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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 56 151 234 it is the complementary color RGB 199 104 21. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 56 151 234. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 56 151 234: RGB 61 151 229, RGB 78 169 248, RGB 95 187 255, RGB 112 205 255 and RGB 129 223 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 56 151 234. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 56 151 234: RGB 56 151 234, RGB 39 133 215, RGB 22 115 196, RGB 5 97 177 and RGB 0 79 158

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 35 / 0 / 8

HEX #3897EA

RGB 56 151 234

HSL 207.98, 0.81%, 0.57%

LAB 60.71, 0.27, -49.69

 

Complementary color

CMYK 0 / 48 / 89 / 22

HEX #C76815

RGB 199 104 21

HSL 27.98, 0.81%, 0.43%

LAB 54.13, 32.92, 57.53

 

CMYK 73 / 34 / 0 / 10

HEX #3D97E5

RGB 61 151 229

HSL 207.86, 0.76%, 0.57%

LAB 60.59, -0.9, -47.1

 

CMYK 69 / 32 / 0 / 3

HEX #4EA9F8

RGB 78 169 248

HSL 207.88, 0.92%, 0.64%

LAB 67.11, -2.33, -47.22

 

CMYK 63 / 27 / 0 / 0

HEX #5FBBFF

RGB 95 187 255

HSL 205.5, 1%, 0.69%

LAB 73.02, -7.33, -41.7

 

CMYK 56 / 20 / 0 / 0

HEX #70CDFF

RGB 112 205 255

HSL 200.98, 1%, 0.72%

LAB 78.65, -13.82, -32.91

 

CMYK 49 / 13 / 0 / 0

HEX #81DFFF

RGB 129 223 255

HSL 195.24, 1%, 0.75%

LAB 84.31, -19.56, -24.19

 

CMYK 76 / 35 / 0 / 8

HEX #3897EA

RGB 56 151 234

HSL 207.98, 0.81%, 0.57%

LAB 60.71, 0.27, -49.69

 

CMYK 82 / 38 / 0 / 16

HEX #2785D7

RGB 39 133 215

HSL 207.95, 0.69%, 0.5%

LAB 54.15, 2.25, -49.53

 

CMYK 89 / 41 / 0 / 23

HEX #1673C4

RGB 22 115 196

HSL 207.93, 0.8%, 0.43%

LAB 47.52, 4.72, -49.31

 

CMYK 97 / 45 / 0 / 31

HEX #0561B1

RGB 5 97 177

HSL 207.91, 0.95%, 0.36%

LAB 40.83, 7.78, -49.01

 

CMYK 100 / 50 / 0 / 38

HEX #004F9E

RGB 0 79 158

HSL 210, 1%, 0.31%

LAB 34.11, 11.64, -48.53

 

CMYK 76 / 35 / 0 / 8

HEX #3897EA

RGB 56 151 234

HSL 207.98, 0.81%, 0.57%

LAB 60.71, 0.27, -49.69

 

CMYK 76 / 47 / 0 / 8

HEX #387CEA

RGB 56 124 234

HSL 217.08, 0.81%, 0.57%

LAB 53.16, 16.54, -61.74

 

CMYK 76 / 59 / 0 / 8

HEX #385FEA

RGB 56 95 234

HSL 226.85, 0.81%, 0.57%

LAB 45.59, 34.75, -74.02

 

CMYK 76 / 72 / 0 / 8

HEX #3841EA

RGB 56 65 234

HSL 236.97, 0.81%, 0.57%

LAB 38.83, 52.75, -85.11

 

CMYK 67 / 76 / 0 / 8

HEX #4D38EA

RGB 77 56 234

HSL 247.08, 0.81%, 0.57%

LAB 38.46, 59.29, -85.69

 

CMYK 76 / 35 / 0 / 8

HEX #3897EA

RGB 56 151 234

HSL 207.98, 0.81%, 0.57%

LAB 60.71, 0.27, -49.69

 

CMYK 77 / 37 / 0 / 88

HEX #07131E

RGB 7 19 30

HSL 208.7, 0.62%, 0.07%

LAB 5.46, -0.81, -8.89

 

CMYK 77 / 36 / 0 / 68

HEX #133451

RGB 19 52 81

HSL 208.06, 0.62%, 0.2%

LAB 20.78, -0.86, -21.19

 

CMYK 76 / 36 / 0 / 48

HEX #205584

RGB 32 85 132

HSL 208.2, 0.61%, 0.32%

LAB 34.94, -0.38, -31.35

 

CMYK 76 / 36 / 0 / 28

HEX #2C76B7

RGB 44 118 183

HSL 208.06, 0.61%, 0.45%

LAB 48.15, -0.05, -40.78

 

CMYK 76 / 35 / 0 / 8

HEX #3897EA

RGB 56 151 234

HSL 207.98, 0.81%, 0.57%

LAB 60.71, 0.27, -49.69

 

CMYK 27 / 76 / 0 / 8

HEX #AB38EA

RGB 171 56 234

HSL 278.76, 0.81%, 0.57%

LAB 48.79, 72.35, -68.35

 

CMYK 4 / 0 / 76 / 8

HEX #E1EA38

RGB 225 234 56

HSL 63.03, 0.81%, 0.57%

LAB 89.46, -22.83, 78.49

 

CMYK 76 / 35 / 0 / 8

HEX #3897EA

RGB 56 151 234

HSL 207.98, 0.81%, 0.57%

LAB 60.71, 0.27, -49.69

 

CMYK 0 / 76 / 34 / 8

HEX #EA389A

RGB 234 56 154

HSL 326.97, 0.81%, 0.57%

LAB 54.71, 73.54, -12.11

 

CMYK 34 / 0 / 76 / 8

HEX #9AEA38

RGB 154 234 56

HSL 86.97, 0.81%, 0.57%

LAB 85, -50.12, 72.73

 

CMYK 76 / 35 / 0 / 8

HEX #3897EA

RGB 56 151 234

HSL 207.98, 0.81%, 0.57%

LAB 60.71, 0.27, -49.69

 

CMYK 27 / 76 / 0 / 8

HEX #AB38EA

RGB 171 56 234

HSL 278.76, 0.81%, 0.57%

LAB 48.79, 72.35, -68.35

 

CMYK 0 / 42 / 76 / 8

HEX #EA8838

RGB 234 136 56

HSL 26.97, 0.81%, 0.57%

LAB 66.05, 31.51, 56.72

 

CMYK 50 / 0 / 76 / 8

HEX #76EA38

RGB 118 234 56

HSL 99.1, 0.81%, 0.57%

LAB 83.43, -61.52, 70.69

 

CMYK 76 / 35 / 0 / 8

HEX #3897EA

RGB 56 151 234

HSL 207.98, 0.81%, 0.57%

LAB 60.71, 0.27, -49.69

 

CMYK 4 / 76 / 0 / 8

HEX #E138EA

RGB 225 56 234

HSL 296.97, 0.81%, 0.57%

LAB 56.86, 82.24, -54.95

 

CMYK 0 / 42 / 76 / 8

HEX #EA8838

RGB 234 136 56

HSL 26.97, 0.81%, 0.57%

LAB 66.05, 31.51, 56.72

 

CMYK 72 / 0 / 76 / 8

HEX #41EA38

RGB 65 234 56

HSL 116.97, 0.81%, 0.57%

LAB 81.98, -73.33, 68.78

 

Description

Color code: RGB 56 151 234 | qconv.com Color code: RGB 56 151 234 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 56 red, 151 green and 234 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
56 151 234 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, 35 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 35% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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