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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 58 134 43 it is the complementary color RGB 197 121 212. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 58 134 43. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 58 134 43: RGB 63 134 38, RGB 80 152 57, RGB 97 170 76, RGB 114 188 95 and RGB 131 206 114

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 58 134 43. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 58 134 43: RGB 58 134 43, RGB 41 116 24, RGB 24 98 5, RGB 7 80 0 and RGB 0 62 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 0 / 68 / 47

HEX #3A862B

RGB 58 134 43

HSL 110.11, 0.51%, 0.35%

LAB 49.65, -41.49, 40.53

 

Complementary color

CMYK 7 / 43 / 0 / 17

HEX #C579D4

RGB 197 121 212

HSL 290.11, 0.51%, 0.65%

LAB 61.91, 44.25, -34.88

 

CMYK 53 / 0 / 72 / 47

HEX #3F8626

RGB 63 134 38

HSL 104.38, 0.56%, 0.34%

LAB 49.79, -40.49, 42.89

 

CMYK 47 / 0 / 63 / 40

HEX #509839

RGB 80 152 57

HSL 105.47, 0.45%, 0.41%

LAB 56.54, -40.84, 42.06

 

CMYK 43 / 0 / 55 / 33

HEX #61AA4C

RGB 97 170 76

HSL 106.6, 0.38%, 0.48%

LAB 63.19, -40.94, 40.93

 

CMYK 39 / 0 / 49 / 26

HEX #72BC5F

RGB 114 188 95

HSL 107.74, 0.41%, 0.55%

LAB 69.73, -40.9, 39.71

 

CMYK 36 / 0 / 45 / 19

HEX #83CE72

RGB 131 206 114

HSL 108.91, 0.48%, 0.63%

LAB 76.18, -40.77, 38.48

 

CMYK 57 / 0 / 68 / 47

HEX #3A862B

RGB 58 134 43

HSL 110.11, 0.51%, 0.35%

LAB 49.65, -41.49, 40.53

 

CMYK 65 / 0 / 79 / 55

HEX #297418

RGB 41 116 24

HSL 108.91, 0.66%, 0.27%

LAB 42.81, -40.7, 41.03

 

CMYK 76 / 0 / 95 / 62

HEX #186205

RGB 24 98 5

HSL 107.74, 0.9%, 0.2%

LAB 35.87, -39.12, 40.26

 

CMYK 91 / 0 / 100 / 69

HEX #075000

RGB 7 80 0

HSL 114.75, 1%, 0.16%

LAB 28.86, -36.11, 36.02

 

CMYK 100 / 0 / 100 / 76

HEX #003E00

RGB 0 62 0

HSL 120, 1%, 0.12%

LAB 21.75, -31.36, 29.28

 

CMYK 57 / 0 / 68 / 47

HEX #3A862B

RGB 58 134 43

HSL 110.11, 0.51%, 0.35%

LAB 49.65, -41.49, 40.53

 

CMYK 68 / 0 / 68 / 47

HEX #2B862B

RGB 43 134 43

HSL 120, 0.51%, 0.35%

LAB 49.18, -45.23, 39.88

 

CMYK 68 / 0 / 57 / 47

HEX #2B863A

RGB 43 134 58

HSL 129.89, 0.51%, 0.35%

LAB 49.34, -43.36, 32.87

 

CMYK 68 / 0 / 45 / 47

HEX #2B864A

RGB 43 134 74

HSL 140.44, 0.51%, 0.35%

LAB 49.57, -40.76, 24.66

 

CMYK 68 / 0 / 34 / 47

HEX #2B8659

RGB 43 134 89

HSL 150.33, 0.51%, 0.35%

LAB 49.84, -37.76, 16.62

 

CMYK 57 / 0 / 68 / 47

HEX #3A862B

RGB 58 134 43

HSL 110.11, 0.51%, 0.35%

LAB 49.65, -41.49, 40.53

 

CMYK 57 / 0 / 68 / 27

HEX #50B93B

RGB 80 185 59

HSL 110, 0.52%, 0.48%

LAB 67.07, -53.64, 52.7

 

CMYK 57 / 0 / 68 / 7

HEX #66EC4C

RGB 102 236 76

HSL 110.25, 0.81%, 0.61%

LAB 83.62, -65.04, 63.8

 

CMYK 56 / 0 / 69 / 87

HEX #0E200A

RGB 14 32 10

HSL 109.09, 0.52%, 0.08%

LAB 10.17, -13.02, 10.82

 

CMYK 57 / 0 / 67 / 67

HEX #24531B

RGB 36 83 27

HSL 110.36, 0.51%, 0.22%

LAB 30.97, -28.29, 27.3

 

CMYK 57 / 0 / 68 / 47

HEX #3A862B

RGB 58 134 43

HSL 110.11, 0.51%, 0.35%

LAB 49.65, -41.49, 40.53

 

CMYK 68 / 2 / 0 / 47

HEX #2B8386

RGB 43 131 134

HSL 181.98, 0.51%, 0.35%

LAB 50.06, -24.4, -9.24

 

CMYK 0 / 68 / 29 / 47

HEX #862B5F

RGB 134 43 95

HSL 325.71, 0.51%, 0.35%

LAB 33.18, 44.03, -10.08

 

CMYK 57 / 0 / 68 / 47

HEX #3A862B

RGB 58 134 43

HSL 110.11, 0.51%, 0.35%

LAB 49.65, -41.49, 40.53

 

CMYK 68 / 57 / 0 / 47

HEX #2B3A86

RGB 43 58 134

HSL 230.11, 0.51%, 0.35%

LAB 27.47, 20.34, -44.53

 

CMYK 0 / 68 / 57 / 47

HEX #862B3A

RGB 134 43 58

HSL 350.11, 0.51%, 0.35%

LAB 32.04, 39.95, 12.32

 

CMYK 57 / 0 / 68 / 47

HEX #3A862B

RGB 58 134 43

HSL 110.11, 0.51%, 0.35%

LAB 49.65, -41.49, 40.53

 

CMYK 68 / 2 / 0 / 47

HEX #2B8386

RGB 43 131 134

HSL 181.98, 0.51%, 0.35%

LAB 50.06, -24.4, -9.24

 

CMYK 11 / 68 / 0 / 47

HEX #772B86

RGB 119 43 134

HSL 290.11, 0.51%, 0.35%

LAB 32.64, 46.48, -35.78

 

CMYK 0 / 66 / 68 / 47

HEX #862E2B

RGB 134 46 43

HSL 1.98, 0.51%, 0.35%

LAB 32.25, 37.48, 22.24

 

CMYK 57 / 0 / 68 / 47

HEX #3A862B

RGB 58 134 43

HSL 110.11, 0.51%, 0.35%

LAB 49.65, -41.49, 40.53

 

CMYK 68 / 22 / 0 / 47

HEX #2B6886

RGB 43 104 134

HSL 199.78, 0.51%, 0.35%

LAB 41.43, -9.55, -22.39

 

CMYK 11 / 68 / 0 / 47

HEX #772B86

RGB 119 43 134

HSL 290.11, 0.51%, 0.35%

LAB 32.64, 46.48, -35.78

 

CMYK 0 / 45 / 68 / 47

HEX #864A2B

RGB 134 74 43

HSL 20.44, 0.51%, 0.35%

LAB 38.09, 22.57, 29.24

 

Description

Color code: RGB 58 134 43 | qconv.com Color code: RGB 58 134 43 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 58 red, 134 green and 43 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
58 134 43 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, none magenta, 68 yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 0% 68% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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