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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 59 134 50 it is the complementary color RGB 196 121 205. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 59 134 50. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 59 134 50: RGB 64 134 45, RGB 81 152 64, RGB 98 170 83, RGB 115 188 102 and RGB 132 206 121

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 59 134 50. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 59 134 50: RGB 59 134 50, RGB 42 116 31, RGB 25 98 12, RGB 8 80 0 and RGB 0 62 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 0 / 63 / 47

HEX #3B8632

RGB 59 134 50

HSL 113.57, 0.46%, 0.36%

LAB 49.75, -40.45, 37.43

 

Complementary color

CMYK 4 / 41 / 0 / 20

HEX #C479CD

RGB 196 121 205

HSL 293.57, 0.46%, 0.64%

LAB 61.5, 42.59, -31.59

 

CMYK 52 / 0 / 66 / 47

HEX #40862D

RGB 64 134 45

HSL 107.19, 0.5%, 0.35%

LAB 49.89, -39.53, 39.97

 

CMYK 47 / 0 / 58 / 40

HEX #519840

RGB 81 152 64

HSL 108.41, 0.41%, 0.42%

LAB 56.66, -39.74, 38.89

 

CMYK 42 / 0 / 51 / 33

HEX #62AA53

RGB 98 170 83

HSL 109.66, 0.34%, 0.5%

LAB 63.32, -39.75, 37.65

 

CMYK 39 / 0 / 46 / 26

HEX #73BC66

RGB 115 188 102

HSL 110.93, 0.39%, 0.57%

LAB 69.87, -39.64, 36.39

 

CMYK 36 / 0 / 41 / 19

HEX #84CE79

RGB 132 206 121

HSL 112.24, 0.46%, 0.64%

LAB 76.33, -39.47, 35.15

 

CMYK 56 / 0 / 63 / 47

HEX #3B8632

RGB 59 134 50

HSL 113.57, 0.46%, 0.36%

LAB 49.75, -40.45, 37.43

 

CMYK 64 / 0 / 73 / 55

HEX #2A741F

RGB 42 116 31

HSL 112.24, 0.58%, 0.29%

LAB 42.89, -39.86, 38.37

 

CMYK 74 / 0 / 88 / 62

HEX #19620C

RGB 25 98 12

HSL 110.93, 0.78%, 0.22%

LAB 35.92, -38.55, 38.35

 

CMYK 90 / 0 / 100 / 69

HEX #085000

RGB 8 80 0

HSL 114, 1%, 0.16%

LAB 28.87, -35.96, 36.04

 

CMYK 100 / 0 / 100 / 76

HEX #003E00

RGB 0 62 0

HSL 120, 1%, 0.12%

LAB 21.75, -31.36, 29.28

 

CMYK 56 / 0 / 63 / 47

HEX #3B8632

RGB 59 134 50

HSL 113.57, 0.46%, 0.36%

LAB 49.75, -40.45, 37.43

 

CMYK 63 / 0 / 60 / 47

HEX #318635

RGB 49 134 53

HSL 122.82, 0.46%, 0.36%

LAB 49.45, -42.69, 35.55

 

CMYK 63 / 0 / 50 / 47

HEX #318643

RGB 49 134 67

HSL 132.71, 0.46%, 0.36%

LAB 49.63, -40.66, 28.57

 

CMYK 63 / 0 / 40 / 47

HEX #318651

RGB 49 134 81

HSL 142.59, 0.46%, 0.36%

LAB 49.85, -38.17, 21.19

 

CMYK 63 / 0 / 28 / 47

HEX #318660

RGB 49 134 96

HSL 153.18, 0.46%, 0.36%

LAB 50.15, -34.99, 13.07

 

CMYK 56 / 0 / 63 / 47

HEX #3B8632

RGB 59 134 50

HSL 113.57, 0.46%, 0.36%

LAB 49.75, -40.45, 37.43

 

CMYK 56 / 0 / 63 / 27

HEX #51B945

RGB 81 185 69

HSL 113.79, 0.46%, 0.5%

LAB 67.18, -52.42, 48.61

 

CMYK 56 / 0 / 63 / 7

HEX #68EC58

RGB 104 236 88

HSL 113.51, 0.8%, 0.64%

LAB 83.78, -63.47, 59.22

 

CMYK 56 / 0 / 63 / 87

HEX #0E200C

RGB 14 32 12

HSL 114, 0.45%, 0.09%

LAB 10.21, -12.69, 10.01

 

CMYK 55 / 0 / 63 / 67

HEX #25531F

RGB 37 83 31

HSL 113.08, 0.46%, 0.22%

LAB 31.06, -27.46, 25.31

 

CMYK 56 / 0 / 63 / 47

HEX #3B8632

RGB 59 134 50

HSL 113.57, 0.46%, 0.36%

LAB 49.75, -40.45, 37.43

 

CMYK 63 / 6 / 0 / 47

HEX #317E86

RGB 49 126 134

HSL 185.65, 0.46%, 0.36%

LAB 48.63, -20.76, -11.37

 

CMYK 0 / 63 / 31 / 47

HEX #86315D

RGB 134 49 93

HSL 328.94, 0.46%, 0.36%

LAB 34.1, 41.05, -7.42

 

CMYK 56 / 0 / 63 / 47

HEX #3B8632

RGB 59 134 50

HSL 113.57, 0.46%, 0.36%

LAB 49.75, -40.45, 37.43

 

CMYK 63 / 56 / 0 / 47

HEX #313B86

RGB 49 59 134

HSL 232.94, 0.46%, 0.36%

LAB 28.12, 20.74, -43.46

 

CMYK 0 / 63 / 56 / 47

HEX #86313B

RGB 134 49 59

HSL 352.94, 0.46%, 0.36%

LAB 33.09, 37.25, 13.11

 

CMYK 56 / 0 / 63 / 47

HEX #3B8632

RGB 59 134 50

HSL 113.57, 0.46%, 0.36%

LAB 49.75, -40.45, 37.43

 

CMYK 63 / 6 / 0 / 47

HEX #317E86

RGB 49 126 134

HSL 185.65, 0.46%, 0.36%

LAB 48.63, -20.76, -11.37

 

CMYK 7 / 63 / 0 / 47

HEX #7C3186

RGB 124 49 134

HSL 292.94, 0.46%, 0.36%

LAB 34.4, 45, -32.92

 

CMYK 0 / 58 / 63 / 47

HEX #863831

RGB 134 56 49

HSL 4.94, 0.46%, 0.36%

LAB 34.23, 32.93, 20.95

 

CMYK 56 / 0 / 63 / 47

HEX #3B8632

RGB 59 134 50

HSL 113.57, 0.46%, 0.36%

LAB 49.75, -40.45, 37.43

 

CMYK 63 / 25 / 0 / 47

HEX #316586

RGB 49 101 134

HSL 203.29, 0.46%, 0.36%

LAB 40.71, -6.63, -23.5

 

CMYK 7 / 63 / 0 / 47

HEX #7C3186

RGB 124 49 134

HSL 292.94, 0.46%, 0.36%

LAB 34.4, 45, -32.92

 

CMYK 0 / 40 / 63 / 47

HEX #865131

RGB 134 81 49

HSL 22.59, 0.46%, 0.36%

LAB 39.87, 18.93, 27.91

 

Description

Color code: RGB 59 134 50 | qconv.com Color code: RGB 59 134 50 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 59 red, 134 green and 50 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
59 134 50 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, none magenta, 63 yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 0% 63% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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