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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 58 115 125 it is the complementary color RGB 197 140 130. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 58 115 125. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 58 115 125: RGB 63 115 120, RGB 80 133 139, RGB 97 151 158, RGB 114 169 177 and RGB 131 187 196

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 58 115 125. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 58 115 125: RGB 58 115 125, RGB 41 97 106, RGB 24 79 87, RGB 7 61 68 and RGB 0 43 49

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 8 / 0 / 51

HEX #3A737D

RGB 58 115 125

HSL 188.96, 0.37%, 0.36%

LAB 45.14, -15.68, -11.26

 

Complementary color

CMYK 0 / 29 / 34 / 23

HEX #C58C82

RGB 197 140 130

HSL 8.96, 0.37%, 0.64%

LAB 63.54, 20.37, 13.98

 

CMYK 48 / 4 / 0 / 53

HEX #3F7378

RGB 63 115 120

HSL 185.26, 0.31%, 0.36%

LAB 45.18, -15.92, -8.18

 

CMYK 42 / 4 / 0 / 45

HEX #50858B

RGB 80 133 139

HSL 186.1, 0.27%, 0.43%

LAB 52.22, -15.96, -8.78

 

CMYK 39 / 4 / 0 / 38

HEX #61979E

RGB 97 151 158

HSL 186.89, 0.24%, 0.5%

LAB 59.11, -15.96, -9.34

 

CMYK 36 / 5 / 0 / 31

HEX #72A9B1

RGB 114 169 177

HSL 187.62, 0.29%, 0.57%

LAB 65.85, -15.94, -9.87

 

CMYK 33 / 5 / 0 / 23

HEX #83BBC4

RGB 131 187 196

HSL 188.31, 0.36%, 0.64%

LAB 72.46, -15.91, -10.37

 

CMYK 54 / 8 / 0 / 51

HEX #3A737D

RGB 58 115 125

HSL 188.96, 0.37%, 0.36%

LAB 45.14, -15.68, -11.26

 

CMYK 61 / 8 / 0 / 58

HEX #29616A

RGB 41 97 106

HSL 188.31, 0.44%, 0.29%

LAB 37.95, -15.36, -10.65

 

CMYK 72 / 9 / 0 / 66

HEX #184F57

RGB 24 79 87

HSL 187.62, 0.57%, 0.22%

LAB 30.58, -14.77, -9.95

 

CMYK 90 / 10 / 0 / 73

HEX #073D44

RGB 7 61 68

HSL 186.89, 0.81%, 0.15%

LAB 23, -13.68, -9.1

 

CMYK 100 / 12 / 0 / 81

HEX #002B31

RGB 0 43 49

HSL 187.35, 1%, 0.1%

LAB 15.22, -11.47, -7.94

 

CMYK 54 / 8 / 0 / 51

HEX #3A737D

RGB 58 115 125

HSL 188.96, 0.37%, 0.36%

LAB 45.14, -15.68, -11.26

 

CMYK 54 / 16 / 0 / 51

HEX #39697D

RGB 57 105 125

HSL 197.65, 0.37%, 0.36%

LAB 41.93, -10.23, -16.14

 

CMYK 54 / 25 / 0 / 51

HEX #395E7D

RGB 57 94 125

HSL 207.35, 0.37%, 0.36%

LAB 38.47, -3.64, -21.46

 

CMYK 54 / 34 / 0 / 51

HEX #39527D

RGB 57 82 125

HSL 217.94, 0.37%, 0.36%

LAB 34.77, 3.92, -27.23

 

CMYK 54 / 43 / 0 / 51

HEX #39477D

RGB 57 71 125

HSL 227.65, 0.37%, 0.36%

LAB 31.48, 11.15, -32.44

 

CMYK 54 / 8 / 0 / 51

HEX #3A737D

RGB 58 115 125

HSL 188.96, 0.37%, 0.36%

LAB 45.14, -15.68, -11.26

 

CMYK 53 / 8 / 0 / 31

HEX #52A2B0

RGB 82 162 176

HSL 188.94, 0.37%, 0.51%

LAB 62.31, -20.49, -14.76

 

CMYK 54 / 8 / 0 / 11

HEX #69D1E3

RGB 105 209 227

HSL 188.85, 0.69%, 0.65%

LAB 78.55, -25.22, -18.12

 

CMYK 52 / 9 / 0 / 91

HEX #0B1517

RGB 11 21 23

HSL 190, 0.35%, 0.07%

LAB 6.05, -3.09, -2.6

 

CMYK 54 / 8 / 0 / 71

HEX #22444A

RGB 34 68 74

HSL 189, 0.37%, 0.21%

LAB 26.65, -10.44, -7.46

 

CMYK 54 / 8 / 0 / 51

HEX #3A737D

RGB 58 115 125

HSL 188.96, 0.37%, 0.36%

LAB 45.14, -15.68, -11.26

 

CMYK 36 / 54 / 0 / 51

HEX #50397D

RGB 80 57 125

HSL 260.29, 0.37%, 0.36%

LAB 29.69, 26.4, -35.16

 

CMYK 0 / 14 / 54 / 51

HEX #7D6B39

RGB 125 107 57

HSL 44.12, 0.37%, 0.36%

LAB 45.87, 0.21, 30.4

 

CMYK 54 / 8 / 0 / 51

HEX #3A737D

RGB 58 115 125

HSL 188.96, 0.37%, 0.36%

LAB 45.14, -15.68, -11.26

 

CMYK 0 / 54 / 7 / 51

HEX #7D3974

RGB 125 57 116

HSL 307.94, 0.37%, 0.36%

LAB 35.1, 37.85, -20.61

 

CMYK 7 / 0 / 54 / 51

HEX #747D39

RGB 116 125 57

HSL 67.94, 0.37%, 0.36%

LAB 50.31, -13.96, 35.48

 

CMYK 54 / 8 / 0 / 51

HEX #3A737D

RGB 58 115 125

HSL 188.96, 0.37%, 0.36%

LAB 45.14, -15.68, -11.26

 

CMYK 36 / 54 / 0 / 51

HEX #50397D

RGB 80 57 125

HSL 260.29, 0.37%, 0.36%

LAB 29.69, 26.4, -35.16

 

CMYK 0 / 47 / 54 / 51

HEX #7D4239

RGB 125 66 57

HSL 7.94, 0.37%, 0.36%

LAB 35.11, 24.43, 16.81

 

CMYK 18 / 0 / 54 / 51

HEX #677D39

RGB 103 125 57

HSL 79.41, 0.37%, 0.36%

LAB 49.31, -19.57, 34.06

 

CMYK 54 / 8 / 0 / 51

HEX #3A737D

RGB 58 115 125

HSL 188.96, 0.37%, 0.36%

LAB 45.14, -15.68, -11.26

 

CMYK 20 / 54 / 0 / 51

HEX #64397D

RGB 100 57 125

HSL 277.94, 0.37%, 0.36%

LAB 32.07, 32.11, -31.24

 

CMYK 0 / 47 / 54 / 51

HEX #7D4239

RGB 125 66 57

HSL 7.94, 0.37%, 0.36%

LAB 35.11, 24.43, 16.81

 

CMYK 34 / 0 / 54 / 51

HEX #527D39

RGB 82 125 57

HSL 97.94, 0.37%, 0.36%

LAB 47.95, -27.98, 32.11

 

Description

Color code: RGB 58 115 125 | qconv.com Color code: RGB 58 115 125 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 58 red, 115 green and 125 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
58 115 125 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, 8 magenta, none yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 8% 0% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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