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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 59 148 220 it is the complementary color RGB 196 107 35. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 59 148 220. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 59 148 220: RGB 64 148 215, RGB 81 166 234, RGB 98 184 253, RGB 115 202 255 and RGB 132 220 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 59 148 220. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 59 148 220: RGB 59 148 220, RGB 42 130 201, RGB 25 112 182, RGB 8 94 163 and RGB 0 76 144

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 33 / 0 / 14

HEX #3B94DC

RGB 59 148 220

HSL 206.83, 0.7%, 0.55%

LAB 59.23, -2.58, -44.25

 

Complementary color

CMYK 0 / 45 / 82 / 23

HEX #C46B23

RGB 196 107 35

HSL 26.83, 0.7%, 0.45%

LAB 54.42, 30.44, 52.7

 

CMYK 70 / 31 / 0 / 16

HEX #4094D7

RGB 64 148 215

HSL 206.62, 0.65%, 0.55%

LAB 59.14, -3.64, -41.59

 

CMYK 65 / 29 / 0 / 8

HEX #51A6EA

RGB 81 166 234

HSL 206.67, 0.78%, 0.62%

LAB 65.72, -4.84, -41.74

 

CMYK 61 / 27 / 0 / 1

HEX #62B8FD

RGB 98 184 253

HSL 206.71, 0.97%, 0.69%

LAB 72.21, -5.8, -41.88

 

CMYK 55 / 21 / 0 / 0

HEX #73CAFF

RGB 115 202 255

HSL 202.71, 1%, 0.73%

LAB 77.94, -11.66, -34

 

CMYK 48 / 14 / 0 / 0

HEX #84DCFF

RGB 132 220 255

HSL 197.07, 1%, 0.76%

LAB 83.61, -17.38, -25.25

 

CMYK 73 / 33 / 0 / 14

HEX #3B94DC

RGB 59 148 220

HSL 206.83, 0.7%, 0.55%

LAB 59.23, -2.58, -44.25

 

CMYK 79 / 35 / 0 / 21

HEX #2A82C9

RGB 42 130 201

HSL 206.79, 0.65%, 0.48%

LAB 52.59, -0.86, -44.07

 

CMYK 86 / 38 / 0 / 29

HEX #1970B6

RGB 25 112 182

HSL 206.75, 0.76%, 0.41%

LAB 45.87, 1.33, -43.85

 

CMYK 95 / 42 / 0 / 36

HEX #085EA3

RGB 8 94 163

HSL 206.71, 0.91%, 0.34%

LAB 39.07, 4.15, -43.54

 

CMYK 100 / 47 / 0 / 44

HEX #004C90

RGB 0 76 144

HSL 208.33, 1%, 0.28%

LAB 32.22, 7.74, -43.09

 

CMYK 73 / 33 / 0 / 14

HEX #3B94DC

RGB 59 148 220

HSL 206.83, 0.7%, 0.55%

LAB 59.23, -2.58, -44.25

 

CMYK 73 / 44 / 0 / 14

HEX #3B7CDC

RGB 59 124 220

HSL 215.78, 0.7%, 0.55%

LAB 52.41, 11.79, -55.08

 

CMYK 73 / 56 / 0 / 14

HEX #3B61DC

RGB 59 97 220

HSL 225.84, 0.7%, 0.55%

LAB 45.15, 28.78, -66.81

 

CMYK 73 / 68 / 0 / 14

HEX #3B46DC

RGB 59 70 220

HSL 235.9, 0.7%, 0.55%

LAB 38.69, 45.51, -77.37

 

CMYK 66 / 73 / 0 / 14

HEX #4B3BDC

RGB 75 59 220

HSL 245.96, 0.7%, 0.55%

LAB 37.46, 53.37, -79.34

 

CMYK 73 / 33 / 0 / 14

HEX #3B94DC

RGB 59 148 220

HSL 206.83, 0.7%, 0.55%

LAB 59.23, -2.58, -44.25

 

CMYK 75 / 31 / 0 / 94

HEX #040B10

RGB 4 11 16

HSL 205, 0.6%, 0.04%

LAB 2.73, -1, -2.94

 

CMYK 73 / 33 / 0 / 74

HEX #122D43

RGB 18 45 67

HSL 206.94, 0.58%, 0.17%

LAB 17.51, -1.92, -16.86

 

CMYK 73 / 33 / 0 / 54

HEX #204F76

RGB 32 79 118

HSL 207.21, 0.57%, 0.29%

LAB 32.27, -1.93, -26.9

 

CMYK 73 / 33 / 0 / 34

HEX #2D72A9

RGB 45 114 169

HSL 206.61, 0.58%, 0.42%

LAB 46.25, -2.65, -35.63

 

CMYK 73 / 33 / 0 / 14

HEX #3B94DC

RGB 59 148 220

HSL 206.83, 0.7%, 0.55%

LAB 59.23, -2.58, -44.25

 

CMYK 27 / 73 / 0 / 14

HEX #A13BDC

RGB 161 59 220

HSL 278.01, 0.7%, 0.55%

LAB 46.81, 66.59, -63.7

 

CMYK 2 / 0 / 73 / 14

HEX #D7DC3B

RGB 215 220 59

HSL 61.86, 0.7%, 0.55%

LAB 84.97, -20.06, 73.14

 

CMYK 73 / 33 / 0 / 14

HEX #3B94DC

RGB 59 148 220

HSL 206.83, 0.7%, 0.55%

LAB 59.23, -2.58, -44.25

 

CMYK 0 / 73 / 32 / 14

HEX #DC3B96

RGB 220 59 150

HSL 326.09, 0.7%, 0.55%

LAB 52.45, 68.67, -13.4

 

CMYK 32 / 0 / 73 / 14

HEX #96DC3B

RGB 150 220 59

HSL 86.09, 0.7%, 0.55%

LAB 80.73, -45.53, 67.6

 

CMYK 73 / 33 / 0 / 14

HEX #3B94DC

RGB 59 148 220

HSL 206.83, 0.7%, 0.55%

LAB 59.23, -2.58, -44.25

 

CMYK 27 / 73 / 0 / 14

HEX #A13BDC

RGB 161 59 220

HSL 278.01, 0.7%, 0.55%

LAB 46.81, 66.59, -63.7

 

CMYK 0 / 41 / 73 / 14

HEX #DC813B

RGB 220 129 59

HSL 26.09, 0.7%, 0.55%

LAB 62.7, 29.61, 51.39

 

CMYK 46 / 0 / 73 / 14

HEX #76DC3B

RGB 118 220 59

HSL 98.01, 0.7%, 0.55%

LAB 79.24, -56.11, 65.64

 

CMYK 73 / 33 / 0 / 14

HEX #3B94DC

RGB 59 148 220

HSL 206.83, 0.7%, 0.55%

LAB 59.23, -2.58, -44.25

 

CMYK 5 / 73 / 0 / 14

HEX #D13BDC

RGB 209 59 220

HSL 295.9, 0.7%, 0.55%

LAB 53.87, 75.95, -51.97

 

CMYK 0 / 41 / 73 / 14

HEX #DC813B

RGB 220 129 59

HSL 26.09, 0.7%, 0.55%

LAB 62.7, 29.61, 51.39

 

CMYK 68 / 0 / 73 / 14

HEX #46DC3B

RGB 70 220 59

HSL 115.9, 0.7%, 0.55%

LAB 77.76, -67.88, 63.66

 

Description

Color code: RGB 59 148 220 | qconv.com Color code: RGB 59 148 220 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 59 red, 148 green and 220 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
59 148 220 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, 33 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 33% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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