9

RGB 5 139 249

HSL 207.05, 0.96%, 0.5%

LAB 57.4, 9.82, -63.29

 

CMYK 98 / 61 / 0 / 2

HEX #0562F9

RGB 5 98 249

HSL 217.13, 0.96%, 0.5%

LAB 46.45, 35.59, -81.05

 

CMYK 98 / 77 / 0 / 2

HEX #053AF9

RGB 5 58 249

HSL 226.97, 0.96%, 0.5%

LAB 37.66, 59.39, -95.56

 

CMYK 98 / 13 / 0 / 3

HEX #05D9F8

RGB 5 217 248

HSL 187.65, 0.96%, 0.5%

LAB 79.86, -32.9, -27.49

 

CMYK 98 / 11 / 0 / 83

HEX #01272C

RGB 1 39 44

HSL 186.98, 0.96%, 0.09%

LAB 13.47, -10.83, -7.05

 

CMYK 98 / 13 / 0 / 63

HEX #02535F

RGB 2 83 95

HSL 187.74, 0.96%, 0.19%

LAB 31.87, -16.7, -13.12

 

CMYK 98 / 12 / 0 / 43

HEX #038092

RGB 3 128 146

HSL 187.55, 0.96%, 0.29%

LAB 48.92, -22.6, -18.05

 

CMYK 98 / 13 / 0 / 23

HEX #04ACC5

RGB 4 172 197

HSL 187.77, 0.96%, 0.39%

LAB 64.61, -27.62, -23.13

 

CMYK 98 / 13 / 0 / 3

HEX #05D9F8

RGB 5 217 248

HSL 187.65, 0.96%, 0.5%

LAB 79.86, -32.9, -27.49

 

CMYK 67 / 98 / 0 / 2

HEX #5205F9

RGB 82 5 249

HSL 258.93, 0.96%, 0.5%

LAB 35.48, 78.59, -99.09

 

CMYK 0 / 28 / 98 / 2

HEX #F9B405

RGB 249 180 5

HSL 43.03, 0.96%, 0.5%

LAB 77.75, 13.6, 79.98

 

CMYK 98 / 13 / 0 / 3

HEX #05D9F8

RGB 5 217 248

HSL 187.65, 0.96%, 0.5%

LAB 79.86, -32.9, -27.49

 

CMYK 0 / 98 / 11 / 2

HEX #F905DD

RGB 249 5 221

HSL 306.89, 0.96%, 0.5%

LAB 57.53, 92.45, -46.31

 

CMYK 11 / 0 / 98 / 2

HEX #DDF905

RGB 221 249 5

HSL 66.89, 0.96%, 0.5%

LAB 93.07, -32.53, 90

 

CMYK 98 / 13 / 0 / 3

HEX #05D9F8

RGB 5 217 248

HSL 187.65, 0.96%, 0.5%

LAB 79.86, -32.9, -27.49

 

CMYK 67 / 98 / 0 / 2

HEX #5205F9

RGB 82 5 249

HSL 258.93, 0.96%, 0.5%

LAB 35.48, 78.59, -99.09

 

CMYK 0 / 87 / 98 / 2

HEX #F92105

RGB 249 33 5

HSL 6.89, 0.96%, 0.5%

LAB 53.21, 75.24, 65.24

 

CMYK 31 / 0 / 98 / 2

HEX #ACF905

RGB 172 249 5

HSL 78.93, 0.96%, 0.5%

LAB 90.11, -51.28, 86.44

 

CMYK 98 / 13 / 0 / 3

HEX #05D9F8

RGB 5 217 248

HSL 187.65, 0.96%, 0.5%

LAB 79.86, -32.9, -27.49

 

CMYK 37 / 98 / 0 / 2

HEX #9C05F9

RGB 156 5 249

HSL 277.13, 0.96%, 0.5%

LAB 44.26, 83.94, -84.29

 

CMYK 0 / 87 / 98 / 2

HEX #F92105

RGB 249 33 5

HSL 6.89, 0.96%, 0.5%

LAB 53.21, 75.24, 65.24

 

CMYK 61 / 0 / 98 / 2

HEX #62F905

RGB 98 249 5

HSL 97.13, 0.96%, 0.5%

LAB 87.17, -73.35, 82.88

 

Description

Color code: RGB 5 217 248 | qconv.com Color code: RGB 5 217 248 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 5 red, 217 green and 248 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
5 217 248 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 98 cyan, 13 magenta, none yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
98% 13% 0% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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