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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 55 176 202 it is the complementary color RGB 200 79 53. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 55 176 202. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 55 176 202: RGB 60 176 197, RGB 77 194 216, RGB 94 212 235, RGB 111 230 254 and RGB 128 248 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 55 176 202. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 55 176 202: RGB 55 176 202, RGB 38 158 183, RGB 21 140 164, RGB 4 122 145 and RGB 0 104 126

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 13 / 0 / 21

HEX #37B0CA

RGB 55 176 202

HSL 190.61, 0.58%, 0.5%

LAB 66.62, -24.36, -22.78

 

Complementary color

CMYK 0 / 61 / 74 / 22

HEX #C84F35

RGB 200 79 53

HSL 10.61, 0.58%, 0.5%

LAB 49.65, 46.75, 39.57

 

CMYK 70 / 11 / 0 / 23

HEX #3CB0C5

RGB 60 176 197

HSL 189.2, 0.54%, 0.5%

LAB 66.55, -25.26, -20.1

 

CMYK 64 / 10 / 0 / 15

HEX #4DC2D8

RGB 77 194 216

HSL 189.5, 0.64%, 0.57%

LAB 72.97, -25.98, -20.72

 

CMYK 60 / 10 / 0 / 8

HEX #5ED4EB

RGB 94 212 235

HSL 189.79, 0.78%, 0.65%

LAB 79.31, -26.51, -21.28

 

CMYK 56 / 9 / 0 / 0

HEX #6FE6FE

RGB 111 230 254

HSL 190.07, 0.99%, 0.72%

LAB 85.57, -26.92, -21.81

 

CMYK 50 / 3 / 0 / 0

HEX #80F8FF

RGB 128 248 255

HSL 183.31, 1%, 0.75%

LAB 91.21, -31.96, -13.78

 

CMYK 73 / 13 / 0 / 21

HEX #37B0CA

RGB 55 176 202

HSL 190.61, 0.58%, 0.5%

LAB 66.62, -24.36, -22.78

 

CMYK 79 / 14 / 0 / 28

HEX #269EB7

RGB 38 158 183

HSL 190.34, 0.66%, 0.43%

LAB 60.15, -23.21, -22.11

 

CMYK 87 / 15 / 0 / 36

HEX #158CA4

RGB 21 140 164

HSL 190.07, 0.77%, 0.36%

LAB 53.6, -21.69, -21.34

 

CMYK 97 / 16 / 0 / 43

HEX #047A91

RGB 4 122 145

HSL 189.79, 0.95%, 0.29%

LAB 46.96, -19.71, -20.47

 

CMYK 100 / 17 / 0 / 51

HEX #00687E

RGB 0 104 126

HSL 190.48, 1%, 0.25%

LAB 40.26, -17.01, -19.43

 

CMYK 73 / 13 / 0 / 21

HEX #37B0CA

RGB 55 176 202

HSL 190.61, 0.58%, 0.5%

LAB 66.62, -24.36, -22.78

 

CMYK 74 / 24 / 0 / 21

HEX #3598C9

RGB 53 152 201

HSL 199.86, 0.58%, 0.5%

LAB 59.37, -12.22, -33.4

 

CMYK 74 / 37 / 0 / 21

HEX #357FC9

RGB 53 127 201

HSL 210, 0.58%, 0.5%

LAB 52.01, 2.26, -44.98

 

CMYK 74 / 49 / 0 / 21

HEX #3566C9

RGB 53 102 201

HSL 220.14, 0.58%, 0.5%

LAB 44.91, 17.85, -56.33

 

CMYK 74 / 61 / 0 / 21

HEX #354EC9

RGB 53 78 201

HSL 229.86, 0.58%, 0.5%

LAB 38.59, 33.3, -66.59

 

CMYK 73 / 13 / 0 / 21

HEX #37B0CA

RGB 55 176 202

HSL 190.61, 0.58%, 0.5%

LAB 66.62, -24.36, -22.78

 

CMYK 73 / 13 / 0 / 1

HEX #45DCFD

RGB 69 220 253

HSL 190.76, 0.98%, 0.63%

LAB 81.59, -28.72, -27.44

 

CMYK 73 / 12 / 0 / 81

HEX #0D2B31

RGB 13 43 49

HSL 190, 0.58%, 0.12%

LAB 15.67, -8.79, -7.21

 

CMYK 73 / 13 / 0 / 61

HEX #1B5764

RGB 27 87 100

HSL 190.68, 0.57%, 0.25%

LAB 33.92, -14.32, -13.09

 

CMYK 73 / 13 / 0 / 41

HEX #298497

RGB 41 132 151

HSL 190.36, 0.57%, 0.38%

LAB 50.93, -19.79, -17.86

 

CMYK 73 / 13 / 0 / 21

HEX #37B0CA

RGB 55 176 202

HSL 190.61, 0.58%, 0.5%

LAB 66.62, -24.36, -22.78

 

CMYK 47 / 74 / 0 / 21

HEX #6B35C9

RGB 107 53 201

HSL 261.89, 0.58%, 0.5%

LAB 37.64, 55.27, -67.97

 

CMYK 0 / 17 / 74 / 21

HEX #C9A635

RGB 201 166 53

HSL 45.81, 0.58%, 0.5%

LAB 69.43, 1.28, 59.99

 

CMYK 73 / 13 / 0 / 21

HEX #37B0CA

RGB 55 176 202

HSL 190.61, 0.58%, 0.5%

LAB 66.62, -24.36, -22.78

 

CMYK 0 / 74 / 12 / 21

HEX #C935B0

RGB 201 53 176

HSL 310.14, 0.58%, 0.5%

LAB 49.62, 69.3, -33.4

 

CMYK 12 / 0 / 74 / 21

HEX #B0C935

RGB 176 201 53

HSL 70.14, 0.58%, 0.5%

LAB 76.84, -27.24, 66.4

 

CMYK 73 / 13 / 0 / 21

HEX #37B0CA

RGB 55 176 202

HSL 190.61, 0.58%, 0.5%

LAB 66.62, -24.36, -22.78

 

CMYK 47 / 74 / 0 / 21

HEX #6B35C9

RGB 107 53 201

HSL 261.89, 0.58%, 0.5%

LAB 37.64, 55.27, -67.97

 

CMYK 0 / 61 / 74 / 21

HEX #C94E35

RGB 201 78 53

HSL 10.14, 0.58%, 0.5%

LAB 49.65, 47.56, 39.61

 

CMYK 27 / 0 / 74 / 21

HEX #93C935

RGB 147 201 53

HSL 81.89, 0.58%, 0.5%

LAB 74.97, -38.72, 63.96

 

CMYK 73 / 13 / 0 / 21

HEX #37B0CA

RGB 55 176 202

HSL 190.61, 0.58%, 0.5%

LAB 66.62, -24.36, -22.78

 

CMYK 24 / 74 / 0 / 21

HEX #9835C9

RGB 152 53 201

HSL 280.14, 0.58%, 0.5%

LAB 43.42, 63.24, -58.32

 

CMYK 0 / 61 / 74 / 21

HEX #C94E35

RGB 201 78 53

HSL 10.14, 0.58%, 0.5%

LAB 49.65, 47.56, 39.61

 

CMYK 49 / 0 / 74 / 21

HEX #66C935

RGB 102 201 53

HSL 100.14, 0.58%, 0.5%

LAB 72.8, -54.02, 61.08

 

Description

Color code: RGB 55 176 202 | qconv.com Color code: RGB 55 176 202 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 55 red, 176 green and 202 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
55 176 202 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, 13 magenta, none yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 13% 0% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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RAL® to HKS®

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RAL® to PANTONE®

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RAL® to Sherwin Williams®

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HKS® to Sherwin Williams®

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PANTONE® to HEX

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PANTONE® to RAL®

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PANTONE® to HKS®

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PANTONE® to Sherwin Williams®

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Sherwin Williams® to CMYK

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Sherwin Williams® to HEX

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Sherwin Williams® to RAL®

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Sherwin Williams® to HKS®

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NCS® to RAL®

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NCS® to HKS®

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NCS® to PANTONE®

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