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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 59 74 47 it is the complementary color RGB 196 181 208. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 59 74 47. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 59 74 47: RGB 64 74 42, RGB 81 92 61, RGB 98 110 80, RGB 115 128 99 and RGB 132 146 118

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 59 74 47. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 59 74 47: RGB 59 74 47, RGB 42 56 28, RGB 25 38 9, RGB 8 20 0 and RGB 0 2 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 0 / 36 / 71

HEX #3B4A2F

RGB 59 74 47

HSL 93.33, 0.22%, 0.24%

LAB 29.49, -11.73, 14.23

 

Complementary color

CMYK 6 / 13 / 0 / 18

HEX #C4B5D0

RGB 196 181 208

HSL 273.33, 0.22%, 0.76%

LAB 75.66, 10.34, -11.67

 

CMYK 14 / 0 / 43 / 71

HEX #404A2A

RGB 64 74 42

HSL 78.75, 0.28%, 0.23%

LAB 29.8, -10.3, 17.79

 

CMYK 12 / 0 / 34 / 64

HEX #515C3D

RGB 81 92 61

HSL 81.29, 0.2%, 0.3%

LAB 37.37, -10.36, 16.47

 

CMYK 11 / 0 / 27 / 57

HEX #626E50

RGB 98 110 80

HSL 84, 0.16%, 0.37%

LAB 44.7, -10.38, 15.27

 

CMYK 10 / 0 / 23 / 50

HEX #738063

RGB 115 128 99

HSL 86.9, 0.13%, 0.45%

LAB 51.82, -10.38, 14.18

 

CMYK 10 / 0 / 19 / 43

HEX #849276

RGB 132 146 118

HSL 90, 0.11%, 0.52%

LAB 58.76, -10.38, 13.18

 

CMYK 20 / 0 / 36 / 71

HEX #3B4A2F

RGB 59 74 47

HSL 93.33, 0.22%, 0.24%

LAB 29.49, -11.73, 14.23

 

CMYK 25 / 0 / 50 / 78

HEX #2A381C

RGB 42 56 28

HSL 90, 0.33%, 0.16%

LAB 21.6, -11.81, 15.63

 

CMYK 34 / 0 / 76 / 85

HEX #192609

RGB 25 38 9

HSL 86.9, 0.62%, 0.09%

LAB 13.31, -11.76, 15.66

 

CMYK 60 / 0 / 100 / 92

HEX #081400

RGB 8 20 0

HSL 96, 1%, 0.04%

LAB 4.99, -7.14, 7.34

 

CMYK 100 / 0 / 100 / 99

HEX #000200

RGB 0 2 0

HSL 120, 1%, 0%

LAB 0.39, -0.8, 0.57

 

CMYK 20 / 0 / 36 / 71

HEX #3B4A2F

RGB 59 74 47

HSL 93.33, 0.22%, 0.24%

LAB 29.49, -11.73, 14.23

 

CMYK 26 / 0 / 36 / 71

HEX #374A2F

RGB 55 74 47

HSL 102.22, 0.22%, 0.24%

LAB 29.2, -13.43, 13.78

 

CMYK 32 / 0 / 36 / 71

HEX #324A2F

RGB 50 74 47

HSL 113.33, 0.22%, 0.24%

LAB 28.85, -15.48, 13.26

 

CMYK 36 / 0 / 34 / 71

HEX #2F4A31

RGB 47 74 49

HSL 124.44, 0.22%, 0.24%

LAB 28.7, -16.27, 11.77

 

CMYK 36 / 0 / 28 / 71

HEX #2F4A35

RGB 47 74 53

HSL 133.33, 0.22%, 0.24%

LAB 28.8, -15.43, 9.36

 

CMYK 20 / 0 / 36 / 71

HEX #3B4A2F

RGB 59 74 47

HSL 93.33, 0.22%, 0.24%

LAB 29.49, -11.73, 14.23

 

CMYK 20 / 0 / 37 / 51

HEX #647D4F

RGB 100 125 79

HSL 92.61, 0.23%, 0.4%

LAB 49.42, -17.94, 22.2

 

CMYK 20 / 0 / 36 / 31

HEX #8CB070

RGB 140 176 112

HSL 93.75, 0.29%, 0.56%

LAB 67.87, -23.88, 28.9

 

CMYK 20 / 0 / 37 / 11

HEX #B5E390

RGB 181 227 144

HSL 93.25, 0.6%, 0.73%

LAB 85.39, -29.25, 35.81

 

CMYK 22 / 0 / 35 / 91

HEX #12170F

RGB 18 23 15

HSL 97.5, 0.21%, 0.07%

LAB 7.01, -3.91, 3.96

 

CMYK 20 / 0 / 36 / 71

HEX #3B4A2F

RGB 59 74 47

HSL 93.33, 0.22%, 0.24%

LAB 29.49, -11.73, 14.23

 

CMYK 36 / 0 / 9 / 71

HEX #2F4A43

RGB 47 74 67

HSL 164.44, 0.22%, 0.24%

LAB 29.18, -12.07, 0.92

 

CMYK 0 / 36 / 5 / 71

HEX #4A2F46

RGB 74 47 70

HSL 308.89, 0.22%, 0.24%

LAB 23.44, 16.66, -9.32

 

CMYK 20 / 0 / 36 / 71

HEX #3B4A2F

RGB 59 74 47

HSL 93.33, 0.22%, 0.24%

LAB 29.49, -11.73, 14.23

 

CMYK 36 / 20 / 0 / 71

HEX #2F3B4A

RGB 47 59 74

HSL 213.33, 0.22%, 0.24%

LAB 24.41, -0.65, -10.78

 

CMYK 0 / 36 / 20 / 71

HEX #4A2F3B

RGB 74 47 59

HSL 333.33, 0.22%, 0.24%

LAB 23.01, 14.44, -2.53

 

CMYK 20 / 0 / 36 / 71

HEX #3B4A2F

RGB 59 74 47

HSL 93.33, 0.22%, 0.24%

LAB 29.49, -11.73, 14.23

 

CMYK 36 / 0 / 9 / 71

HEX #2F4A43

RGB 47 74 67

HSL 164.44, 0.22%, 0.24%

LAB 29.18, -12.07, 0.92

 

CMYK 16 / 36 / 0 / 71

HEX #3E2F4A

RGB 62 47 74

HSL 273.33, 0.22%, 0.24%

LAB 22.13, 12.96, -14.15

 

CMYK 0 / 36 / 27 / 71

HEX #4A2F36

RGB 74 47 54

HSL 344.44, 0.22%, 0.24%

LAB 22.85, 13.53, 0.61

 

CMYK 20 / 0 / 36 / 71

HEX #3B4A2F

RGB 59 74 47

HSL 93.33, 0.22%, 0.24%

LAB 29.49, -11.73, 14.23

 

CMYK 36 / 1 / 0 / 71

HEX #2F494A

RGB 47 73 74

HSL 182.22, 0.22%, 0.24%

LAB 29.07, -9.55, -3.76

 

CMYK 16 / 36 / 0 / 71

HEX #3E2F4A

RGB 62 47 74

HSL 273.33, 0.22%, 0.24%

LAB 22.13, 12.96, -14.15

 

CMYK 0 / 34 / 36 / 71

HEX #4A312F

RGB 74 49 47

HSL 4.44, 0.22%, 0.24%

LAB 23.2, 11.07, 5.86

 

Description

Color code: RGB 59 74 47 | qconv.com Color code: RGB 59 74 47 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 59 red, 74 green and 47 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
59 74 47 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, none magenta, 36 yellow and 71 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 0% 36% 71% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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