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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 57 199 152 it is the complementary color RGB 198 56 103. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 57 199 152. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 57 199 152: RGB 62 199 147, RGB 79 217 166, RGB 96 235 185, RGB 113 253 204 and RGB 130 255 223

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 57 199 152. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 57 199 152: RGB 57 199 152, RGB 40 181 133, RGB 23 163 114, RGB 6 145 95 and RGB 0 127 76

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 0 / 24 / 22

HEX #39C798

RGB 57 199 152

HSL 160.14, 0.56%, 0.5%

LAB 72.22, -48.44, 12.87

 

Complementary color

CMYK 0 / 72 / 48 / 22

HEX #C63867

RGB 198 56 103

HSL 340.14, 0.56%, 0.5%

LAB 46.73, 58.91, 6.13

 

CMYK 69 / 0 / 26 / 22

HEX #3EC793

RGB 62 199 147

HSL 157.23, 0.55%, 0.51%

LAB 72.21, -48.82, 15.57

 

CMYK 64 / 0 / 24 / 15

HEX #4FD9A6

RGB 79 217 166

HSL 157.83, 0.64%, 0.58%

LAB 78.49, -49.16, 14.3

 

CMYK 59 / 0 / 21 / 8

HEX #60EBB9

RGB 96 235 185

HSL 158.42, 0.78%, 0.65%

LAB 84.69, -49.32, 13.14

 

CMYK 55 / 0 / 19 / 1

HEX #71FDCC

RGB 113 253 204

HSL 159, 0.97%, 0.72%

LAB 90.84, -49.38, 12.06

 

CMYK 49 / 0 / 13 / 0

HEX #82FFDF

RGB 130 255 223

HSL 164.64, 1%, 0.75%

LAB 92.4, -42.43, 4.56

 

CMYK 71 / 0 / 24 / 22

HEX #39C798

RGB 57 199 152

HSL 160.14, 0.56%, 0.5%

LAB 72.22, -48.44, 12.87

 

CMYK 78 / 0 / 27 / 29

HEX #28B585

RGB 40 181 133

HSL 159.57, 0.64%, 0.43%

LAB 65.9, -47.73, 14.26

 

CMYK 86 / 0 / 30 / 36

HEX #17A372

RGB 23 163 114

HSL 159, 0.75%, 0.36%

LAB 59.52, -46.65, 15.81

 

CMYK 96 / 0 / 34 / 43

HEX #06915F

RGB 6 145 95

HSL 158.42, 0.92%, 0.3%

LAB 53.08, -45.07, 17.54

 

CMYK 100 / 0 / 40 / 50

HEX #007F4C

RGB 0 127 76

HSL 155.91, 1%, 0.25%

LAB 46.58, -42.74, 19.5

 

CMYK 71 / 0 / 24 / 22

HEX #39C798

RGB 57 199 152

HSL 160.14, 0.56%, 0.5%

LAB 72.22, -48.44, 12.87

 

CMYK 72 / 0 / 12 / 22

HEX #38C6AF

RGB 56 198 175

HSL 170.28, 0.56%, 0.5%

LAB 72.44, -42.46, 0.75

 

CMYK 72 / 0 / 0 / 22

HEX #38C6C6

RGB 56 198 198

HSL 180, 0.56%, 0.5%

LAB 73.09, -36.12, -10.8

 

CMYK 72 / 12 / 0 / 22

HEX #38AFC6

RGB 56 175 198

HSL 189.72, 0.56%, 0.5%

LAB 66.2, -24.99, -21.21

 

CMYK 72 / 24 / 0 / 22

HEX #3897C6

RGB 56 151 198

HSL 199.86, 0.56%, 0.5%

LAB 59.02, -12.29, -32.26

 

CMYK 71 / 0 / 24 / 22

HEX #39C798

RGB 57 199 152

HSL 160.14, 0.56%, 0.5%

LAB 72.22, -48.44, 12.87

 

CMYK 71 / 0 / 24 / 2

HEX #48FABF

RGB 72 250 191

HSL 160.11, 0.95%, 0.63%

LAB 88.69, -57.95, 15.59

 

CMYK 72 / 0 / 24 / 82

HEX #0D2E23

RGB 13 46 35

HSL 160, 0.56%, 0.12%

LAB 16.31, -15.36, 3.55

 

CMYK 71 / 0 / 24 / 62

HEX #1C614A

RGB 28 97 74

HSL 160, 0.55%, 0.25%

LAB 36.54, -27.49, 6.97

 

CMYK 72 / 0 / 24 / 42

HEX #2A9471

RGB 42 148 113

HSL 160.19, 0.56%, 0.37%

LAB 54.93, -38.42, 10.01

 

CMYK 71 / 0 / 24 / 22

HEX #39C798

RGB 57 199 152

HSL 160.14, 0.56%, 0.5%

LAB 72.22, -48.44, 12.87

 

CMYK 72 / 62 / 0 / 22

HEX #384BC6

RGB 56 75 198

HSL 231.97, 0.56%, 0.5%

LAB 37.75, 34.49, -66.21

 

CMYK 0 / 53 / 72 / 22

HEX #C65E38

RGB 198 94 56

HSL 16.06, 0.56%, 0.5%

LAB 52.17, 38.87, 40.66

 

CMYK 71 / 0 / 24 / 22

HEX #39C798

RGB 57 199 152

HSL 160.14, 0.56%, 0.5%

LAB 72.22, -48.44, 12.87

 

CMYK 24 / 72 / 0 / 22

HEX #9738C6

RGB 151 56 198

HSL 280.14, 0.56%, 0.5%

LAB 43.48, 61.24, -56.47

 

CMYK 0 / 24 / 72 / 22

HEX #C69738

RGB 198 151 56

HSL 40.14, 0.56%, 0.5%

LAB 65.3, 8.2, 54.57

 

CMYK 71 / 0 / 24 / 22

HEX #39C798

RGB 57 199 152

HSL 160.14, 0.56%, 0.5%

LAB 72.22, -48.44, 12.87

 

CMYK 72 / 62 / 0 / 22

HEX #384BC6

RGB 56 75 198

HSL 231.97, 0.56%, 0.5%

LAB 37.75, 34.49, -66.21

 

CMYK 0 / 72 / 48 / 22

HEX #C63867

RGB 198 56 103

HSL 340.14, 0.56%, 0.5%

LAB 46.73, 58.91, 6.13

 

CMYK 0 / 10 / 72 / 22

HEX #C6B338

RGB 198 179 56

HSL 51.97, 0.56%, 0.5%

LAB 72.58, -6.74, 61.83

 

CMYK 71 / 0 / 24 / 22

HEX #39C798

RGB 57 199 152

HSL 160.14, 0.56%, 0.5%

LAB 72.22, -48.44, 12.87

 

CMYK 60 / 72 / 0 / 22

HEX #4F38C6

RGB 79 56 198

HSL 249.72, 0.56%, 0.5%

LAB 35.14, 48.76, -70.43

 

CMYK 0 / 72 / 48 / 22

HEX #C63867

RGB 198 56 103

HSL 340.14, 0.56%, 0.5%

LAB 46.73, 58.91, 6.13

 

CMYK 12 / 0 / 72 / 22

HEX #AFC638

RGB 175 198 56

HSL 69.72, 0.56%, 0.5%

LAB 75.94, -26.06, 64.48

 

Description

Color code: RGB 57 199 152 | qconv.com Color code: RGB 57 199 152 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 57 red, 199 green and 152 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
57 199 152 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, none magenta, 24 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 0% 24% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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