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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 59 157 40 it is the complementary color RGB 196 98 215. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 59 157 40. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 59 157 40: RGB 64 157 35, RGB 81 175 54, RGB 98 193 73, RGB 115 211 92 and RGB 132 229 111

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 59 157 40. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 59 157 40: RGB 59 157 40, RGB 42 139 21, RGB 25 121 2, RGB 8 103 0 and RGB 0 85 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 0 / 75 / 38

HEX #3B9D28

RGB 59 157 40

HSL 110.26, 0.59%, 0.39%

LAB 57.27, -50.22, 49.71

 

Complementary color

CMYK 9 / 54 / 0 / 16

HEX #C462D7

RGB 196 98 215

HSL 290.26, 0.59%, 0.61%

LAB 57.44, 56.25, -43.58

 

CMYK 59 / 0 / 78 / 38

HEX #409D23

RGB 64 157 35

HSL 105.74, 0.64%, 0.38%

LAB 57.39, -49.33, 51.65

 

CMYK 54 / 0 / 69 / 31

HEX #51AF36

RGB 81 175 54

HSL 106.61, 0.53%, 0.45%

LAB 63.9, -50.05, 51.36

 

CMYK 49 / 0 / 62 / 24

HEX #62C149

RGB 98 193 73

HSL 107.5, 0.49%, 0.52%

LAB 70.33, -50.43, 50.55

 

CMYK 45 / 0 / 56 / 17

HEX #73D35C

RGB 115 211 92

HSL 108.4, 0.57%, 0.59%

LAB 76.68, -50.59, 49.49

 

CMYK 42 / 0 / 52 / 10

HEX #84E56F

RGB 132 229 111

HSL 109.32, 0.69%, 0.67%

LAB 82.96, -50.61, 48.33

 

CMYK 62 / 0 / 75 / 38

HEX #3B9D28

RGB 59 157 40

HSL 110.26, 0.59%, 0.39%

LAB 57.27, -50.22, 49.71

 

CMYK 70 / 0 / 85 / 45

HEX #2A8B15

RGB 42 139 21

HSL 109.32, 0.74%, 0.31%

LAB 50.7, -48.95, 49.44

 

CMYK 79 / 0 / 98 / 53

HEX #197902

RGB 25 121 2

HSL 108.4, 0.97%, 0.24%

LAB 44.07, -46.88, 47.84

 

CMYK 92 / 0 / 100 / 60

HEX #086700

RGB 8 103 0

HSL 115.34, 1%, 0.2%

LAB 37.39, -43.42, 42.85

 

CMYK 100 / 0 / 100 / 67

HEX #005500

RGB 0 85 0

HSL 120, 1%, 0.17%

LAB 30.63, -38.74, 37.39

 

CMYK 62 / 0 / 75 / 38

HEX #3B9D28

RGB 59 157 40

HSL 110.26, 0.59%, 0.39%

LAB 57.27, -50.22, 49.71

 

CMYK 75 / 0 / 75 / 38

HEX #289E28

RGB 40 158 40

HSL 120, 0.6%, 0.39%

LAB 57.13, -54.44, 49.42

 

CMYK 75 / 0 / 62 / 38

HEX #289E3C

RGB 40 158 60

HSL 130.17, 0.6%, 0.39%

LAB 57.3, -52.41, 41.2

 

CMYK 75 / 0 / 50 / 38

HEX #289E4F

RGB 40 158 79

HSL 139.83, 0.6%, 0.39%

LAB 57.53, -49.69, 32.1

 

CMYK 75 / 0 / 37 / 38

HEX #289E63

RGB 40 158 99

HSL 150, 0.6%, 0.39%

LAB 57.85, -46.02, 21.84

 

CMYK 62 / 0 / 75 / 38

HEX #3B9D28

RGB 59 157 40

HSL 110.26, 0.59%, 0.39%

LAB 57.27, -50.22, 49.71

 

CMYK 63 / 0 / 75 / 18

HEX #4ED035

RGB 78 208 53

HSL 110.32, 0.62%, 0.51%

LAB 74.18, -62.73, 62.2

 

CMYK 50 / 0 / 75 / 98

HEX #020401

RGB 2 4 1

HSL 100, 0.6%, 0.01%

LAB 0.92, -0.94, 0.95

 

CMYK 62 / 0 / 75 / 78

HEX #15370E

RGB 21 55 14

HSL 109.76, 0.59%, 0.14%

LAB 19.73, -21.88, 21.33

 

CMYK 62 / 0 / 75 / 58

HEX #286A1B

RGB 40 106 27

HSL 110.13, 0.59%, 0.26%

LAB 39.31, -36.83, 36.32

 

CMYK 62 / 0 / 75 / 38

HEX #3B9D28

RGB 59 157 40

HSL 110.26, 0.59%, 0.39%

LAB 57.27, -50.22, 49.71

 

CMYK 75 / 3 / 0 / 38

HEX #289A9E

RGB 40 154 158

HSL 182.03, 0.6%, 0.39%

LAB 58.07, -28.95, -11.1

 

CMYK 0 / 75 / 32 / 38

HEX #9E286B

RGB 158 40 107

HSL 325.93, 0.6%, 0.39%

LAB 37.57, 53.62, -10.68

 

CMYK 62 / 0 / 75 / 38

HEX #3B9D28

RGB 59 157 40

HSL 110.26, 0.59%, 0.39%

LAB 57.27, -50.22, 49.71

 

CMYK 75 / 62 / 0 / 38

HEX #283C9E

RGB 40 60 158

HSL 229.83, 0.6%, 0.39%

LAB 29.79, 27.63, -55.5

 

CMYK 0 / 75 / 62 / 38

HEX #9E283C

RGB 158 40 60

HSL 349.83, 0.6%, 0.39%

LAB 36.2, 49.19, 17.4

 

CMYK 62 / 0 / 75 / 38

HEX #3B9D28

RGB 59 157 40

HSL 110.26, 0.59%, 0.39%

LAB 57.27, -50.22, 49.71

 

CMYK 75 / 3 / 0 / 38

HEX #289A9E

RGB 40 154 158

HSL 182.03, 0.6%, 0.39%

LAB 58.07, -28.95, -11.1

 

CMYK 13 / 75 / 0 / 38

HEX #8A289E

RGB 138 40 158

HSL 289.83, 0.6%, 0.39%

LAB 36.72, 56.71, -43.77

 

CMYK 0 / 72 / 75 / 38

HEX #9E2C28

RGB 158 44 40

HSL 2.03, 0.6%, 0.39%

LAB 36.41, 46.58, 30.11

 

CMYK 62 / 0 / 75 / 38

HEX #3B9D28

RGB 59 157 40

HSL 110.26, 0.59%, 0.39%

LAB 57.27, -50.22, 49.71

 

CMYK 75 / 25 / 0 / 38

HEX #28779E

RGB 40 119 158

HSL 199.83, 0.6%, 0.39%

LAB 47.12, -10.28, -27.83

 

CMYK 13 / 75 / 0 / 38

HEX #8A289E

RGB 138 40 158

HSL 289.83, 0.6%, 0.39%

LAB 36.72, 56.71, -43.77

 

CMYK 0 / 50 / 75 / 38

HEX #9E4F28

RGB 158 79 40

HSL 19.83, 0.6%, 0.39%

LAB 42.78, 29.87, 37.11

 

Description

Color code: RGB 59 157 40 | qconv.com Color code: RGB 59 157 40 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 59 red, 157 green and 40 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
59 157 40 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, none magenta, 75 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 0% 75% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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