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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 55 140 31 it is the complementary color RGB 200 115 224. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 55 140 31. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 55 140 31: RGB 60 140 26, RGB 77 158 45, RGB 94 176 64, RGB 111 194 83 and RGB 128 212 102

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 55 140 31. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 55 140 31: RGB 55 140 31, RGB 38 122 12, RGB 21 104 0, RGB 4 86 0 and RGB 0 68 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 0 / 78 / 45

HEX #378C1F

RGB 55 140 31

HSL 106.79, 0.64%, 0.34%

LAB 51.46, -45.63, 47.15

 

Complementary color

CMYK 11 / 49 / 0 / 12

HEX #C873E0

RGB 200 115 224

HSL 286.79, 0.64%, 0.66%

LAB 61.59, 50.61, -42.08

 

CMYK 57 / 0 / 81 / 45

HEX #3C8C1A

RGB 60 140 26

HSL 102.11, 0.69%, 0.33%

LAB 51.6, -44.6, 49

 

CMYK 51 / 0 / 72 / 38

HEX #4D9E2D

RGB 77 158 45

HSL 103.01, 0.56%, 0.4%

LAB 58.25, -45.33, 49

 

CMYK 47 / 0 / 64 / 31

HEX #5EB040

RGB 94 176 64

HSL 103.93, 0.47%, 0.47%

LAB 64.8, -45.7, 48.29

 

CMYK 43 / 0 / 57 / 24

HEX #6FC253

RGB 111 194 83

HSL 104.86, 0.48%, 0.54%

LAB 71.27, -45.85, 47.27

 

CMYK 40 / 0 / 52 / 17

HEX #80D466

RGB 128 212 102

HSL 105.82, 0.56%, 0.62%

LAB 77.66, -45.86, 46.12

 

CMYK 61 / 0 / 78 / 45

HEX #378C1F

RGB 55 140 31

HSL 106.79, 0.64%, 0.34%

LAB 51.46, -45.63, 47.15

 

CMYK 69 / 0 / 90 / 52

HEX #267A0C

RGB 38 122 12

HSL 105.82, 0.82%, 0.26%

LAB 44.74, -44.3, 46.36

 

CMYK 80 / 0 / 100 / 59

HEX #156800

RGB 21 104 0

HSL 107.88, 1%, 0.2%

LAB 37.95, -42.01, 43.38

 

CMYK 95 / 0 / 100 / 66

HEX #045600

RGB 4 86 0

HSL 117.21, 1%, 0.17%

LAB 31.07, -38.5, 37.77

 

CMYK 100 / 0 / 100 / 73

HEX #004400

RGB 0 68 0

HSL 120, 1%, 0.13%

LAB 24.11, -33.32, 31.71

 

CMYK 61 / 0 / 78 / 45

HEX #378C1F

RGB 55 140 31

HSL 106.79, 0.64%, 0.34%

LAB 51.46, -45.63, 47.15

 

CMYK 73 / 0 / 78 / 44

HEX #268E1F

RGB 38 142 31

HSL 116.22, 0.64%, 0.34%

LAB 51.68, -50.13, 47.21

 

CMYK 78 / 0 / 70 / 44

HEX #1F8E2A

RGB 31 142 42

HSL 125.95, 0.64%, 0.34%

LAB 51.62, -50.35, 42.86

 

CMYK 78 / 0 / 58 / 44

HEX #1F8E3C

RGB 31 142 60

HSL 135.68, 0.64%, 0.34%

LAB 51.8, -48.17, 34.74

 

CMYK 78 / 0 / 44 / 44

HEX #1F8E4F

RGB 31 142 79

HSL 145.95, 0.64%, 0.34%

LAB 52.06, -45.02, 25.11

 

CMYK 61 / 0 / 78 / 45

HEX #378C1F

RGB 55 140 31

HSL 106.79, 0.64%, 0.34%

LAB 51.46, -45.63, 47.15

 

CMYK 61 / 0 / 78 / 25

HEX #4BBF2A

RGB 75 191 42

HSL 106.71, 0.64%, 0.46%

LAB 68.7, -58.31, 60.4

 

CMYK 61 / 0 / 78 / 5

HEX #5FF236

RGB 95 242 54

HSL 106.91, 0.88%, 0.58%

LAB 85.1, -70.24, 72.62

 

CMYK 61 / 0 / 79 / 85

HEX #0F2608

RGB 15 38 8

HSL 106, 0.65%, 0.09%

LAB 12.64, -16.36, 15.06

 

CMYK 61 / 0 / 78 / 65

HEX #235914

RGB 35 89 20

HSL 106.96, 0.63%, 0.21%

LAB 33.03, -31.93, 32.77

 

CMYK 61 / 0 / 78 / 45

HEX #378C1F

RGB 55 140 31

HSL 106.79, 0.64%, 0.34%

LAB 51.46, -45.63, 47.15

 

CMYK 78 / 0 / 3 / 44

HEX #1F8E8A

RGB 31 142 138

HSL 177.84, 0.64%, 0.34%

LAB 53.46, -30.26, -6.52

 

CMYK 0 / 78 / 29 / 44

HEX #8E1F65

RGB 142 31 101

HSL 322.16, 0.64%, 0.34%

LAB 33.29, 51.58, -13.64

 

CMYK 61 / 0 / 78 / 45

HEX #378C1F

RGB 55 140 31

HSL 106.79, 0.64%, 0.34%

LAB 51.46, -45.63, 47.15

 

CMYK 78 / 60 / 0 / 44

HEX #1F398E

RGB 31 57 142

HSL 225.95, 0.64%, 0.34%

LAB 27.22, 22.42, -49.93

 

CMYK 0 / 78 / 60 / 44

HEX #8E1F39

RGB 142 31 57

HSL 345.95, 0.64%, 0.34%

LAB 31.87, 47.16, 13

 

CMYK 61 / 0 / 78 / 45

HEX #378C1F

RGB 55 140 31

HSL 106.79, 0.64%, 0.34%

LAB 51.46, -45.63, 47.15

 

CMYK 78 / 0 / 3 / 44

HEX #1F8E8A

RGB 31 142 138

HSL 177.84, 0.64%, 0.34%

LAB 53.46, -30.26, -6.52

 

CMYK 18 / 78 / 0 / 44

HEX #741F8E

RGB 116 31 142

HSL 285.95, 0.64%, 0.34%

LAB 30.99, 52.25, -43.4

 

CMYK 0 / 78 / 76 / 44

HEX #8E1F22

RGB 142 31 34

HSL 358.38, 0.64%, 0.34%

LAB 31.45, 45.83, 27.3

 

CMYK 61 / 0 / 78 / 45

HEX #378C1F

RGB 55 140 31

HSL 106.79, 0.64%, 0.34%

LAB 51.46, -45.63, 47.15

 

CMYK 78 / 21 / 0 / 44

HEX #1F708E

RGB 31 112 142

HSL 196.22, 0.64%, 0.34%

LAB 43.99, -13.15, -23.24

 

CMYK 18 / 78 / 0 / 44

HEX #741F8E

RGB 116 31 142

HSL 285.95, 0.64%, 0.34%

LAB 30.99, 52.25, -43.4

 

CMYK 0 / 58 / 78 / 44

HEX #8E3C1F

RGB 142 60 31

HSL 15.68, 0.64%, 0.34%

LAB 36.14, 32.99, 34.11

 

Description

Color code: RGB 55 140 31 | qconv.com Color code: RGB 55 140 31 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 55 red, 140 green and 31 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
55 140 31 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, none magenta, 78 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 0% 78% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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