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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 5 197 89 it is the complementary color RGB 250 58 166. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 5 197 89. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 5 197 89 shade: RGB 10 197 84, RGB 27 215 103, RGB 44 233 122, RGB 61 251 141 and RGB 78 255 160

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 5 197 89. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 5 197 89 shade: RGB 5 197 89, RGB 0 179 70, RGB 0 161 51, RGB 0 143 32 and RGB 0 125 13

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 5 197 89 shade: RGB 5 199 90, RGB 5 199 38, RGB 25 199 5, RGB 77 199 5 and RGB 129 199 5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 5 197 89 shade: RGB 5 199 90, RGB 5 199 142, RGB 5 199 194, RGB 5 151 199 and RGB 5 99 199

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 5 197 89 shade matches the following richer shades: RGB 5 199 90

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 5 197 89 shade: RGB 5 199 90, RGB 22 182 92, RGB 38 166 94, RGB 55 149 96 and RGB 71 133 98

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 5 197 89 shade: RGB 24 199 5, RGB 5 199 37, RGB 5 199 89, RGB 5 199 141 and RGB 5 199 192

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 5 197 89 shade: RGB 3 118 54, RGB 4 159 72, RGB 5 199 90, RGB 6 239 108 and RGB 37 249 130

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 5 197 89 shade: RGB 5 197 89, RGB 5 76 199 and RGB 199 12 5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 5 197 89 shade: RGB 5 197 89, RGB 89 5 199 and RGB 199 89 5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 5 197 89 shade: RGB 5 197 89, RGB 5 76 199, RGB 199 5 115 and RGB 199 128 5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 5 197 89 shade: RGB 5 197 89, RGB 5 18 199, RGB 199 5 115 and RGB 199 186 5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 97 / 0 / 55 / 23

HEX #05C559

RGB 5 197 89

HSL 146.25, 0.95%, 0.4%

LAB 69.96, -64.29, 42.32

 

Complementary color

CMYK 0 / 77 / 34 / 2

HEX #FA3AA6

RGB 250 58 166

HSL 326.25, 0.95%, 0.6%

LAB 58.13, 78.13, -13.72

 

CMYK 95 / 0 / 57 / 23

HEX #0AC554

RGB 10 197 84

HSL 143.74, 0.9%, 0.41%

LAB 69.92, -64.79, 44.64

 

CMYK 87 / 0 / 52 / 16

HEX #1BD767

RGB 27 215 103

HSL 144.26, 0.78%, 0.47%

LAB 75.95, -66.86, 42.96

 

CMYK 81 / 0 / 48 / 9

HEX #2CE97A

RGB 44 233 122

HSL 144.76, 0.81%, 0.54%

LAB 81.96, -68.37, 41.32

 

CMYK 76 / 0 / 44 / 2

HEX #3DFB8D

RGB 61 251 141

HSL 145.26, 0.96%, 0.61%

LAB 87.93, -69.46, 39.73

 

CMYK 69 / 0 / 37 / 0

HEX #4EFFA0

RGB 78 255 160

HSL 147.8, 1%, 0.65%

LAB 89.71, -65.23, 32.75

 

CMYK 97 / 0 / 55 / 23

HEX #05C559

RGB 5 197 89

HSL 146.25, 0.95%, 0.4%

LAB 69.96, -64.29, 42.32

 

CMYK 100 / 0 / 61 / 30

HEX #00B346

RGB 0 179 70

HSL 143.46, 1%, 0.35%

LAB 63.9, -61.46, 44.07

 

CMYK 100 / 0 / 68 / 37

HEX #00A133

RGB 0 161 51

HSL 139.01, 1%, 0.32%

LAB 57.78, -58.15, 45.61

 

CMYK 100 / 0 / 78 / 44

HEX #008F20

RGB 0 143 32

HSL 133.43, 1%, 0.28%

LAB 51.55, -54.48, 46.58

 

CMYK 100 / 0 / 90 / 51

HEX #007D0D

RGB 0 125 13

HSL 126.24, 1%, 0.25%

LAB 45.22, -50.3, 46.32

 

CMYK 97 / 0 / 55 / 22

HEX #05C75A

RGB 5 199 90

HSL 146.29, 0.95%, 0.4%

LAB 70.61, -64.77, 42.63

 

CMYK 97 / 0 / 81 / 22

HEX #05C726

RGB 5 199 38

HSL 130.21, 0.95%, 0.4%

LAB 70.19, -70.02, 62.62

 

CMYK 87 / 0 / 97 / 22

HEX #19C705

RGB 25 199 5

HSL 113.81, 0.95%, 0.4%

LAB 70.22, -70.08, 68.65

 

CMYK 61 / 0 / 97 / 22

HEX #4DC705

RGB 77 199 5

HSL 97.73, 0.95%, 0.4%

LAB 71.17, -61.86, 69.81

 

CMYK 35 / 0 / 97 / 22

HEX #81C705

RGB 129 199 5

HSL 81.65, 0.95%, 0.4%

LAB 73.24, -46.09, 72.33

 

CMYK 97 / 0 / 55 / 22

HEX #05C75A

RGB 5 199 90

HSL 146.29, 0.95%, 0.4%

LAB 70.61, -64.77, 42.63

 

CMYK 97 / 0 / 29 / 22

HEX #05C78E

RGB 5 199 142

HSL 162.37, 0.95%, 0.4%

LAB 71.44, -54.97, 17.07

 

CMYK 97 / 0 / 3 / 22

HEX #05C7C2

RGB 5 199 194

HSL 178.45, 0.95%, 0.4%

LAB 72.74, -41.24, -9.2

 

CMYK 97 / 24 / 0 / 22

HEX #0597C7

RGB 5 151 199

HSL 194.85, 0.95%, 0.4%

LAB 58.31, -15.94, -33.98

 

CMYK 97 / 50 / 0 / 22

HEX #0563C7

RGB 5 99 199

HSL 210.93, 0.95%, 0.4%

LAB 42.88, 15.39, -58.5

 

CMYK 97 / 0 / 55 / 22

HEX #05C75A

RGB 5 199 90

HSL 146.29, 0.95%, 0.4%

LAB 70.61, -64.77, 42.63

 

CMYK 97 / 0 / 55 / 22

HEX #05C75A

RGB 5 199 90

HSL 146.29, 0.95%, 0.4%

LAB 70.61, -64.77, 42.63

 

CMYK 88 / 0 / 49 / 29

HEX #16B65C

RGB 22 182 92

HSL 146.25, 0.78%, 0.4%

LAB 65.28, -58.03, 35.12

 

CMYK 77 / 0 / 43 / 35

HEX #26A65E

RGB 38 166 94

HSL 146.25, 0.63%, 0.4%

LAB 60.33, -50.34, 27.8

 

CMYK 63 / 0 / 36 / 42

HEX #379560

RGB 55 149 96

HSL 146.17, 0.46%, 0.4%

LAB 55.23, -40.26, 20.03

 

CMYK 47 / 0 / 26 / 48

HEX #478562

RGB 71 133 98

HSL 146.13, 0.3%, 0.4%

LAB 50.68, -28.56, 12.78

 

CMYK 88 / 0 / 97 / 22

HEX #18C705

RGB 24 199 5

HSL 114.12, 0.95%, 0.4%

LAB 70.21, -70.16, 68.64

 

CMYK 97 / 0 / 81 / 22

HEX #05C725

RGB 5 199 37

HSL 129.9, 0.95%, 0.4%

LAB 70.18, -70.08, 62.89

 

CMYK 97 / 0 / 55 / 22

HEX #05C759

RGB 5 199 89

HSL 145.98, 0.95%, 0.4%

LAB 70.59, -64.92, 43.09

 

CMYK 97 / 0 / 29 / 22

HEX #05C78D

RGB 5 199 141

HSL 162.06, 0.95%, 0.4%

LAB 71.42, -55.2, 17.58

 

CMYK 97 / 0 / 4 / 22

HEX #05C7C0

RGB 5 199 192

HSL 177.84, 0.95%, 0.4%

LAB 72.68, -41.82, -8.2

 

CMYK 97 / 0 / 54 / 54

HEX #037636

RGB 3 118 54

HSL 146.61, 0.95%, 0.24%

LAB 43.13, -43.47, 27.27

 

CMYK 97 / 0 / 55 / 38

HEX #049F48

RGB 4 159 72

HSL 146.32, 0.95%, 0.32%

LAB 57.36, -54.56, 35.36

 

CMYK 97 / 0 / 55 / 22

HEX #05C75A

RGB 5 199 90

HSL 146.29, 0.95%, 0.4%

LAB 70.61, -64.77, 42.63

 

CMYK 97 / 0 / 55 / 6

HEX #06EF6C

RGB 6 239 108

HSL 146.27, 0.95%, 0.48%

LAB 83.37, -74.59, 49.6

 

CMYK 85 / 0 / 48 / 2

HEX #25F982

RGB 37 249 130

HSL 146.32, 0.95%, 0.56%

LAB 86.88, -72.95, 43.65

 

CMYK 97 / 0 / 55 / 23

HEX #05C559

RGB 5 197 89

HSL 146.25, 0.95%, 0.4%

LAB 69.96, -64.29, 42.32

 

CMYK 97 / 62 / 0 / 22

HEX #054CC7

RGB 5 76 199

HSL 218.04, 0.95%, 0.4%

LAB 36.6, 30.59, -68.73

 

CMYK 0 / 94 / 97 / 22

HEX #C70C05

RGB 199 12 5

HSL 2.16, 0.95%, 0.4%

LAB 41.87, 65.32, 54.18

 

CMYK 97 / 0 / 55 / 23

HEX #05C559

RGB 5 197 89

HSL 146.25, 0.95%, 0.4%

LAB 69.96, -64.29, 42.32

 

CMYK 55 / 97 / 0 / 22

HEX #5905C7

RGB 89 5 199

HSL 265.98, 0.95%, 0.4%

LAB 30.29, 67.52, -78.98

 

CMYK 0 / 55 / 97 / 22

HEX #C75905

RGB 199 89 5

HSL 25.98, 0.95%, 0.4%

LAB 51.03, 40.36, 59.21

 

CMYK 97 / 0 / 55 / 23

HEX #05C559

RGB 5 197 89

HSL 146.25, 0.95%, 0.4%

LAB 69.96, -64.29, 42.32

 

CMYK 97 / 62 / 0 / 22

HEX #054CC7

RGB 5 76 199

HSL 218.04, 0.95%, 0.4%

LAB 36.6, 30.59, -68.73

 

CMYK 0 / 97 / 42 / 22

HEX #C70573

RGB 199 5 115

HSL 325.98, 0.95%, 0.4%

LAB 43.49, 71.05, -6

 

CMYK 0 / 36 / 97 / 22

HEX #C78005

RGB 199 128 5

HSL 38.04, 0.95%, 0.4%

LAB 59.52, 19.77, 64.73

 

CMYK 97 / 0 / 55 / 23

HEX #05C559

RGB 5 197 89

HSL 146.25, 0.95%, 0.4%

LAB 69.96, -64.29, 42.32

 

CMYK 97 / 91 / 0 / 22

HEX #0512C7

RGB 5 18 199

HSL 235.98, 0.95%, 0.4%

LAB 25.53, 61.58, -87.06

 

CMYK 0 / 97 / 42 / 22

HEX #C70573

RGB 199 5 115

HSL 325.98, 0.95%, 0.4%

LAB 43.49, 71.05, -6

 

CMYK 0 / 7 / 97 / 22

HEX #C7BA05

RGB 199 186 5

HSL 55.98, 0.95%, 0.4%

LAB 74.36, -11.28, 75.3

 

Description

Color code: RGB 5 197 89 | qconv.com Color code: RGB 5 197 89 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 5 red, 197 green and 89 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
5 197 89 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 97 cyan, none magenta, 55 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
97% 0% 55% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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