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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 59 / 54 / 0 / 16 it is the complementary color CMYK 0 / 7 / 75 / 35. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 59 / 54 / 0 / 16. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 59 / 54 / 0 / 16: CMYK 56 / 53 / 0 / 18, CMYK 52 / 49 / 0 / 11, CMYK 49 / 45 / 0 / 3, CMYK 44 / 40 / 0 / 0 and CMYK 37 / 33 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 59 / 54 / 0 / 16. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 59 / 54 / 0 / 16: CMYK 59 / 54 / 0 / 16, CMYK 64 / 58 / 0 / 24, CMYK 69 / 64 / 0 / 31, CMYK 76 / 71 / 0 / 38 and CMYK 86 / 80 / 0 / 46

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 54 / 0 / 16

HEX #5863D6

RGB 88 99 214

HSL 234.76, 0.61%, 0.59%

LAB 46.78, 29.85, -60.67

 

Complementary color

CMYK 0 / 7 / 75 / 35

HEX #A79C29

RGB 167 156 41

HSL 54.76, 0.61%, 0.41%

LAB 63.47, -8.96, 57.6

 

CMYK 56 / 53 / 0 / 18

HEX #5D63D1

RGB 93 99 209

HSL 236.9, 0.56%, 0.59%

LAB 46.78, 29.16, -57.79

 

CMYK 52 / 49 / 0 / 11

HEX #6E75E4

RGB 110 117 228

HSL 236.44, 0.69%, 0.66%

LAB 53.64, 27.67, -57.47

 

CMYK 49 / 45 / 0 / 3

HEX #7F87F7

RGB 127 135 247

HSL 236, 0.88%, 0.73%

LAB 60.39, 26.39, -57.17

 

CMYK 44 / 40 / 0 / 0

HEX #9099FF

RGB 144 153 255

HSL 235.14, 1%, 0.78%

LAB 66.47, 22.15, -51.82

 

CMYK 37 / 33 / 0 / 0

HEX #A1ABFF

RGB 161 171 255

HSL 233.62, 1%, 0.82%

LAB 72.18, 16.18, -42.76

 

CMYK 59 / 54 / 0 / 16

HEX #5863D6

RGB 88 99 214

HSL 234.76, 0.61%, 0.59%

LAB 46.78, 29.85, -60.67

 

CMYK 64 / 58 / 0 / 24

HEX #4751C3

RGB 71 81 195

HSL 235.16, 0.51%, 0.52%

LAB 39.86, 31.77, -61

 

CMYK 69 / 64 / 0 / 31

HEX #363FB0

RGB 54 63 176

HSL 235.57, 0.53%, 0.45%

LAB 32.86, 34.04, -61.26

 

CMYK 76 / 71 / 0 / 38

HEX #252D9D

RGB 37 45 157

HSL 236, 0.62%, 0.38%

LAB 25.88, 36.66, -61.32

 

CMYK 86 / 80 / 0 / 46

HEX #141B8A

RGB 20 27 138

HSL 236.44, 0.75%, 0.31%

LAB 19.09, 39.39, -60.82

 

CMYK 59 / 54 / 0 / 16

HEX #5863D6

RGB 88 99 214

HSL 234.76, 0.61%, 0.59%

LAB 46.78, 29.85, -60.67

 

CMYK 56 / 60 / 0 / 16

HEX #5F56D6

RGB 95 86 214

HSL 244.22, 0.61%, 0.59%

LAB 44.15, 39.03, -64.9

 

CMYK 46 / 60 / 0 / 16

HEX #7456D6

RGB 116 86 214

HSL 254.06, 0.61%, 0.59%

LAB 45.94, 43.09, -61.92

 

CMYK 36 / 60 / 0 / 16

HEX #8956D6

RGB 137 86 214

HSL 263.91, 0.61%, 0.59%

LAB 48.04, 47.61, -58.42

 

CMYK 26 / 60 / 0 / 16

HEX #9E56D6

RGB 158 86 214

HSL 273.75, 0.61%, 0.59%

LAB 50.43, 52.45, -54.46

 

CMYK 59 / 54 / 0 / 16

HEX #5863D6

RGB 88 99 214

HSL 234.76, 0.61%, 0.59%

LAB 46.78, 29.85, -60.67

 

CMYK 60 / 50 / 0 / 96

HEX #04050A

RGB 4 5 10

HSL 230, 0.43%, 0.03%

LAB 1.41, 0.43, -1.99

 

CMYK 59 / 54 / 0 / 76

HEX #191C3D

RGB 25 28 61

HSL 235, 0.42%, 0.17%

LAB 11.78, 9.93, -21.72

 

CMYK 59 / 54 / 0 / 56

HEX #2E3470

RGB 46 52 112

HSL 234.55, 0.42%, 0.31%

LAB 24.34, 16.88, -35.68

 

CMYK 59 / 54 / 0 / 36

HEX #434BA3

RGB 67 75 163

HSL 235, 0.42%, 0.45%

LAB 35.73, 23.9, -48.79

 

CMYK 59 / 54 / 0 / 16

HEX #5863D6

RGB 88 99 214

HSL 234.76, 0.61%, 0.59%

LAB 46.78, 29.85, -60.67

 

CMYK 0 / 60 / 6 / 16

HEX #D656C9

RGB 214 86 201

HSL 306.09, 0.61%, 0.59%

LAB 57.24, 63.94, -35.78

 

CMYK 30 / 0 / 60 / 16

HEX #96D656

RGB 150 214 86

HSL 90, 0.61%, 0.59%

LAB 79.18, -40.96, 55.48

 

CMYK 59 / 54 / 0 / 16

HEX #5863D6

RGB 88 99 214

HSL 234.76, 0.61%, 0.59%

LAB 46.78, 29.85, -60.67

 

CMYK 0 / 60 / 54 / 16

HEX #D65663

RGB 214 86 99

HSL 353.91, 0.61%, 0.59%

LAB 53.87, 51.36, 18.88

 

CMYK 54 / 0 / 60 / 16

HEX #63D656

RGB 99 214 86

HSL 113.91, 0.61%, 0.59%

LAB 76.93, -56.87, 52.32

 

CMYK 59 / 54 / 0 / 16

HEX #5863D6

RGB 88 99 214

HSL 234.76, 0.61%, 0.59%

LAB 46.78, 29.85, -60.67

 

CMYK 0 / 60 / 6 / 16

HEX #D656C9

RGB 214 86 201

HSL 306.09, 0.61%, 0.59%

LAB 57.24, 63.94, -35.78

 

CMYK 0 / 6 / 60 / 16

HEX #D6C956

RGB 214 201 86

HSL 53.91, 0.61%, 0.59%

LAB 80.03, -9.51, 57.66

 

CMYK 60 / 0 / 54 / 16

HEX #56D663

RGB 86 214 99

HSL 126.09, 0.61%, 0.59%

LAB 76.66, -58.46, 45.97

 

CMYK 59 / 54 / 0 / 16

HEX #5863D6

RGB 88 99 214

HSL 234.76, 0.61%, 0.59%

LAB 46.78, 29.85, -60.67

 

CMYK 0 / 60 / 24 / 16

HEX #D656A3

RGB 214 86 163

HSL 323.91, 0.61%, 0.59%

LAB 55.68, 58.3, -16.25

 

CMYK 0 / 6 / 60 / 16

HEX #D6C956

RGB 214 201 86

HSL 53.91, 0.61%, 0.59%

LAB 80.03, -9.51, 57.66

 

CMYK 60 / 0 / 36 / 16

HEX #56D689

RGB 86 214 137

HSL 143.91, 0.61%, 0.59%

LAB 77.21, -52.48, 27.77

 

Description

Color code: CMYK 59 / 54 / 0 / 16 | qconv.com Color code: CMYK 59 / 54 / 0 / 16 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 88 red, 99 green and 214 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
88 99 214 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, 54 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 54% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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