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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 56 217 84 it is the complementary color RGB 199 38 171. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 56 217 84. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 56 217 84: RGB 61 217 79, RGB 78 235 98, RGB 95 253 117, RGB 112 255 136 and RGB 129 255 155

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 56 217 84. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 56 217 84: RGB 56 217 84, RGB 39 199 65, RGB 22 181 46, RGB 5 163 27 and RGB 0 145 8

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 0 / 61 / 15

HEX #38D954

RGB 56 217 84

HSL 130.43, 0.68%, 0.54%

LAB 76.74, -66.89, 52.69

 

Complementary color

CMYK 0 / 81 / 14 / 22

HEX #C726AB

RGB 199 38 171

HSL 310.43, 0.68%, 0.46%

LAB 47.58, 72.3, -33.66

 

CMYK 72 / 0 / 64 / 15

HEX #3DD94F

RGB 61 217 79

HSL 126.92, 0.67%, 0.55%

LAB 76.79, -66.67, 54.9

 

CMYK 67 / 0 / 58 / 8

HEX #4EEB62

RGB 78 235 98

HSL 127.64, 0.8%, 0.61%

LAB 82.87, -67.59, 53.72

 

CMYK 62 / 0 / 54 / 1

HEX #5FFD75

RGB 95 253 117

HSL 128.35, 0.98%, 0.68%

LAB 88.91, -68.18, 52.44

 

CMYK 56 / 0 / 47 / 0

HEX #70FF88

RGB 112 255 136

HSL 130.07, 1%, 0.72%

LAB 90.2, -62.7, 45.28

 

CMYK 49 / 0 / 39 / 0

HEX #81FF9B

RGB 129 255 155

HSL 132.38, 1%, 0.75%

LAB 91.03, -55.76, 37.24

 

CMYK 74 / 0 / 61 / 15

HEX #38D954

RGB 56 217 84

HSL 130.43, 0.68%, 0.54%

LAB 76.74, -66.89, 52.69

 

CMYK 80 / 0 / 67 / 22

HEX #27C741

RGB 39 199 65

HSL 129.75, 0.67%, 0.47%

LAB 70.64, -65.44, 53.83

 

CMYK 88 / 0 / 75 / 29

HEX #16B52E

RGB 22 181 46

HSL 129.06, 0.78%, 0.4%

LAB 64.5, -63.34, 54.6

 

CMYK 97 / 0 / 83 / 36

HEX #05A31B

RGB 5 163 27

HSL 128.35, 0.94%, 0.33%

LAB 58.33, -60.42, 54.62

 

CMYK 100 / 0 / 94 / 43

HEX #009108

RGB 0 145 8

HSL 123.31, 1%, 0.28%

LAB 52.14, -56.34, 53.25

 

CMYK 74 / 0 / 61 / 15

HEX #38D954

RGB 56 217 84

HSL 130.43, 0.68%, 0.54%

LAB 76.74, -66.89, 52.69

 

CMYK 74 / 0 / 49 / 15

HEX #39D96F

RGB 57 217 111

HSL 140.25, 0.68%, 0.54%

LAB 77.07, -63.12, 40.56

 

CMYK 74 / 0 / 37 / 15

HEX #39D989

RGB 57 217 137

HSL 150, 0.68%, 0.54%

LAB 77.46, -58.62, 27.99

 

CMYK 74 / 0 / 24 / 15

HEX #39D9A4

RGB 57 217 164

HSL 160.13, 0.68%, 0.54%

LAB 77.98, -52.95, 14.58

 

CMYK 74 / 0 / 12 / 15

HEX #39D9BE

RGB 57 217 190

HSL 169.88, 0.68%, 0.54%

LAB 78.59, -46.62, 1.61

 

CMYK 74 / 0 / 61 / 15

HEX #38D954

RGB 56 217 84

HSL 130.43, 0.68%, 0.54%

LAB 76.74, -66.89, 52.69

 

CMYK 77 / 0 / 62 / 95

HEX #030D05

RGB 3 13 5

HSL 132, 0.63%, 0.03%

LAB 2.87, -3.83, 2.18

 

CMYK 73 / 0 / 61 / 75

HEX #114019

RGB 17 64 25

HSL 130.21, 0.58%, 0.16%

LAB 23.19, -25.57, 19.14

 

CMYK 74 / 0 / 61 / 55

HEX #1E732D

RGB 30 115 45

HSL 130.59, 0.59%, 0.28%

LAB 42.35, -40.53, 31.13

 

CMYK 74 / 0 / 61 / 35

HEX #2BA640

RGB 43 166 64

HSL 130.24, 0.59%, 0.41%

LAB 60.03, -54.2, 42.49

 

CMYK 74 / 0 / 61 / 15

HEX #38D954

RGB 56 217 84

HSL 130.43, 0.68%, 0.54%

LAB 76.74, -66.89, 52.69

 

CMYK 74 / 27 / 0 / 15

HEX #399ED9

RGB 57 158 217

HSL 202.13, 0.68%, 0.54%

LAB 61.94, -9.56, -38.32

 

CMYK 0 / 74 / 56 / 15

HEX #D9395F

RGB 217 57 95

HSL 345.75, 0.68%, 0.54%

LAB 50.1, 63.43, 16.24

 

CMYK 74 / 0 / 61 / 15

HEX #38D954

RGB 56 217 84

HSL 130.43, 0.68%, 0.54%

LAB 76.74, -66.89, 52.69

 

CMYK 61 / 74 / 0 / 15

HEX #5439D9

RGB 84 57 217

HSL 250.13, 0.68%, 0.54%

LAB 37.52, 54.54, -77.51

 

CMYK 0 / 61 / 74 / 15

HEX #D95439

RGB 217 84 57

HSL 10.13, 0.68%, 0.54%

LAB 53.37, 50.71, 42.31

 

CMYK 74 / 0 / 61 / 15

HEX #38D954

RGB 56 217 84

HSL 130.43, 0.68%, 0.54%

LAB 76.74, -66.89, 52.69

 

CMYK 74 / 27 / 0 / 15

HEX #399ED9

RGB 57 158 217

HSL 202.13, 0.68%, 0.54%

LAB 61.94, -9.56, -38.32

 

CMYK 0 / 74 / 12 / 15

HEX #D939BE

RGB 217 57 190

HSL 310.13, 0.68%, 0.54%

LAB 53.38, 73.67, -35.47

 

CMYK 0 / 47 / 74 / 15

HEX #D97439

RGB 217 116 57

HSL 22.13, 0.68%, 0.54%

LAB 59.47, 35.12, 48.83

 

CMYK 74 / 0 / 61 / 15

HEX #38D954

RGB 56 217 84

HSL 130.43, 0.68%, 0.54%

LAB 76.74, -66.89, 52.69

 

CMYK 74 / 49 / 0 / 15

HEX #396FD9

RGB 57 111 217

HSL 219.75, 0.68%, 0.54%

LAB 48.57, 18.55, -59.56

 

CMYK 0 / 74 / 12 / 15

HEX #D939BE

RGB 217 57 190

HSL 310.13, 0.68%, 0.54%

LAB 53.38, 73.67, -35.47

 

CMYK 0 / 24 / 74 / 15

HEX #D9A439

RGB 217 164 57

HSL 40.13, 0.68%, 0.54%

LAB 70.59, 9.49, 60.12

 

Description

Color code: RGB 56 217 84 | qconv.com Color code: RGB 56 217 84 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 56 red, 217 green and 84 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
56 217 84 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, none magenta, 61 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 0% 61% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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