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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 58 26 27 it is the complementary color RGB 197 229 228. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 58 26 27. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 58 26 27: RGB 63 26 22, RGB 80 44 41, RGB 97 62 60, RGB 114 80 79 and RGB 131 98 98

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 58 26 27. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 58 26 27: RGB 58 26 27, RGB 41 8 8, RGB 24 0 0, RGB 7 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 55 / 53 / 77

HEX #3A1A1B

RGB 58 26 27

HSL 358.13, 0.38%, 0.16%

LAB 13.93, 15.87, 6.52

 

Complementary color

CMYK 14 / 0 / 0 / 10

HEX #C5E5E4

RGB 197 229 228

HSL 178.13, 0.38%, 0.84%

LAB 88.69, -10.63, -3.04

 

CMYK 0 / 59 / 65 / 75

HEX #3F1A16

RGB 63 26 22

HSL 5.85, 0.48%, 0.17%

LAB 14.7, 17.64, 11.3

 

CMYK 0 / 45 / 49 / 69

HEX #502C29

RGB 80 44 41

HSL 4.62, 0.32%, 0.24%

LAB 22.54, 16.22, 9.13

 

CMYK 0 / 36 / 38 / 62

HEX #613E3C

RGB 97 62 60

HSL 3.24, 0.24%, 0.31%

LAB 30.19, 15.07, 7.54

 

CMYK 0 / 30 / 31 / 55

HEX #72504F

RGB 114 80 79

HSL 1.71, 0.18%, 0.38%

LAB 37.62, 14.13, 6.27

 

CMYK 0 / 25 / 25 / 49

HEX #836262

RGB 131 98 98

HSL 0, 0.14%, 0.45%

LAB 44.86, 13.36, 5.2

 

CMYK 0 / 55 / 53 / 77

HEX #3A1A1B

RGB 58 26 27

HSL 358.13, 0.38%, 0.16%

LAB 13.93, 15.87, 6.52

 

CMYK 0 / 80 / 80 / 84

HEX #290808

RGB 41 8 8

HSL 0, 0.67%, 0.1%

LAB 5.99, 16.42, 5.99

 

CMYK 0 / 100 / 100 / 91

HEX #180000

RGB 24 0 0

HSL 0, 1%, 0.05%

LAB 1.75, 7.87, 2.77

 

CMYK 0 / 100 / 100 / 97

HEX #070000

RGB 7 0 0

HSL 0, 1%, 0.01%

LAB 0.41, 1.83, 0.64

 

CMYK 0 / 55 / 53 / 77

HEX #3A1A1B

RGB 58 26 27

HSL 358.13, 0.38%, 0.16%

LAB 13.93, 15.87, 6.52

 

CMYK 0 / 48 / 55 / 78

HEX #381D19

RGB 56 29 25

HSL 7.74, 0.38%, 0.16%

LAB 14.34, 12.69, 8.47

 

CMYK 0 / 39 / 55 / 78

HEX #382219

RGB 56 34 25

HSL 17.42, 0.38%, 0.16%

LAB 15.77, 9.29, 10.39

 

CMYK 0 / 30 / 55 / 78

HEX #382719

RGB 56 39 25

HSL 27.1, 0.38%, 0.16%

LAB 17.28, 5.87, 12.36

 

CMYK 0 / 21 / 55 / 78

HEX #382C19

RGB 56 44 25

HSL 36.77, 0.38%, 0.16%

LAB 18.85, 2.47, 14.37

 

CMYK 0 / 55 / 53 / 77

HEX #3A1A1B

RGB 58 26 27

HSL 358.13, 0.38%, 0.16%

LAB 13.93, 15.87, 6.52

 

CMYK 0 / 55 / 53 / 57

HEX #6D3133

RGB 109 49 51

HSL 358, 0.38%, 0.31%

LAB 28.61, 26.87, 11.51

 

CMYK 0 / 55 / 54 / 37

HEX #A0484A

RGB 160 72 74

HSL 358.64, 0.38%, 0.45%

LAB 42.16, 36.72, 16.65

 

CMYK 0 / 55 / 54 / 17

HEX #D35F62

RGB 211 95 98

HSL 358.45, 0.57%, 0.6%

LAB 54.98, 46.02, 20.89

 

CMYK 0 / 57 / 57 / 97

HEX #070303

RGB 7 3 3

HSL 0, 0.4%, 0.02%

LAB 1.06, 1.05, 0.37

 

CMYK 0 / 55 / 53 / 77

HEX #3A1A1B

RGB 58 26 27

HSL 358.13, 0.38%, 0.16%

LAB 13.93, 15.87, 6.52

 

CMYK 9 / 0 / 55 / 78

HEX #333819

RGB 51 56 25

HSL 69.68, 0.38%, 0.16%

LAB 22.31, -7.91, 18.55

 

CMYK 55 / 32 / 0 / 78

HEX #192638

RGB 25 38 56

HSL 214.84, 0.38%, 0.16%

LAB 14.84, 0.55, -13.37

 

CMYK 0 / 55 / 53 / 77

HEX #3A1A1B

RGB 58 26 27

HSL 358.13, 0.38%, 0.16%

LAB 13.93, 15.87, 6.52

 

CMYK 54 / 0 / 55 / 78

HEX #1A3819

RGB 26 56 25

HSL 118.06, 0.38%, 0.16%

LAB 20.51, -18.98, 15.92

 

CMYK 55 / 54 / 0 / 78

HEX #191A38

RGB 25 26 56

HSL 238.06, 0.38%, 0.16%

LAB 10.78, 9.52, -19.75

 

CMYK 0 / 55 / 53 / 77

HEX #3A1A1B

RGB 58 26 27

HSL 358.13, 0.38%, 0.16%

LAB 13.93, 15.87, 6.52

 

CMYK 9 / 0 / 55 / 78

HEX #333819

RGB 51 56 25

HSL 69.68, 0.38%, 0.16%

LAB 22.31, -7.91, 18.55

 

CMYK 55 / 0 / 2 / 78

HEX #193837

RGB 25 56 55

HSL 178.06, 0.38%, 0.16%

LAB 21.25, -11.76, -2.93

 

CMYK 46 / 55 / 0 / 78

HEX #1E1938

RGB 30 25 56

HSL 249.68, 0.38%, 0.16%

LAB 10.97, 11.81, -19.43

 

CMYK 0 / 55 / 53 / 77

HEX #3A1A1B

RGB 58 26 27

HSL 358.13, 0.38%, 0.16%

LAB 13.93, 15.87, 6.52

 

CMYK 27 / 0 / 55 / 78

HEX #293819

RGB 41 56 25

HSL 89.03, 0.38%, 0.16%

LAB 21.47, -12.72, 17.32

 

CMYK 55 / 0 / 2 / 78

HEX #193837

RGB 25 56 55

HSL 178.06, 0.38%, 0.16%

LAB 21.25, -11.76, -2.93

 

CMYK 30 / 55 / 0 / 78

HEX #271938

RGB 39 25 56

HSL 267.1, 0.38%, 0.16%

LAB 12.04, 14.8, -17.66

 

Description

Color code: RGB 58 26 27 | qconv.com Color code: RGB 58 26 27 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 58 red, 26 green and 27 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
58 26 27 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 55 magenta, 53 yellow and 77 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 55% 53% 77% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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