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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 58 95 205 it is the complementary color RGB 197 160 50. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 58 95 205. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 58 95 205: RGB 63 95 200, RGB 80 113 219, RGB 97 131 238, RGB 114 149 255 and RGB 131 167 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 58 95 205. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 58 95 205: RGB 58 95 205, RGB 41 77 186, RGB 24 59 167, RGB 7 41 148 and RGB 0 23 129

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 54 / 0 / 20

HEX #3A5FCD

RGB 58 95 205

HSL 224.9, 0.6%, 0.52%

LAB 43.5, 24.47, -60.91

 

Complementary color

CMYK 0 / 19 / 75 / 23

HEX #C5A032

RGB 197 160 50

HSL 44.9, 0.6%, 0.48%

LAB 67.46, 2.61, 59.09

 

CMYK 69 / 53 / 0 / 22

HEX #3F5FC8

RGB 63 95 200

HSL 225.99, 0.55%, 0.52%

LAB 43.38, 23.37, -58.21

 

CMYK 63 / 48 / 0 / 14

HEX #5071DB

RGB 80 113 219

HSL 225.76, 0.66%, 0.59%

LAB 50.25, 21.43, -57.94

 

CMYK 59 / 45 / 0 / 7

HEX #6183EE

RGB 97 131 238

HSL 225.53, 0.81%, 0.66%

LAB 57.02, 19.82, -57.67

 

CMYK 55 / 42 / 0 / 0

HEX #7295FF

RGB 114 149 255

HSL 225.11, 1%, 0.72%

LAB 63.58, 17.85, -56.51

 

CMYK 49 / 35 / 0 / 0

HEX #83A7FF

RGB 131 167 255

HSL 222.58, 1%, 0.76%

LAB 69.24, 11.07, -47.5

 

CMYK 72 / 54 / 0 / 20

HEX #3A5FCD

RGB 58 95 205

HSL 224.9, 0.6%, 0.52%

LAB 43.5, 24.47, -60.91

 

CMYK 78 / 59 / 0 / 27

HEX #294DBA

RGB 41 77 186

HSL 225.1, 0.64%, 0.45%

LAB 36.6, 27.07, -61.1

 

CMYK 86 / 65 / 0 / 35

HEX #183BA7

RGB 24 59 167

HSL 225.31, 0.75%, 0.37%

LAB 29.69, 30.23, -61.12

 

CMYK 95 / 72 / 0 / 42

HEX #072994

RGB 7 41 148

HSL 225.53, 0.91%, 0.3%

LAB 22.89, 33.91, -60.75

 

CMYK 100 / 82 / 0 / 49

HEX #001781

RGB 0 23 129

HSL 229.3, 1%, 0.25%

LAB 16.49, 37.68, -59.47

 

CMYK 72 / 54 / 0 / 20

HEX #3A5FCD

RGB 58 95 205

HSL 224.9, 0.6%, 0.52%

LAB 43.5, 24.47, -60.91

 

CMYK 71 / 65 / 0 / 19

HEX #3B49CE

RGB 59 73 206

HSL 234.29, 0.6%, 0.52%

LAB 38.11, 38.91, -70.26

 

CMYK 67 / 71 / 0 / 19

HEX #443BCE

RGB 68 59 206

HSL 243.67, 0.6%, 0.52%

LAB 35.62, 48.22, -74.32

 

CMYK 55 / 71 / 0 / 19

HEX #5D3BCE

RGB 93 59 206

HSL 253.88, 0.6%, 0.52%

LAB 37.68, 51.52, -70.86

 

CMYK 43 / 71 / 0 / 19

HEX #753BCE

RGB 117 59 206

HSL 263.67, 0.6%, 0.52%

LAB 40.19, 55.4, -66.66

 

CMYK 72 / 54 / 0 / 20

HEX #3A5FCD

RGB 58 95 205

HSL 224.9, 0.6%, 0.52%

LAB 43.5, 24.47, -60.91

 

CMYK 100 / 100 / 0 / 100

HEX #000001

RGB 0 0 1

HSL 240, 1%, 0%

LAB 0.02, 0.14, -0.38

 

CMYK 71 / 54 / 0 / 80

HEX #0F1834

RGB 15 24 52

HSL 225.41, 0.55%, 0.13%

LAB 9.01, 6.75, -19.74

 

CMYK 72 / 53 / 0 / 60

HEX #1D3067

RGB 29 48 103

HSL 224.59, 0.56%, 0.26%

LAB 21.41, 12.84, -34.65

 

CMYK 71 / 54 / 0 / 40

HEX #2C479A

RGB 44 71 154

HSL 225.27, 0.56%, 0.39%

LAB 32.65, 19.26, -48.42

 

CMYK 72 / 54 / 0 / 20

HEX #3A5FCD

RGB 58 95 205

HSL 224.9, 0.6%, 0.52%

LAB 43.5, 24.47, -60.91

 

CMYK 5 / 71 / 0 / 19

HEX #C43BCE

RGB 196 59 206

HSL 295.92, 0.6%, 0.52%

LAB 51.06, 70.93, -48.58

 

CMYK 24 / 0 / 71 / 19

HEX #9DCE3B

RGB 157 206 59

HSL 80, 0.6%, 0.52%

LAB 77.06, -36.8, 64.12

 

CMYK 72 / 54 / 0 / 20

HEX #3A5FCD

RGB 58 95 205

HSL 224.9, 0.6%, 0.52%

LAB 43.5, 24.47, -60.91

 

CMYK 0 / 71 / 52 / 19

HEX #CE3B62

RGB 206 59 98

HSL 344.08, 0.6%, 0.52%

LAB 48.43, 59.77, 11.79

 

CMYK 52 / 0 / 71 / 19

HEX #62CE3B

RGB 98 206 59

HSL 104.08, 0.6%, 0.52%

LAB 74.22, -56.61, 60.34

 

CMYK 72 / 54 / 0 / 20

HEX #3A5FCD

RGB 58 95 205

HSL 224.9, 0.6%, 0.52%

LAB 43.5, 24.47, -60.91

 

CMYK 5 / 71 / 0 / 19

HEX #C43BCE

RGB 196 59 206

HSL 295.92, 0.6%, 0.52%

LAB 51.06, 70.93, -48.58

 

CMYK 0 / 19 / 71 / 19

HEX #CEA63B

RGB 206 166 59

HSL 43.67, 0.6%, 0.52%

LAB 69.97, 3.75, 58.31

 

CMYK 67 / 0 / 71 / 19

HEX #44CE3B

RGB 68 206 59

HSL 116.33, 0.6%, 0.52%

LAB 73.34, -63.69, 59.16

 

CMYK 72 / 54 / 0 / 20

HEX #3A5FCD

RGB 58 95 205

HSL 224.9, 0.6%, 0.52%

LAB 43.5, 24.47, -60.91

 

CMYK 0 / 71 / 17 / 19

HEX #CE3BAB

RGB 206 59 171

HSL 314.29, 0.6%, 0.52%

LAB 50.91, 67.81, -28.38

 

CMYK 0 / 19 / 71 / 19

HEX #CEA63B

RGB 206 166 59

HSL 43.67, 0.6%, 0.52%

LAB 69.97, 3.75, 58.31

 

CMYK 71 / 0 / 55 / 19

HEX #3BCE5D

RGB 59 206 93

HSL 133.88, 0.6%, 0.52%

LAB 73.46, -61.64, 44.78

 

Description

Color code: RGB 58 95 205 | qconv.com Color code: RGB 58 95 205 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us. It is also known as RoyalBlue3.

The breakdown of the color into the RGB color system: of 255 maximum color components, 58 red, 95 green and 205 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
58 95 205 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, 54 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 54% 0% 20% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

29% - Goog - блог про істо...
Link: http://goog.net.ua

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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