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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 5 199 37 it is the complementary color RGB 250 56 218. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 5 199 37. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 5 199 37 shade: RGB 10 199 32, RGB 27 217 51, RGB 44 235 70, RGB 61 253 89 and RGB 78 255 108

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 5 199 37. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 5 199 37 shade: RGB 5 199 37, RGB 0 181 18, RGB 0 163 0, RGB 0 145 0 and RGB 0 127 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 5 199 37 shade: RGB 5 199 37, RGB 25 199 5, RGB 78 199 5, RGB 130 199 5 and RGB 182 199 5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 5 199 37 shade: RGB 5 199 37, RGB 5 199 89, RGB 5 199 142, RGB 5 199 194 and RGB 5 152 199

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 5 199 37 shade matches the following richer shades: RGB 5 199 37

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 5 199 37 shade: RGB 5 199 37, RGB 22 182 48, RGB 38 166 59, RGB 55 149 70 and RGB 71 133 81

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 5 199 37 shade: RGB 79 199 5, RGB 28 199 5, RGB 5 199 34, RGB 5 199 86 and RGB 5 199 138

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 5 199 37 shade: RGB 3 118 22, RGB 4 159 30, RGB 5 199 37, RGB 6 239 45 and RGB 37 249 72

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 5 199 37 shade: RGB 5 199 37, RGB 5 131 199 and RGB 199 5 54

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 5 199 37 shade: RGB 5 199 37, RGB 34 5 199 and RGB 199 34 5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 5 199 37 shade: RGB 5 199 37, RGB 5 131 199, RGB 199 5 170 and RGB 199 73 5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 5 199 37 shade: RGB 5 199 37, RGB 5 73 199, RGB 199 5 170 and RGB 199 131 5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 97 / 0 / 81 / 22

HEX #05C725

RGB 5 199 37

HSL 129.9, 0.95%, 0.4%

LAB 70.18, -70.08, 62.89

 

Complementary color

CMYK 0 / 78 / 13 / 2

HEX #FA38DA

RGB 250 56 218

HSL 309.9, 0.95%, 0.6%

LAB 60.08, 84.88, -40.58

 

CMYK 95 / 0 / 84 / 22

HEX #0AC720

RGB 10 199 32

HSL 126.98, 0.9%, 0.41%

LAB 70.19, -70.14, 64.18

 

CMYK 88 / 0 / 76 / 15

HEX #1BD933

RGB 27 217 51

HSL 127.58, 0.78%, 0.48%

LAB 76.13, -73.11, 64.47

 

CMYK 81 / 0 / 70 / 8

HEX #2CEB46

RGB 44 235 70

HSL 128.17, 0.83%, 0.55%

LAB 82.05, -75.34, 64.02

 

CMYK 76 / 0 / 65 / 1

HEX #3DFD59

RGB 61 253 89

HSL 128.75, 0.98%, 0.62%

LAB 87.95, -76.99, 63.14

 

CMYK 69 / 0 / 58 / 0

HEX #4EFF6C

RGB 78 255 108

HSL 130.17, 1%, 0.65%

LAB 89.03, -73.05, 56.49

 

CMYK 97 / 0 / 81 / 22

HEX #05C725

RGB 5 199 37

HSL 129.9, 0.95%, 0.4%

LAB 70.18, -70.08, 62.89

 

CMYK 100 / 0 / 90 / 29

HEX #00B512

RGB 0 181 18

HSL 125.97, 1%, 0.35%

LAB 64.23, -66.17, 61.88

 

CMYK 100 / 0 / 100 / 36

HEX #00A300

RGB 0 163 0

HSL 120, 1%, 0.32%

LAB 58.22, -61.66, 59.51

 

CMYK 100 / 0 / 100 / 43

HEX #009100

RGB 0 145 0

HSL 120, 1%, 0.28%

LAB 52.12, -56.59, 54.62

 

CMYK 100 / 0 / 100 / 50

HEX #007F00

RGB 0 127 0

HSL 120, 1%, 0.25%

LAB 45.88, -51.41, 49.62

 

CMYK 97 / 0 / 81 / 22

HEX #05C725

RGB 5 199 37

HSL 129.9, 0.95%, 0.4%

LAB 70.18, -70.08, 62.89

 

CMYK 87 / 0 / 97 / 22

HEX #19C705

RGB 25 199 5

HSL 113.81, 0.95%, 0.4%

LAB 70.22, -70.08, 68.65

 

CMYK 61 / 0 / 97 / 22

HEX #4EC705

RGB 78 199 5

HSL 97.42, 0.95%, 0.4%

LAB 71.2, -61.63, 69.85

 

CMYK 35 / 0 / 97 / 22

HEX #82C705

RGB 130 199 5

HSL 81.34, 0.95%, 0.4%

LAB 73.29, -45.73, 72.39

 

CMYK 9 / 0 / 97 / 22

HEX #B6C705

RGB 182 199 5

HSL 65.26, 0.95%, 0.4%

LAB 76.56, -25.08, 76.33

 

CMYK 97 / 0 / 81 / 22

HEX #05C725

RGB 5 199 37

HSL 129.9, 0.95%, 0.4%

LAB 70.18, -70.08, 62.89

 

CMYK 97 / 0 / 55 / 22

HEX #05C759

RGB 5 199 89

HSL 145.98, 0.95%, 0.4%

LAB 70.59, -64.92, 43.09

 

CMYK 97 / 0 / 29 / 22

HEX #05C78E

RGB 5 199 142

HSL 162.37, 0.95%, 0.4%

LAB 71.44, -54.97, 17.07

 

CMYK 97 / 0 / 3 / 22

HEX #05C7C2

RGB 5 199 194

HSL 178.45, 0.95%, 0.4%

LAB 72.74, -41.24, -9.2

 

CMYK 97 / 24 / 0 / 22

HEX #0598C7

RGB 5 152 199

HSL 194.54, 0.95%, 0.4%

LAB 58.61, -16.49, -33.51

 

CMYK 97 / 0 / 81 / 22

HEX #05C725

RGB 5 199 37

HSL 129.9, 0.95%, 0.4%

LAB 70.18, -70.08, 62.89

 

CMYK 97 / 0 / 81 / 22

HEX #05C725

RGB 5 199 37

HSL 129.9, 0.95%, 0.4%

LAB 70.18, -70.08, 62.89

 

CMYK 88 / 0 / 74 / 29

HEX #16B630

RGB 22 182 48

HSL 129.75, 0.78%, 0.4%

LAB 64.84, -63.48, 54.23

 

CMYK 77 / 0 / 64 / 35

HEX #26A63B

RGB 38 166 59

HSL 129.84, 0.63%, 0.4%

LAB 59.89, -55.56, 44.57

 

CMYK 63 / 0 / 53 / 42

HEX #379546

RGB 55 149 70

HSL 129.57, 0.46%, 0.4%

LAB 54.81, -44.81, 33.46

 

CMYK 47 / 0 / 39 / 48

HEX #478551

RGB 71 133 81

HSL 129.68, 0.3%, 0.4%

LAB 50.34, -31.89, 21.98

 

CMYK 60 / 0 / 97 / 22

HEX #4FC705

RGB 79 199 5

HSL 97.11, 0.95%, 0.4%

LAB 71.23, -61.39, 69.88

 

CMYK 86 / 0 / 97 / 22

HEX #1CC705

RGB 28 199 5

HSL 112.89, 0.95%, 0.4%

LAB 70.25, -69.83, 68.68

 

CMYK 97 / 0 / 83 / 22

HEX #05C722

RGB 5 199 34

HSL 128.97, 0.95%, 0.4%

LAB 70.17, -70.24, 63.67

 

CMYK 97 / 0 / 57 / 22

HEX #05C756

RGB 5 199 86

HSL 145.05, 0.95%, 0.4%

LAB 70.56, -65.34, 44.46

 

CMYK 97 / 0 / 31 / 22

HEX #05C78A

RGB 5 199 138

HSL 161.13, 0.95%, 0.4%

LAB 71.36, -55.88, 19.09

 

CMYK 97 / 0 / 81 / 54

HEX #037616

RGB 3 118 22

HSL 129.91, 0.95%, 0.24%

LAB 42.81, -47.37, 41.51

 

CMYK 97 / 0 / 81 / 38

HEX #049F1E

RGB 4 159 30

HSL 130.06, 0.95%, 0.32%

LAB 56.99, -59.13, 52.51

 

CMYK 97 / 0 / 81 / 22

HEX #05C725

RGB 5 199 37

HSL 129.9, 0.95%, 0.4%

LAB 70.18, -70.08, 62.89

 

CMYK 97 / 0 / 81 / 6

HEX #06EF2D

RGB 6 239 45

HSL 130.04, 0.95%, 0.48%

LAB 82.89, -80.56, 72.56

 

CMYK 85 / 0 / 71 / 2

HEX #25F948

RGB 37 249 72

HSL 129.91, 0.95%, 0.56%

LAB 86.31, -79.88, 67.69

 

CMYK 97 / 0 / 81 / 22

HEX #05C725

RGB 5 199 37

HSL 129.9, 0.95%, 0.4%

LAB 70.18, -70.08, 62.89

 

CMYK 97 / 34 / 0 / 22

HEX #0583C7

RGB 5 131 199

HSL 201.03, 0.95%, 0.4%

LAB 52.27, -4.58, -43.47

 

CMYK 0 / 97 / 73 / 22

HEX #C70536

RGB 199 5 54

HSL 344.85, 0.95%, 0.4%

LAB 42.03, 67.11, 30.25

 

CMYK 97 / 0 / 81 / 22

HEX #05C725

RGB 5 199 37

HSL 129.9, 0.95%, 0.4%

LAB 70.18, -70.08, 62.89

 

CMYK 83 / 97 / 0 / 22

HEX #2205C7

RGB 34 5 199

HSL 248.97, 0.95%, 0.4%

LAB 25.48, 65.04, -87.12

 

CMYK 0 / 83 / 97 / 22

HEX #C72205

RGB 199 34 5

HSL 8.97, 0.95%, 0.4%

LAB 43.21, 61.49, 54.82

 

CMYK 97 / 0 / 81 / 22

HEX #05C725

RGB 5 199 37

HSL 129.9, 0.95%, 0.4%

LAB 70.18, -70.08, 62.89

 

CMYK 97 / 34 / 0 / 22

HEX #0583C7

RGB 5 131 199

HSL 201.03, 0.95%, 0.4%

LAB 52.27, -4.58, -43.47

 

CMYK 0 / 97 / 15 / 22

HEX #C705AA

RGB 199 5 170

HSL 308.97, 0.95%, 0.4%

LAB 45.84, 77.1, -35.81

 

CMYK 0 / 63 / 97 / 22

HEX #C74905

RGB 199 73 5

HSL 21.03, 0.95%, 0.4%

LAB 48.16, 47.88, 57.49

 

CMYK 97 / 0 / 81 / 22

HEX #05C725

RGB 5 199 37

HSL 129.9, 0.95%, 0.4%

LAB 70.18, -70.08, 62.89

 

CMYK 97 / 63 / 0 / 22

HEX #0549C7

RGB 5 73 199

HSL 218.97, 0.95%, 0.4%

LAB 35.83, 32.57, -70

 

CMYK 0 / 97 / 15 / 22

HEX #C705AA

RGB 199 5 170

HSL 308.97, 0.95%, 0.4%

LAB 45.84, 77.1, -35.81

 

CMYK 0 / 34 / 97 / 22

HEX #C78305

RGB 199 131 5

HSL 38.97, 0.95%, 0.4%

LAB 60.24, 18.13, 65.22

 

Description

Color code: RGB 5 199 37 | qconv.com Color code: RGB 5 199 37 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 5 red, 199 green and 37 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
5 199 37 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 97 cyan, none magenta, 81 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
97% 0% 81% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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