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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 59 / 76 / 0 / 6 it is the complementary color CMYK 20 / 0 / 92 / 23. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 59 / 76 / 0 / 6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 59 / 76 / 0 / 6: CMYK 56 / 75 / 0 / 8, CMYK 53 / 70 / 0 / 0, CMYK 46 / 63 / 0 / 0, CMYK 40 / 56 / 0 / 0 and CMYK 33 / 49 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 59 / 76 / 0 / 6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 59 / 76 / 0 / 6: CMYK 59 / 76 / 0 / 6, CMYK 63 / 82 / 0 / 13, CMYK 68 / 89 / 0 / 21, CMYK 74 / 98 / 0 / 28 and CMYK 82 / 100 / 0 / 36

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 76 / 0 / 6

HEX #623AF0

RGB 98 58 240

HSL 253.19, 0.86%, 0.58%

LAB 41.08, 62.25, -84.7

 

Complementary color

CMYK 20 / 0 / 92 / 23

HEX #9DC50F

RGB 157 197 15

HSL 73.19, 0.86%, 0.42%

LAB 74.28, -34.33, 72.73

 

CMYK 56 / 75 / 0 / 8

HEX #673AEB

RGB 103 58 235

HSL 255.25, 0.82%, 0.57%

LAB 41.07, 61.48, -81.87

 

CMYK 53 / 70 / 0 / 0

HEX #784CFE

RGB 120 76 254

HSL 254.83, 0.99%, 0.65%

LAB 47.39, 60.33, -82.11

 

CMYK 46 / 63 / 0 / 0

HEX #895EFF

RGB 137 94 255

HSL 256.02, 1%, 0.68%

LAB 52.45, 54.14, -74.34

 

CMYK 40 / 56 / 0 / 0

HEX #9A70FF

RGB 154 112 255

HSL 257.62, 1%, 0.72%

LAB 57.73, 47.84, -65.72

 

CMYK 33 / 49 / 0 / 0

HEX #AB82FF

RGB 171 130 255

HSL 259.68, 1%, 0.75%

LAB 63.21, 41.89, -56.85

 

CMYK 59 / 76 / 0 / 6

HEX #623AF0

RGB 98 58 240

HSL 253.19, 0.86%, 0.58%

LAB 41.08, 62.25, -84.7

 

CMYK 63 / 82 / 0 / 13

HEX #5128DD

RGB 81 40 221

HSL 253.59, 0.73%, 0.51%

LAB 34.98, 63.1, -84.01

 

CMYK 68 / 89 / 0 / 21

HEX #4016CA

RGB 64 22 202

HSL 254, 0.8%, 0.44%

LAB 29.23, 63.07, -82.57

 

CMYK 74 / 98 / 0 / 28

HEX #2F04B7

RGB 47 4 183

HSL 254.41, 0.96%, 0.37%

LAB 24.03, 61.61, -80.04

 

CMYK 82 / 100 / 0 / 36

HEX #1E00A4

RGB 30 0 164

HSL 250.98, 1%, 0.32%

LAB 19.87, 57.31, -75.57

 

CMYK 59 / 76 / 0 / 6

HEX #623AF0

RGB 98 58 240

HSL 253.19, 0.86%, 0.58%

LAB 41.08, 62.25, -84.7

 

CMYK 48 / 77 / 0 / 6

HEX #7E37F0

RGB 126 55 240

HSL 263.03, 0.86%, 0.58%

LAB 43.45, 67.08, -80.7

 

CMYK 35 / 77 / 0 / 6

HEX #9D37F0

RGB 157 55 240

HSL 273.08, 0.86%, 0.58%

LAB 47.23, 71.65, -74.37

 

CMYK 22 / 77 / 0 / 6

HEX #BB37F0

RGB 187 55 240

HSL 282.81, 0.86%, 0.58%

LAB 51.37, 76.62, -67.45

 

CMYK 9 / 77 / 0 / 6

HEX #DA37F0

RGB 218 55 240

HSL 292.86, 0.86%, 0.58%

LAB 56.02, 82.17, -59.72

 

CMYK 59 / 76 / 0 / 6

HEX #623AF0

RGB 98 58 240

HSL 253.19, 0.86%, 0.58%

LAB 41.08, 62.25, -84.7

 

CMYK 58 / 75 / 0 / 86

HEX #0F0924

RGB 15 9 36

HSL 253.33, 0.6%, 0.09%

LAB 3.83, 8.6, -15.98

 

CMYK 59 / 76 / 0 / 66

HEX #241557

RGB 36 21 87

HSL 253.64, 0.61%, 0.21%

LAB 13.23, 26.88, -37.31

 

CMYK 59 / 76 / 0 / 46

HEX #38218A

RGB 56 33 138

HSL 253.14, 0.61%, 0.34%

LAB 22.87, 39.62, -54.48

 

CMYK 59 / 76 / 0 / 26

HEX #4D2EBD

RGB 77 46 189

HSL 253.01, 0.61%, 0.46%

LAB 32.27, 51.01, -69.87

 

CMYK 59 / 76 / 0 / 6

HEX #623AF0

RGB 98 58 240

HSL 253.19, 0.86%, 0.58%

LAB 41.08, 62.25, -84.7

 

CMYK 0 / 77 / 32 / 6

HEX #F037A3

RGB 240 55 163

HSL 324.97, 0.86%, 0.58%

LAB 55.99, 76.23, -15.38

 

CMYK 63 / 0 / 77 / 6

HEX #59F037

RGB 89 240 55

HSL 108.97, 0.86%, 0.58%

LAB 84.34, -70.84, 71.55

 

CMYK 59 / 76 / 0 / 6

HEX #623AF0

RGB 98 58 240

HSL 253.19, 0.86%, 0.58%

LAB 41.08, 62.25, -84.7

 

CMYK 0 / 60 / 77 / 6

HEX #F05F37

RGB 240 95 55

HSL 12.97, 0.86%, 0.58%

LAB 58.96, 53.81, 50.37

 

CMYK 77 / 0 / 60 / 6

HEX #37F05F

RGB 55 240 95

HSL 132.97, 0.86%, 0.58%

LAB 83.94, -73.09, 56.15

 

CMYK 59 / 76 / 0 / 6

HEX #623AF0

RGB 98 58 240

HSL 253.19, 0.86%, 0.58%

LAB 41.08, 62.25, -84.7

 

CMYK 0 / 77 / 32 / 6

HEX #F037A3

RGB 240 55 163

HSL 324.97, 0.86%, 0.58%

LAB 55.99, 76.23, -15.38

 

CMYK 17 / 0 / 77 / 6

HEX #C8F037

RGB 200 240 55

HSL 72.97, 0.86%, 0.58%

LAB 89.33, -35.69, 78.01

 

CMYK 77 / 0 / 45 / 6

HEX #37F084

RGB 55 240 132

HSL 144.97, 0.86%, 0.58%

LAB 84.38, -67.92, 39.56

 

CMYK 59 / 76 / 0 / 6

HEX #623AF0

RGB 98 58 240

HSL 253.19, 0.86%, 0.58%

LAB 41.08, 62.25, -84.7

 

CMYK 0 / 77 / 55 / 6

HEX #F0376B

RGB 240 55 107

HSL 343.14, 0.86%, 0.58%

LAB 54.36, 71.26, 15.53

 

CMYK 17 / 0 / 77 / 6

HEX #C8F037

RGB 200 240 55

HSL 72.97, 0.86%, 0.58%

LAB 89.33, -35.69, 78.01

 

CMYK 77 / 0 / 22 / 6

HEX #37F0BB

RGB 55 240 187

HSL 162.81, 0.86%, 0.58%

LAB 85.36, -56.96, 12.92

 

Description

Color code: CMYK 59 / 76 / 0 / 6 | qconv.com Color code: CMYK 59 / 76 / 0 / 6 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 98 red, 58 green and 240 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
98 58 240 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, 76 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 76% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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