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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 56 72.4 246.4 it is the complementary color RGB 199 182.6 8.6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 56 72.4 246.4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 56 72.4 246.4 shade: RGB 61 72.4 241.4, RGB 78 90.4 255, RGB 95 108.4 255, RGB 112 126.4 255 and RGB 129 144.4 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 56 72.4 246.4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 56 72.4 246.4 shade: RGB 56 72.4 246.4, RGB 39 54.4 227.4, RGB 22 36.4 208.4, RGB 5 18.4 189.4 and RGB 0 0.40000000000001 170.4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 56 72.4 246.4 shade: RGB 54 71 247, RGB 90 54 247, RGB 141 54 247, RGB 193 54 247 and RGB 245 54 247

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 56 72.4 246.4 shade: RGB 54 71 247 and RGB 54 54 247

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 56 72.4 246.4 shade matches the following richer shades: RGB 54 71 247

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 56 72.4 246.4 shade: RGB 54 71 247, RGB 71 85 230, RGB 88 99 213, RGB 105 113 196 and RGB 122 127 179

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 56 72.4 246.4 shade: RGB 54 176 247, RGB 54 125 247, RGB 54 74 247, RGB 86 54 247 and RGB 138 54 247

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 56 72.4 246.4 shade: RGB 9 26 210, RGB 15 35 245, RGB 54 71 247, RGB 94 107 248 and RGB 133 144 250

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 56 72.4 246.4 shade: RGB 56 72.4 246.4, RGB 247 54 227 and RGB 150 247 54

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 56 72.4 246.4 shade: RGB 56 72.4 246.4, RGB 247 54 74 and RGB 74 247 54

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 56 72.4 246.4 shade: RGB 56 72.4 246.4, RGB 247 54 227, RGB 247 227 54 and RGB 54 247 74

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 56 72.4 246.4 shade: RGB 56 72.4 246.4, RGB 247 54 170, RGB 247 227 54 and RGB 54 247 131

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 71 / 0 / 3

HEX #3848F6

RGB 56 72.4 246.4

HSL 234.83, 0.92%, 0.59%

LAB 41.54, 52.66, -87.63

 

Complementary color

CMYK 0 / 8 / 96 / 22

HEX #C7B608

RGB 199 182.6 8.6

HSL 54.83, 0.92%, 0.41%

LAB 73.46, -9.49, 74.24

 

CMYK 75 / 70 / 0 / 5

HEX #3D48F1

RGB 61 72.4 241.4

HSL 236.21, 0.87%, 0.59%

LAB 41.3, 51.42, -85.21

 

CMYK 69 / 65 / 0 / 0

HEX #4E5AFF

RGB 78 90.4 255

HSL 235.8, 1%, 0.65%

LAB 47.26, 47.18, -82.99

 

CMYK 63 / 57 / 0 / 0

HEX #5F6CFF

RGB 95 108.4 255

HSL 234.98, 1%, 0.69%

LAB 52.36, 38.74, -74.63

 

CMYK 56 / 50 / 0 / 0

HEX #707EFF

RGB 112 126.4 255

HSL 233.96, 1%, 0.72%

LAB 57.74, 30.87, -65.87

 

CMYK 49 / 43 / 0 / 0

HEX #8190FF

RGB 129 144.4 255

HSL 232.67, 1%, 0.75%

LAB 63.31, 23.7, -56.9

 

CMYK 77 / 71 / 0 / 3

HEX #3848F6

RGB 56 72.4 246.4

HSL 234.83, 0.92%, 0.59%

LAB 41.54, 52.66, -87.63

 

CMYK 83 / 76 / 0 / 11

HEX #2736E3

RGB 39 54.4 227.4

HSL 235.1, 0.77%, 0.52%

LAB 35.35, 55.28, -87.14

 

CMYK 89 / 83 / 0 / 18

HEX #1624D0

RGB 22 36.4 208.4

HSL 235.36, 0.81%, 0.45%

LAB 29.49, 57.57, -85.94

 

CMYK 97 / 90 / 0 / 26

HEX #0512BD

RGB 5 18.4 189.4

HSL 235.64, 0.95%, 0.38%

LAB 24.22, 58.78, -83.57

 

CMYK 100 / 100 / 0 / 33

HEX #0000AA

RGB 0 0.40000000000001 170.4

HSL 239.86, 1%, 0.33%

LAB 19.75, 58.44, -79.68

 

CMYK 78 / 71 / 0 / 3

HEX #3647F7

RGB 54 71 247

HSL 234.72, 0.92%, 0.59%

LAB 41.23, 53.5, -88.49

 

CMYK 64 / 78 / 0 / 3

HEX #5A36F7

RGB 90 54 247

HSL 251.19, 0.92%, 0.59%

LAB 40.45, 65.16, -89.69

 

CMYK 43 / 78 / 0 / 3

HEX #8D36F7

RGB 141 54 247

HSL 267.05, 0.92%, 0.59%

LAB 45.66, 71.2, -80.95

 

CMYK 22 / 78 / 0 / 3

HEX #C136F7

RGB 193 54 247

HSL 283.21, 0.92%, 0.59%

LAB 52.61, 79.27, -69.32

 

CMYK 1 / 78 / 0 / 3

HEX #F536F7

RGB 245 54 247

HSL 299.38, 0.92%, 0.59%

LAB 60.57, 88.51, -56.09

 

CMYK 78 / 71 / 0 / 3

HEX #3647F7

RGB 54 71 247

HSL 234.72, 0.92%, 0.59%

LAB 41.23, 53.5, -88.49

 

CMYK 78 / 78 / 0 / 3

HEX #3636F7

RGB 54 54 247

HSL 240, 0.92%, 0.59%

LAB 38.09, 62.4, -93.68

 

CMYK 78 / 71 / 0 / 3

HEX #3647F7

RGB 54 71 247

HSL 234.72, 0.92%, 0.59%

LAB 41.23, 53.5, -88.49

 

CMYK 78 / 71 / 0 / 3

HEX #3647F7

RGB 54 71 247

HSL 234.72, 0.92%, 0.59%

LAB 41.23, 53.5, -88.49

 

CMYK 69 / 63 / 0 / 10

HEX #4755E6

RGB 71 85 230

HSL 234.72, 0.76%, 0.59%

LAB 43.58, 41.23, -75.01

 

CMYK 59 / 54 / 0 / 16

HEX #5863D5

RGB 88 99 213

HSL 234.72, 0.6%, 0.59%

LAB 46.71, 29.52, -60.21

 

CMYK 46 / 42 / 0 / 23

HEX #6971C4

RGB 105 113 196

HSL 234.73, 0.44%, 0.59%

LAB 50.45, 19.14, -44.43

 

CMYK 32 / 29 / 0 / 30

HEX #7A7FB3

RGB 122 127 179

HSL 234.74, 0.27%, 0.59%

LAB 54.63, 10.51, -28.03

 

CMYK 78 / 29 / 0 / 3

HEX #36B0F7

RGB 54 176 247

HSL 202.07, 0.92%, 0.59%

LAB 68.42, -9.54, -44.64

 

CMYK 78 / 49 / 0 / 3

HEX #367DF7

RGB 54 125 247

HSL 217.93, 0.92%, 0.59%

LAB 54.2, 20.48, -67.3

 

CMYK 78 / 70 / 0 / 3

HEX #364AF7

RGB 54 74 247

HSL 233.78, 0.92%, 0.59%

LAB 41.84, 51.8, -87.48

 

CMYK 65 / 78 / 0 / 3

HEX #5636F7

RGB 86 54 247

HSL 249.95, 0.92%, 0.59%

LAB 40.13, 64.78, -90.23

 

CMYK 44 / 78 / 0 / 3

HEX #8A36F7

RGB 138 54 247

HSL 266.11, 0.92%, 0.59%

LAB 45.3, 70.79, -81.55

 

CMYK 96 / 88 / 0 / 18

HEX #091AD2

RGB 9 26 210

HSL 234.93, 0.92%, 0.43%

LAB 27.98, 62.06, -89.39

 

CMYK 94 / 86 / 0 / 4

HEX #0F23F5

RGB 15 35 245

HSL 234.78, 0.92%, 0.51%

LAB 33.77, 68.74, -99.78

 

CMYK 78 / 71 / 0 / 3

HEX #3647F7

RGB 54 71 247

HSL 234.72, 0.92%, 0.59%

LAB 41.23, 53.5, -88.49

 

CMYK 62 / 57 / 0 / 3

HEX #5E6BF8

RGB 94 107 248

HSL 234.94, 0.92%, 0.67%

LAB 51.46, 37.14, -72.2

 

CMYK 47 / 42 / 0 / 2

HEX #8590FA

RGB 133 144 250

HSL 234.36, 0.92%, 0.75%

LAB 63.21, 23.35, -54.31

 

CMYK 77 / 71 / 0 / 3

HEX #3848F6

RGB 56 72.4 246.4

HSL 234.83, 0.92%, 0.59%

LAB 41.54, 52.66, -87.63

 

CMYK 0 / 78 / 8 / 3

HEX #F736E3

RGB 247 54 227

HSL 306.22, 0.92%, 0.59%

LAB 59.85, 86, -46.05

 

CMYK 39 / 0 / 78 / 3

HEX #96F736

RGB 150 247 54

HSL 90.16, 0.92%, 0.59%

LAB 88.58, -56.77, 76.6

 

CMYK 77 / 71 / 0 / 3

HEX #3848F6

RGB 56 72.4 246.4

HSL 234.83, 0.92%, 0.59%

LAB 41.54, 52.66, -87.63

 

CMYK 0 / 78 / 70 / 3

HEX #F7364A

RGB 247 54 74

HSL 353.78, 0.92%, 0.59%

LAB 54.98, 71.59, 36.09

 

CMYK 70 / 0 / 78 / 3

HEX #4AF736

RGB 74 247 54

HSL 113.78, 0.92%, 0.59%

LAB 86.13, -75.95, 73.42

 

CMYK 77 / 71 / 0 / 3

HEX #3848F6

RGB 56 72.4 246.4

HSL 234.83, 0.92%, 0.59%

LAB 41.54, 52.66, -87.63

 

CMYK 0 / 78 / 8 / 3

HEX #F736E3

RGB 247 54 227

HSL 306.22, 0.92%, 0.59%

LAB 59.85, 86, -46.05

 

CMYK 0 / 8 / 78 / 3

HEX #F7E336

RGB 247 227 54

HSL 53.78, 0.92%, 0.59%

LAB 89.38, -10.37, 79.66

 

CMYK 78 / 0 / 70 / 3

HEX #36F74A

RGB 54 247 74

HSL 126.22, 0.92%, 0.59%

LAB 85.91, -77.43, 66.62

 

CMYK 77 / 71 / 0 / 3

HEX #3848F6

RGB 56 72.4 246.4

HSL 234.83, 0.92%, 0.59%

LAB 41.54, 52.66, -87.63

 

CMYK 0 / 78 / 31 / 3

HEX #F736AA

RGB 247 54 170

HSL 323.94, 0.92%, 0.59%

LAB 57.38, 78.9, -17.25

 

CMYK 0 / 8 / 78 / 3

HEX #F7E336

RGB 247 227 54

HSL 53.78, 0.92%, 0.59%

LAB 89.38, -10.37, 79.66

 

CMYK 78 / 0 / 47 / 3

HEX #36F783

RGB 54 247 131

HSL 143.94, 0.92%, 0.59%

LAB 86.48, -70.55, 42.71

 

Description

Color code: RGB 56 72.4 246.4 | qconv.com Color code: RGB 56 72.4 246.4 | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 56 red, 72.4 green and 246.4 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
56 72.4 246.4 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, 71 magenta, none yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 71% 0% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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