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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 58 69 226 it is the complementary color RGB 197 186 29. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 58 69 226. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 58 69 226: RGB 63 69 221, RGB 80 87 240, RGB 97 105 255, RGB 114 123 255 and RGB 131 141 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 58 69 226. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 58 69 226: RGB 58 69 226, RGB 41 51 207, RGB 24 33 188, RGB 7 15 169 and RGB 0 0 150

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 69 / 0 / 11

HEX #3A45E2

RGB 58 69 226

HSL 236.07, 0.74%, 0.56%

LAB 38.98, 48.01, -80.32

 

Complementary color

CMYK 0 / 6 / 85 / 23

HEX #C5BA1D

RGB 197 186 29

HSL 56.07, 0.74%, 0.44%

LAB 74.24, -11.76, 71.48

 

CMYK 71 / 69 / 0 / 13

HEX #3F45DD

RGB 63 69 221

HSL 237.72, 0.7%, 0.56%

LAB 38.78, 46.84, -77.77

 

CMYK 67 / 64 / 0 / 6

HEX #5057F0

RGB 80 87 240

HSL 237.38, 0.84%, 0.63%

LAB 45.38, 44.49, -77.69

 

CMYK 62 / 59 / 0 / 0

HEX #6169FF

RGB 97 105 255

HSL 236.96, 1%, 0.69%

LAB 51.68, 41.08, -75.72

 

CMYK 55 / 52 / 0 / 0

HEX #727BFF

RGB 114 123 255

HSL 236.17, 1%, 0.72%

LAB 57.04, 33.27, -67

 

CMYK 49 / 45 / 0 / 0

HEX #838DFF

RGB 131 141 255

HSL 235.16, 1%, 0.76%

LAB 62.59, 26.13, -58.04

 

CMYK 74 / 69 / 0 / 11

HEX #3A45E2

RGB 58 69 226

HSL 236.07, 0.74%, 0.56%

LAB 38.98, 48.01, -80.32

 

CMYK 80 / 75 / 0 / 19

HEX #2933CF

RGB 41 51 207

HSL 236.39, 0.67%, 0.49%

LAB 32.58, 50.59, -79.98

 

CMYK 87 / 82 / 0 / 26

HEX #1821BC

RGB 24 33 188

HSL 236.71, 0.77%, 0.42%

LAB 26.48, 52.9, -78.96

 

CMYK 96 / 91 / 0 / 34

HEX #070FA9

RGB 7 15 169

HSL 237.04, 0.92%, 0.35%

LAB 21.02, 54.11, -76.7

 

CMYK 100 / 100 / 0 / 41

HEX #000096

RGB 0 0 150

HSL 240, 1%, 0.29%

LAB 16.51, 53.31, -72.61

 

CMYK 74 / 69 / 0 / 11

HEX #3A45E2

RGB 58 69 226

HSL 236.07, 0.74%, 0.56%

LAB 38.98, 48.01, -80.32

 

CMYK 66 / 74 / 0 / 12

HEX #4C3BE1

RGB 76 59 225

HSL 246.14, 0.73%, 0.56%

LAB 38.02, 54.99, -81.28

 

CMYK 54 / 74 / 0 / 12

HEX #683BE1

RGB 104 59 225

HSL 256.27, 0.73%, 0.56%

LAB 40.42, 58.42, -77.25

 

CMYK 42 / 74 / 0 / 12

HEX #833BE1

RGB 131 59 225

HSL 266.02, 0.73%, 0.56%

LAB 43.34, 62.48, -72.35

 

CMYK 29 / 74 / 0 / 12

HEX #9F3BE1

RGB 159 59 225

HSL 276.14, 0.73%, 0.56%

LAB 46.89, 67.28, -66.42

 

CMYK 74 / 69 / 0 / 11

HEX #3A45E2

RGB 58 69 226

HSL 236.07, 0.74%, 0.56%

LAB 38.98, 48.01, -80.32

 

CMYK 73 / 68 / 0 / 91

HEX #060716

RGB 6 7 22

HSL 236.25, 0.57%, 0.05%

LAB 2.25, 2.44, -7.45

 

CMYK 74 / 70 / 0 / 71

HEX #131649

RGB 19 22 73

HSL 236.67, 0.59%, 0.18%

LAB 10.51, 17.97, -32.22

 

CMYK 74 / 69 / 0 / 51

HEX #20267C

RGB 32 38 124

HSL 236.09, 0.59%, 0.31%

LAB 20.63, 28.54, -49.42

 

CMYK 74 / 70 / 0 / 31

HEX #2D35AF

RGB 45 53 175

HSL 236.31, 0.59%, 0.43%

LAB 29.91, 38.89, -65.53

 

CMYK 74 / 69 / 0 / 11

HEX #3A45E2

RGB 58 69 226

HSL 236.07, 0.74%, 0.56%

LAB 38.98, 48.01, -80.32

 

CMYK 0 / 74 / 10 / 12

HEX #E13BCB

RGB 225 59 203

HSL 307.95, 0.73%, 0.56%

LAB 55.53, 76.69, -39.48

 

CMYK 39 / 0 / 74 / 12

HEX #89E13B

RGB 137 225 59

HSL 91.81, 0.73%, 0.56%

LAB 81.56, -52.06, 68.19

 

CMYK 74 / 69 / 0 / 11

HEX #3A45E2

RGB 58 69 226

HSL 236.07, 0.74%, 0.56%

LAB 38.98, 48.01, -80.32

 

CMYK 0 / 74 / 69 / 12

HEX #E13B46

RGB 225 59 70

HSL 356.02, 0.73%, 0.56%

LAB 51.36, 63.63, 33.08

 

CMYK 69 / 0 / 74 / 12

HEX #46E13B

RGB 70 225 59

HSL 116.02, 0.73%, 0.56%

LAB 79.31, -69.48, 65.22

 

CMYK 74 / 69 / 0 / 11

HEX #3A45E2

RGB 58 69 226

HSL 236.07, 0.74%, 0.56%

LAB 38.98, 48.01, -80.32

 

CMYK 0 / 74 / 10 / 12

HEX #E13BCB

RGB 225 59 203

HSL 307.95, 0.73%, 0.56%

LAB 55.53, 76.69, -39.48

 

CMYK 0 / 5 / 74 / 12

HEX #E1D63B

RGB 225 214 59

HSL 56.02, 0.73%, 0.56%

LAB 84.18, -12.93, 72.69

 

CMYK 74 / 0 / 64 / 12

HEX #3BE151

RGB 59 225 81

HSL 127.95, 0.73%, 0.56%

LAB 79.26, -69.35, 56.79

 

CMYK 74 / 69 / 0 / 11

HEX #3A45E2

RGB 58 69 226

HSL 236.07, 0.74%, 0.56%

LAB 38.98, 48.01, -80.32

 

CMYK 0 / 74 / 32 / 12

HEX #E13B99

RGB 225 59 153

HSL 326.02, 0.73%, 0.56%

LAB 53.42, 70.28, -13.63

 

CMYK 0 / 5 / 74 / 12

HEX #E1D63B

RGB 225 214 59

HSL 56.02, 0.73%, 0.56%

LAB 84.18, -12.93, 72.69

 

CMYK 74 / 0 / 42 / 12

HEX #3BE183

RGB 59 225 131

HSL 146.02, 0.73%, 0.56%

LAB 79.85, -62.35, 34.21

 

Description

Color code: RGB 58 69 226 | qconv.com Color code: RGB 58 69 226 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 58 red, 69 green and 226 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
58 69 226 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, 69 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 69% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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