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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 59 236 165 it is the complementary color RGB 196 19 90. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 59 236 165. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 59 236 165: RGB 64 236 160, RGB 81 254 179, RGB 98 255 198, RGB 115 255 217 and RGB 132 255 236

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 59 236 165. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 59 236 165: RGB 59 236 165, RGB 42 218 146, RGB 25 200 127, RGB 8 182 108 and RGB 0 164 89

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 0 / 30 / 7

HEX #3BECA5

RGB 59 236 165

HSL 155.93, 0.82%, 0.58%

LAB 83.78, -59.83, 22.12

 

Complementary color

CMYK 0 / 90 / 54 / 23

HEX #C4135A

RGB 196 19 90

HSL 335.93, 0.82%, 0.42%

LAB 42.67, 66.79, 8.4

 

CMYK 73 / 0 / 32 / 7

HEX #40ECA0

RGB 64 236 160

HSL 153.49, 0.82%, 0.59%

LAB 83.77, -60.22, 24.7

 

CMYK 68 / 0 / 30 / 0

HEX #51FEB3

RGB 81 254 179

HSL 153.99, 0.99%, 0.66%

LAB 89.81, -60.76, 23.32

 

CMYK 62 / 0 / 22 / 0

HEX #62FFC6

RGB 98 255 198

HSL 158.22, 1%, 0.69%

LAB 90.87, -54.37, 15.14

 

CMYK 55 / 0 / 15 / 0

HEX #73FFD9

RGB 115 255 217

HSL 163.71, 1%, 0.73%

LAB 91.76, -46.95, 6.69

 

CMYK 48 / 0 / 7 / 0

HEX #84FFEC

RGB 132 255 236

HSL 170.73, 1%, 0.76%

LAB 92.79, -39, -1.58

 

CMYK 75 / 0 / 30 / 7

HEX #3BECA5

RGB 59 236 165

HSL 155.93, 0.82%, 0.58%

LAB 83.78, -59.83, 22.12

 

CMYK 81 / 0 / 33 / 15

HEX #2ADA92

RGB 42 218 146

HSL 155.45, 0.7%, 0.51%

LAB 77.7, -58.93, 23.62

 

CMYK 88 / 0 / 37 / 22

HEX #19C87F

RGB 25 200 127

HSL 154.97, 0.78%, 0.44%

LAB 71.59, -57.66, 25.24

 

CMYK 96 / 0 / 41 / 29

HEX #08B66C

RGB 8 182 108

HSL 154.48, 0.92%, 0.37%

LAB 65.43, -55.91, 27.02

 

CMYK 100 / 0 / 46 / 36

HEX #00A459

RGB 0 164 89

HSL 152.56, 1%, 0.32%

LAB 59.23, -53.57, 28.95

 

CMYK 75 / 0 / 30 / 7

HEX #3BECA5

RGB 59 236 165

HSL 155.93, 0.82%, 0.58%

LAB 83.78, -59.83, 22.12

 

CMYK 74 / 0 / 19 / 8

HEX #3CEBBF

RGB 60 235 191

HSL 164.91, 0.81%, 0.58%

LAB 84.04, -53.48, 8.96

 

CMYK 74 / 0 / 6 / 8

HEX #3CEBDD

RGB 60 235 221

HSL 175.2, 0.81%, 0.58%

LAB 84.79, -45.84, -5.72

 

CMYK 74 / 6 / 0 / 8

HEX #3CDDEB

RGB 60 221 235

HSL 184.8, 0.81%, 0.58%

LAB 81.11, -35.59, -18.63

 

CMYK 74 / 19 / 0 / 8

HEX #3CBFEB

RGB 60 191 235

HSL 195.09, 0.81%, 0.58%

LAB 72.38, -20.88, -31.97

 

CMYK 75 / 0 / 30 / 7

HEX #3BECA5

RGB 59 236 165

HSL 155.93, 0.82%, 0.58%

LAB 83.78, -59.83, 22.12

 

CMYK 75 / 0 / 31 / 87

HEX #082016

RGB 8 32 22

HSL 155, 0.6%, 0.08%

LAB 10.13, -12.46, 4.02

 

CMYK 75 / 0 / 30 / 67

HEX #15533A

RGB 21 83 58

HSL 155.81, 0.6%, 0.2%

LAB 31, -26.29, 9.09

 

CMYK 75 / 0 / 30 / 47

HEX #22865E

RGB 34 134 94

HSL 156, 0.6%, 0.33%

LAB 49.74, -38.18, 13.58

 

CMYK 75 / 0 / 30 / 27

HEX #2EB981

RGB 46 185 129

HSL 155.83, 0.6%, 0.45%

LAB 67.17, -49.49, 18.22

 

CMYK 75 / 0 / 30 / 7

HEX #3BECA5

RGB 59 236 165

HSL 155.93, 0.82%, 0.58%

LAB 83.78, -59.83, 22.12

 

CMYK 74 / 58 / 0 / 8

HEX #3C62EB

RGB 60 98 235

HSL 226.97, 0.81%, 0.58%

LAB 46.57, 33.65, -72.97

 

CMYK 0 / 61 / 74 / 8

HEX #EB5C3C

RGB 235 92 60

HSL 10.97, 0.81%, 0.58%

LAB 57.7, 53.58, 46.28

 

CMYK 75 / 0 / 30 / 7

HEX #3BECA5

RGB 59 236 165

HSL 155.93, 0.82%, 0.58%

LAB 83.78, -59.83, 22.12

 

CMYK 31 / 74 / 0 / 8

HEX #A23CEB

RGB 162 60 235

HSL 274.97, 0.81%, 0.58%

LAB 48.15, 69.56, -70.02

 

CMYK 0 / 31 / 74 / 8

HEX #EBA23C

RGB 235 162 60

HSL 34.97, 0.81%, 0.58%

LAB 72.11, 18.36, 61.07

 

CMYK 75 / 0 / 30 / 7

HEX #3BECA5

RGB 59 236 165

HSL 155.93, 0.82%, 0.58%

LAB 83.78, -59.83, 22.12

 

CMYK 74 / 58 / 0 / 8

HEX #3C62EB

RGB 60 98 235

HSL 226.97, 0.81%, 0.58%

LAB 46.57, 33.65, -72.97

 

CMYK 0 / 74 / 43 / 8

HEX #EB3C85

RGB 235 60 133

HSL 334.97, 0.81%, 0.58%

LAB 54.64, 70.54, 0.26

 

CMYK 0 / 16 / 74 / 8

HEX #EBC53C

RGB 235 197 60

HSL 46.97, 0.81%, 0.58%

LAB 80.69, -0.02, 69.37

 

CMYK 75 / 0 / 30 / 7

HEX #3BECA5

RGB 59 236 165

HSL 155.93, 0.82%, 0.58%

LAB 83.78, -59.83, 22.12

 

CMYK 69 / 74 / 0 / 8

HEX #4A3CEB

RGB 74 60 235

HSL 244.8, 0.81%, 0.58%

LAB 39.05, 57.3, -85.29

 

CMYK 0 / 74 / 43 / 8

HEX #EB3C85

RGB 235 60 133

HSL 334.97, 0.81%, 0.58%

LAB 54.64, 70.54, 0.26

 

CMYK 6 / 0 / 74 / 8

HEX #DDEB3C

RGB 221 235 60

HSL 64.8, 0.81%, 0.58%

LAB 89.45, -24.78, 77.17

 

Description

Color code: RGB 59 236 165 | qconv.com Color code: RGB 59 236 165 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 59 red, 236 green and 165 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
59 236 165 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, none magenta, 30 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 0% 30% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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