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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 55 165 202 it is the complementary color RGB 200 90 53. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 55 165 202. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 55 165 202: RGB 60 165 197, RGB 77 183 216, RGB 94 201 235, RGB 111 219 254 and RGB 128 237 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 55 165 202. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 55 165 202: RGB 55 165 202, RGB 38 147 183, RGB 21 129 164, RGB 4 111 145 and RGB 0 93 126

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 18 / 0 / 21

HEX #37A5CA

RGB 55 165 202

HSL 195.1, 0.58%, 0.5%

LAB 63.33, -18.66, -27.82

 

Complementary color

CMYK 0 / 55 / 74 / 22

HEX #C85A35

RGB 200 90 53

HSL 15.1, 0.58%, 0.5%

LAB 51.67, 41.5, 41.77

 

CMYK 70 / 16 / 0 / 23

HEX #3CA5C5

RGB 60 165 197

HSL 194.01, 0.54%, 0.5%

LAB 63.26, -19.6, -25.13

 

CMYK 64 / 15 / 0 / 15

HEX #4DB7D8

RGB 77 183 216

HSL 194.24, 0.64%, 0.57%

LAB 69.76, -20.4, -25.62

 

CMYK 60 / 14 / 0 / 8

HEX #5EC9EB

RGB 94 201 235

HSL 194.47, 0.78%, 0.65%

LAB 76.16, -21.01, -26.08

 

CMYK 56 / 14 / 0 / 0

HEX #6FDBFE

RGB 111 219 254

HSL 194.69, 0.99%, 0.72%

LAB 82.49, -21.48, -26.5

 

CMYK 50 / 7 / 0 / 0

HEX #80EDFF

RGB 128 237 255

HSL 188.5, 1%, 0.75%

LAB 88.15, -26.69, -18.38

 

CMYK 73 / 18 / 0 / 21

HEX #37A5CA

RGB 55 165 202

HSL 195.1, 0.58%, 0.5%

LAB 63.33, -18.66, -27.82

 

CMYK 79 / 20 / 0 / 28

HEX #2693B7

RGB 38 147 183

HSL 194.9, 0.66%, 0.43%

LAB 56.78, -17.41, -27.28

 

CMYK 87 / 21 / 0 / 36

HEX #1581A4

RGB 21 129 164

HSL 194.69, 0.77%, 0.36%

LAB 50.14, -15.75, -26.67

 

CMYK 97 / 23 / 0 / 43

HEX #046F91

RGB 4 111 145

HSL 194.47, 0.95%, 0.29%

LAB 43.42, -13.59, -25.95

 

CMYK 100 / 26 / 0 / 51

HEX #005D7E

RGB 0 93 126

HSL 195.71, 1%, 0.25%

LAB 36.62, -10.65, -25.08

 

CMYK 73 / 18 / 0 / 21

HEX #37A5CA

RGB 55 165 202

HSL 195.1, 0.58%, 0.5%

LAB 63.33, -18.66, -27.82

 

CMYK 74 / 31 / 0 / 21

HEX #358BC9

RGB 53 139 201

HSL 205.14, 0.58%, 0.5%

LAB 55.52, -4.85, -39.43

 

CMYK 74 / 43 / 0 / 21

HEX #3573C9

RGB 53 115 201

HSL 214.86, 0.58%, 0.5%

LAB 48.56, 9.63, -50.48

 

CMYK 74 / 55 / 0 / 21

HEX #355AC9

RGB 53 90 201

HSL 225, 0.58%, 0.5%

LAB 41.67, 25.58, -61.58

 

CMYK 74 / 68 / 0 / 21

HEX #3541C9

RGB 53 65 201

HSL 235.14, 0.58%, 0.5%

LAB 35.51, 41.42, -71.64

 

CMYK 73 / 18 / 0 / 21

HEX #37A5CA

RGB 55 165 202

HSL 195.1, 0.58%, 0.5%

LAB 63.33, -18.66, -27.82

 

CMYK 73 / 18 / 0 / 1

HEX #45CFFD

RGB 69 207 253

HSL 195, 0.98%, 0.63%

LAB 77.86, -22.26, -33.16

 

CMYK 73 / 18 / 0 / 81

HEX #0D2831

RGB 13 40 49

HSL 195, 0.58%, 0.12%

LAB 14.54, -6.81, -8.94

 

CMYK 73 / 18 / 0 / 61

HEX #1B5264

RGB 27 82 100

HSL 194.79, 0.57%, 0.25%

LAB 32.23, -11.39, -15.68

 

CMYK 73 / 19 / 0 / 41

HEX #297B97

RGB 41 123 151

HSL 195.27, 0.57%, 0.38%

LAB 48.1, -14.87, -22.21

 

CMYK 73 / 18 / 0 / 21

HEX #37A5CA

RGB 55 165 202

HSL 195.1, 0.58%, 0.5%

LAB 63.33, -18.66, -27.82

 

CMYK 40 / 74 / 0 / 21

HEX #7835C9

RGB 120 53 201

HSL 267.16, 0.58%, 0.5%

LAB 39.17, 57.42, -65.41

 

CMYK 0 / 11 / 74 / 21

HEX #C9B335

RGB 201 179 53

HSL 51.08, 0.58%, 0.5%

LAB 72.84, -5.58, 63.28

 

CMYK 73 / 18 / 0 / 21

HEX #37A5CA

RGB 55 165 202

HSL 195.1, 0.58%, 0.5%

LAB 63.33, -18.66, -27.82

 

CMYK 0 / 74 / 18 / 21

HEX #C935A4

RGB 201 53 164

HSL 315, 0.58%, 0.5%

LAB 49.06, 67.62, -27.19

 

CMYK 18 / 0 / 74 / 21

HEX #A4C935

RGB 164 201 53

HSL 75, 0.58%, 0.5%

LAB 76.02, -32.09, 65.33

 

CMYK 73 / 18 / 0 / 21

HEX #37A5CA

RGB 55 165 202

HSL 195.1, 0.58%, 0.5%

LAB 63.33, -18.66, -27.82

 

CMYK 40 / 74 / 0 / 21

HEX #7835C9

RGB 120 53 201

HSL 267.16, 0.58%, 0.5%

LAB 39.17, 57.42, -65.41

 

CMYK 0 / 55 / 74 / 21

HEX #C95A35

RGB 201 90 53

HSL 15, 0.58%, 0.5%

LAB 51.82, 41.88, 41.99

 

CMYK 33 / 0 / 74 / 21

HEX #86C935

RGB 134 201 53

HSL 87.16, 0.58%, 0.5%

LAB 74.25, -43.52, 63.01

 

CMYK 73 / 18 / 0 / 21

HEX #37A5CA

RGB 55 165 202

HSL 195.1, 0.58%, 0.5%

LAB 63.33, -18.66, -27.82

 

CMYK 18 / 74 / 0 / 21

HEX #A435C9

RGB 164 53 201

HSL 285, 0.58%, 0.5%

LAB 45.16, 65.58, -55.42

 

CMYK 0 / 55 / 74 / 21

HEX #C95A35

RGB 201 90 53

HSL 15, 0.58%, 0.5%

LAB 51.82, 41.88, 41.99

 

CMYK 55 / 0 / 74 / 21

HEX #5AC935

RGB 90 201 53

HSL 105, 0.58%, 0.5%

LAB 72.36, -57.37, 60.51

 

Description

Color code: RGB 55 165 202 | qconv.com Color code: RGB 55 165 202 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 55 red, 165 green and 202 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
55 165 202 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, 18 magenta, none yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 18% 0% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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PANTONE® to HKS®

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Sherwin Williams® to CMYK

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