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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 59 164 153 it is the complementary color RGB 196 91 102. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 59 164 153. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 59 164 153: RGB 64 164 148, RGB 81 182 167, RGB 98 200 186, RGB 115 218 205 and RGB 132 236 224

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 59 164 153. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 59 164 153: RGB 59 164 153, RGB 42 146 134, RGB 25 128 115, RGB 8 110 96 and RGB 0 92 77

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 64 / 0 / 7 / 36

HEX #3BA499

RGB 59 164 153

HSL 173.71, 0.47%, 0.44%

LAB 61.46, -32.45, -3.17

 

Complementary color

CMYK 0 / 54 / 48 / 23

HEX #C45B66

RGB 196 91 102

HSL 353.71, 0.47%, 0.56%

LAB 52.04, 42.97, 14.15

 

CMYK 61 / 0 / 10 / 36

HEX #40A494

RGB 64 164 148

HSL 170.4, 0.44%, 0.45%

LAB 61.46, -32.9, -0.34

 

CMYK 55 / 0 / 8 / 29

HEX #51B6A7

RGB 81 182 167

HSL 171.09, 0.41%, 0.52%

LAB 68.02, -33.07, -1.27

 

CMYK 51 / 0 / 7 / 22

HEX #62C8BA

RGB 98 200 186

HSL 171.76, 0.48%, 0.58%

LAB 74.48, -33.13, -2.11

 

CMYK 47 / 0 / 6 / 15

HEX #73DACD

RGB 115 218 205

HSL 172.43, 0.58%, 0.65%

LAB 80.85, -33.13, -2.89

 

CMYK 44 / 0 / 5 / 7

HEX #84ECE0

RGB 132 236 224

HSL 173.08, 0.73%, 0.72%

LAB 87.13, -33.08, -3.62

 

CMYK 64 / 0 / 7 / 36

HEX #3BA499

RGB 59 164 153

HSL 173.71, 0.47%, 0.44%

LAB 61.46, -32.45, -3.17

 

CMYK 71 / 0 / 8 / 43

HEX #2A9286

RGB 42 146 134

HSL 173.08, 0.55%, 0.37%

LAB 54.84, -31.94, -2.16

 

CMYK 80 / 0 / 10 / 50

HEX #198073

RGB 25 128 115

HSL 172.43, 0.67%, 0.3%

LAB 48.11, -31.11, -1

 

CMYK 93 / 0 / 13 / 57

HEX #086E60

RGB 8 110 96

HSL 171.76, 0.86%, 0.23%

LAB 41.29, -29.79, 0.34

 

CMYK 100 / 0 / 16 / 64

HEX #005C4D

RGB 0 92 77

HSL 170.22, 1%, 0.18%

LAB 34.38, -27.73, 1.95

 

CMYK 64 / 0 / 7 / 36

HEX #3BA499

RGB 59 164 153

HSL 173.71, 0.47%, 0.44%

LAB 61.46, -32.45, -3.17

 

CMYK 64 / 3 / 0 / 36

HEX #3B9FA4

RGB 59 159 164

HSL 182.86, 0.47%, 0.44%

LAB 60.25, -26.88, -11.17

 

CMYK 64 / 13 / 0 / 36

HEX #3B8EA4

RGB 59 142 164

HSL 192.57, 0.47%, 0.44%

LAB 55.03, -18.08, -19.08

 

CMYK 64 / 24 / 0 / 36

HEX #3B7CA4

RGB 59 124 164

HSL 202.86, 0.47%, 0.44%

LAB 49.53, -8.03, -27.55

 

CMYK 64 / 35 / 0 / 36

HEX #3B6AA4

RGB 59 106 164

HSL 213.14, 0.47%, 0.44%

LAB 44.12, 2.78, -36.03

 

CMYK 64 / 0 / 7 / 36

HEX #3BA499

RGB 59 164 153

HSL 173.71, 0.47%, 0.44%

LAB 61.46, -32.45, -3.17

 

CMYK 64 / 0 / 7 / 16

HEX #4DD7C9

RGB 77 215 201

HSL 173.91, 0.63%, 0.57%

LAB 78.69, -40.12, -4.06

 

CMYK 64 / 0 / 9 / 96

HEX #040B0A

RGB 4 11 10

HSL 171.43, 0.47%, 0.03%

LAB 2.59, -1.98, -0.26

 

CMYK 65 / 0 / 6 / 76

HEX #163E3A

RGB 22 62 58

HSL 174, 0.48%, 0.16%

LAB 23.41, -15.13, -1.77

 

CMYK 64 / 0 / 7 / 56

HEX #297169

RGB 41 113 105

HSL 173.33, 0.47%, 0.3%

LAB 43.21, -24.26, -2.2

 

CMYK 64 / 0 / 7 / 36

HEX #3BA499

RGB 59 164 153

HSL 173.71, 0.47%, 0.44%

LAB 61.46, -32.45, -3.17

 

CMYK 59 / 64 / 0 / 36

HEX #443BA4

RGB 68 59 164

HSL 245.14, 0.47%, 0.44%

LAB 31.89, 34.61, -55.62

 

CMYK 0 / 33 / 64 / 36

HEX #A46E3B

RGB 164 110 59

HSL 29.14, 0.47%, 0.44%

LAB 51.11, 16.23, 36.61

 

CMYK 64 / 0 / 7 / 36

HEX #3BA499

RGB 59 164 153

HSL 173.71, 0.47%, 0.44%

LAB 61.46, -32.45, -3.17

 

CMYK 7 / 64 / 0 / 36

HEX #983BA4

RGB 152 59 164

HSL 293.14, 0.47%, 0.44%

LAB 41.97, 53.4, -38.87

 

CMYK 0 / 7 / 64 / 36

HEX #A4983B

RGB 164 152 59

HSL 53.14, 0.47%, 0.44%

LAB 62.22, -7.16, 49

 

CMYK 64 / 0 / 7 / 36

HEX #3BA499

RGB 59 164 153

HSL 173.71, 0.47%, 0.44%

LAB 61.46, -32.45, -3.17

 

CMYK 59 / 64 / 0 / 36

HEX #443BA4

RGB 68 59 164

HSL 245.14, 0.47%, 0.44%

LAB 31.89, 34.61, -55.62

 

CMYK 0 / 64 / 57 / 36

HEX #A43B47

RGB 164 59 71

HSL 353.14, 0.47%, 0.44%

LAB 40.37, 44.22, 16.21

 

CMYK 5 / 0 / 64 / 36

HEX #9CA43B

RGB 156 164 59

HSL 64.57, 0.47%, 0.44%

LAB 64.91, -16.95, 51.66

 

CMYK 64 / 0 / 7 / 36

HEX #3BA499

RGB 59 164 153

HSL 173.71, 0.47%, 0.44%

LAB 61.46, -32.45, -3.17

 

CMYK 40 / 64 / 0 / 36

HEX #633BA4

RGB 99 59 164

HSL 262.86, 0.47%, 0.44%

LAB 34.92, 40.79, -50.56

 

CMYK 0 / 64 / 57 / 36

HEX #A43B47

RGB 164 59 71

HSL 353.14, 0.47%, 0.44%

LAB 40.37, 44.22, 16.21

 

CMYK 24 / 0 / 64 / 36

HEX #7CA43B

RGB 124 164 59

HSL 82.86, 0.47%, 0.44%

LAB 62.64, -30.21, 48.55

 

Description

Color code: RGB 59 164 153 | qconv.com Color code: RGB 59 164 153 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 59 red, 164 green and 153 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
59 164 153 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 64 cyan, none magenta, 7 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
64% 0% 7% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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