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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 57.9 110.2 239 it is the complementary color RGB 197.1 144.8 16. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 57.9 110.2 239. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 57.9 110.2 239 shade: RGB 62.9 110.2 234, RGB 79.9 128.2 253, RGB 96.9 146.2 255, RGB 113.9 164.2 255 and RGB 130.9 182.2 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 57.9 110.2 239. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 57.9 110.2 239 shade: RGB 57.9 110.2 239, RGB 40.9 92.2 220, RGB 23.9 74.2 201, RGB 6.9 56.2 182 and RGB 0 38.2 163

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 57.9 110.2 239 shade: RGB 57 109 239, RGB 57 60 239, RGB 102 57 239, RGB 152 57 239 and RGB 201 57 239

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 57.9 110.2 239 shade: RGB 57 109 239, RGB 57 60 239 and RGB 57 57 239

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 57.9 110.2 239 shade matches the following richer shades: RGB 57 109 239

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 57.9 110.2 239 shade: RGB 57 109 239, RGB 74 117 222, RGB 92 124 204, RGB 109 131 187 and RGB 126 139 170

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 57.9 110.2 239 shade: RGB 57 209 239, RGB 57 160 239, RGB 57 111 239, RGB 57 63 239 and RGB 99 57 239

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 57.9 110.2 239 shade: RGB 16 68 197, RGB 19 82 235, RGB 57 109 239, RGB 95 137 242 and RGB 133 166 245

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 57.9 110.2 239 shade: RGB 57.9 110.2 239, RGB 221 57 239 and RGB 184 239 57

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 57.9 110.2 239 shade: RGB 57.9 110.2 239, RGB 239 57 111 and RGB 111 239 57

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 57.9 110.2 239 shade: RGB 57.9 110.2 239, RGB 221 57 239, RGB 239 184 57 and RGB 75 239 57

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 57.9 110.2 239 shade: RGB 57.9 110.2 239, RGB 239 57 203, RGB 239 184 57 and RGB 57 239 93

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 54 / 0 / 6

HEX #396EEF

RGB 57.9 110.2 239

HSL 222.67, 0.85%, 0.58%

LAB 49.89, 27.21, -69.83

 

Complementary color

CMYK 0 / 27 / 92 / 23

HEX #C59010

RGB 197.1 144.8 16

HSL 42.67, 0.85%, 0.42%

LAB 63.43, 9.88, 65.64

 

CMYK 73 / 53 / 0 / 8

HEX #3E6EEA

RGB 62.9 110.2 234

HSL 223.41, 0.8%, 0.58%

LAB 49.72, 25.97, -67.28

 

CMYK 68 / 49 / 0 / 1

HEX #4F80FD

RGB 79.9 128.2 253

HSL 223.26, 0.98%, 0.65%

LAB 56.37, 23.79, -67.07

 

CMYK 62 / 43 / 0 / 0

HEX #6092FF

RGB 96.9 146.2 255

HSL 221.29, 1%, 0.69%

LAB 61.98, 16.3, -59.13

 

CMYK 55 / 36 / 0 / 0

HEX #71A4FF

RGB 113.9 164.2 255

HSL 218.61, 1%, 0.72%

LAB 67.59, 8.99, -50.17

 

CMYK 49 / 29 / 0 / 0

HEX #82B6FF

RGB 130.9 182.2 255

HSL 215.2, 1%, 0.76%

LAB 73.27, 2.49, -41.19

 

CMYK 76 / 54 / 0 / 6

HEX #396EEF

RGB 57.9 110.2 239

HSL 222.67, 0.85%, 0.58%

LAB 49.89, 27.21, -69.83

 

CMYK 81 / 58 / 0 / 14

HEX #285CDC

RGB 40.9 92.2 220

HSL 222.81, 0.72%, 0.51%

LAB 43.25, 30, -69.92

 

CMYK 88 / 63 / 0 / 21

HEX #174AC9

RGB 23.9 74.2 201

HSL 222.96, 0.79%, 0.44%

LAB 36.62, 33.28, -69.85

 

CMYK 96 / 69 / 0 / 29

HEX #0638B6

RGB 6.9 56.2 182

HSL 223.11, 0.93%, 0.37%

LAB 30.08, 37.04, -69.46

 

CMYK 100 / 77 / 0 / 36

HEX #0026A3

RGB 0 38.2 163

HSL 225.94, 1%, 0.32%

LAB 23.81, 41.02, -68.42

 

CMYK 76 / 54 / 0 / 6

HEX #396DEF

RGB 57 109 239

HSL 222.86, 0.85%, 0.58%

LAB 49.54, 27.87, -70.38

 

CMYK 76 / 75 / 0 / 6

HEX #393CEF

RGB 57 60 239

HSL 239.01, 0.85%, 0.58%

LAB 38.43, 57.12, -88.6

 

CMYK 57 / 76 / 0 / 6

HEX #6639EF

RGB 102 57 239

HSL 254.84, 0.85%, 0.58%

LAB 41.19, 62.9, -83.94

 

CMYK 36 / 76 / 0 / 6

HEX #9839EF

RGB 152 57 239

HSL 271.32, 0.85%, 0.58%

LAB 46.76, 69.9, -74.6

 

CMYK 16 / 76 / 0 / 6

HEX #C939EF

RGB 201 57 239

HSL 287.47, 0.85%, 0.58%

LAB 53.57, 78.3, -63.23

 

CMYK 76 / 54 / 0 / 6

HEX #396DEF

RGB 57 109 239

HSL 222.86, 0.85%, 0.58%

LAB 49.54, 27.87, -70.38

 

CMYK 76 / 75 / 0 / 6

HEX #393CEF

RGB 57 60 239

HSL 239.01, 0.85%, 0.58%

LAB 38.43, 57.12, -88.6

 

CMYK 76 / 76 / 0 / 6

HEX #3939EF

RGB 57 57 239

HSL 240, 0.85%, 0.58%

LAB 37.89, 58.67, -89.49

 

CMYK 76 / 54 / 0 / 6

HEX #396DEF

RGB 57 109 239

HSL 222.86, 0.85%, 0.58%

LAB 49.54, 27.87, -70.38

 

CMYK 76 / 54 / 0 / 6

HEX #396DEF

RGB 57 109 239

HSL 222.86, 0.85%, 0.58%

LAB 49.54, 27.87, -70.38

 

CMYK 67 / 47 / 0 / 13

HEX #4A75DE

RGB 74 117 222

HSL 222.57, 0.69%, 0.58%

LAB 51.21, 19, -58.1

 

CMYK 55 / 39 / 0 / 20

HEX #5C7CCC

RGB 92 124 204

HSL 222.86, 0.52%, 0.58%

LAB 53, 11.96, -45

 

CMYK 42 / 30 / 0 / 27

HEX #6D83BB

RGB 109 131 187

HSL 223.08, 0.36%, 0.58%

LAB 55.15, 6.68, -31.87

 

CMYK 26 / 18 / 0 / 33

HEX #7E8BAA

RGB 126 139 170

HSL 222.27, 0.21%, 0.58%

LAB 57.85, 2.44, -17.9

 

CMYK 76 / 13 / 0 / 6

HEX #39D1EF

RGB 57 209 239

HSL 189.89, 0.85%, 0.58%

LAB 77.7, -28.97, -25.95

 

CMYK 76 / 33 / 0 / 6

HEX #39A0EF

RGB 57 160 239

HSL 206.04, 0.85%, 0.58%

LAB 63.54, -3.04, -47.95

 

CMYK 76 / 54 / 0 / 6

HEX #396FEF

RGB 57 111 239

HSL 222.2, 0.85%, 0.58%

LAB 50.06, 26.61, -69.54

 

CMYK 76 / 74 / 0 / 6

HEX #393FEF

RGB 57 63 239

HSL 238.02, 0.85%, 0.58%

LAB 39, 55.53, -87.67

 

CMYK 59 / 76 / 0 / 6

HEX #6339EF

RGB 99 57 239

HSL 253.85, 0.85%, 0.58%

LAB 40.91, 62.55, -84.4

 

CMYK 92 / 65 / 0 / 23

HEX #1044C5

RGB 16 68 197

HSL 222.76, 0.85%, 0.42%

LAB 34.55, 35.42, -70.93

 

CMYK 92 / 65 / 0 / 8

HEX #1352EB

RGB 19 82 235

HSL 222.5, 0.85%, 0.5%

LAB 41.49, 40.83, -81.34

 

CMYK 76 / 54 / 0 / 6

HEX #396DEF

RGB 57 109 239

HSL 222.86, 0.85%, 0.58%

LAB 49.54, 27.87, -70.38

 

CMYK 61 / 43 / 0 / 5

HEX #5F89F2

RGB 95 137 242

HSL 222.86, 0.85%, 0.66%

LAB 58.73, 17.16, -57.17

 

CMYK 46 / 32 / 0 / 4

HEX #85A6F5

RGB 133 166 245

HSL 222.32, 0.85%, 0.74%

LAB 68.64, 9.2, -42.99

 

CMYK 76 / 54 / 0 / 6

HEX #396EEF

RGB 57.9 110.2 239

HSL 222.67, 0.85%, 0.58%

LAB 49.89, 27.21, -69.83

 

CMYK 8 / 76 / 0 / 6

HEX #DD39EF

RGB 221 57 239

HSL 294.07, 0.85%, 0.58%

LAB 56.61, 82, -58.18

 

CMYK 23 / 0 / 76 / 6

HEX #B8EF39

RGB 184 239 57

HSL 78.13, 0.85%, 0.58%

LAB 88.07, -41.31, 75.91

 

CMYK 76 / 54 / 0 / 6

HEX #396EEF

RGB 57.9 110.2 239

HSL 222.67, 0.85%, 0.58%

LAB 49.89, 27.21, -69.83

 

CMYK 0 / 76 / 54 / 6

HEX #EF396F

RGB 239 57 111

HSL 342.2, 0.85%, 0.58%

LAB 54.47, 70.7, 13.26

 

CMYK 54 / 0 / 76 / 6

HEX #6FEF39

RGB 111 239 57

HSL 102.2, 0.85%, 0.58%

LAB 84.69, -65.16, 71.51

 

CMYK 76 / 54 / 0 / 6

HEX #396EEF

RGB 57.9 110.2 239

HSL 222.67, 0.85%, 0.58%

LAB 49.89, 27.21, -69.83

 

CMYK 8 / 76 / 0 / 6

HEX #DD39EF

RGB 221 57 239

HSL 294.07, 0.85%, 0.58%

LAB 56.61, 82, -58.18

 

CMYK 0 / 23 / 76 / 6

HEX #EFB839

RGB 239 184 57

HSL 41.87, 0.85%, 0.58%

LAB 77.83, 8.32, 67.88

 

CMYK 69 / 0 / 76 / 6

HEX #4BEF39

RGB 75 239 57

HSL 114.07, 0.85%, 0.58%

LAB 83.72, -73.13, 70.23

 

CMYK 76 / 54 / 0 / 6

HEX #396EEF

RGB 57.9 110.2 239

HSL 222.67, 0.85%, 0.58%

LAB 49.89, 27.21, -69.83

 

CMYK 0 / 76 / 15 / 6

HEX #EF39CB

RGB 239 57 203

HSL 311.87, 0.85%, 0.58%

LAB 57.64, 80.29, -36

 

CMYK 0 / 23 / 76 / 6

HEX #EFB839

RGB 239 184 57

HSL 41.87, 0.85%, 0.58%

LAB 77.83, 8.32, 67.88

 

CMYK 76 / 0 / 61 / 6

HEX #39EF5D

RGB 57 239 93

HSL 131.87, 0.85%, 0.58%

LAB 83.65, -72.75, 56.67

 

Description

Color code: RGB 57.9 110.2 239 | qconv.com Color code: RGB 57.9 110.2 239 | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 57.9 red, 110.2 green and 239 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
57.9 110.2 239 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, 54 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 54% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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