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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 55 132 178 it is the complementary color RGB 200 123 77. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 55 132 178. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 55 132 178: RGB 60 132 173, RGB 77 150 192, RGB 94 168 211, RGB 111 186 230 and RGB 128 204 249

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 55 132 178. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 55 132 178: RGB 55 132 178, RGB 38 114 159, RGB 21 96 140, RGB 4 78 121 and RGB 0 60 102

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 26 / 0 / 30

HEX #3784B2

RGB 55 132 178

HSL 202.44, 0.53%, 0.46%

LAB 52.43, -8.56, -31.15

 

Complementary color

CMYK 0 / 39 / 62 / 22

HEX #C87B4D

RGB 200 123 77

HSL 22.44, 0.53%, 0.54%

LAB 58.96, 25.62, 37.43

 

CMYK 65 / 24 / 0 / 32

HEX #3C84AD

RGB 60 132 173

HSL 201.77, 0.48%, 0.46%

LAB 52.38, -9.42, -28.34

 

CMYK 60 / 22 / 0 / 25

HEX #4D96C0

RGB 77 150 192

HSL 201.91, 0.48%, 0.53%

LAB 59.16, -10.21, -28.61

 

CMYK 55 / 20 / 0 / 17

HEX #5EA8D3

RGB 94 168 211

HSL 202.05, 0.57%, 0.6%

LAB 65.82, -10.81, -28.88

 

CMYK 52 / 19 / 0 / 10

HEX #6FBAE6

RGB 111 186 230

HSL 202.18, 0.7%, 0.67%

LAB 72.37, -11.28, -29.14

 

CMYK 49 / 18 / 0 / 2

HEX #80CCF9

RGB 128 204 249

HSL 202.31, 0.91%, 0.74%

LAB 78.82, -11.66, -29.39

 

CMYK 69 / 26 / 0 / 30

HEX #3784B2

RGB 55 132 178

HSL 202.44, 0.53%, 0.46%

LAB 52.43, -8.56, -31.15

 

CMYK 76 / 28 / 0 / 38

HEX #26729F

RGB 38 114 159

HSL 202.31, 0.61%, 0.39%

LAB 45.57, -7.26, -30.85

 

CMYK 85 / 31 / 0 / 45

HEX #15608C

RGB 21 96 140

HSL 202.18, 0.74%, 0.32%

LAB 38.58, -5.49, -30.5

 

CMYK 97 / 36 / 0 / 53

HEX #044E79

RGB 4 78 121

HSL 202.05, 0.94%, 0.25%

LAB 31.47, -3.08, -30.07

 

CMYK 100 / 41 / 0 / 60

HEX #003C66

RGB 0 60 102

HSL 204.71, 1%, 0.2%

LAB 24.29, 0.44, -29.43

 

CMYK 69 / 26 / 0 / 30

HEX #3784B2

RGB 55 132 178

HSL 202.44, 0.53%, 0.46%

LAB 52.43, -8.56, -31.15

 

CMYK 69 / 37 / 0 / 30

HEX #3771B3

RGB 55 113 179

HSL 211.94, 0.53%, 0.46%

LAB 46.81, 3.11, -40.55

 

CMYK 69 / 49 / 0 / 30

HEX #375CB3

RGB 55 92 179

HSL 222.1, 0.53%, 0.46%

LAB 40.77, 16.43, -50.2

 

CMYK 69 / 60 / 0 / 30

HEX #3747B3

RGB 55 71 179

HSL 232.26, 0.53%, 0.46%

LAB 35.15, 30.12, -59.31

 

CMYK 67 / 69 / 0 / 30

HEX #3B37B3

RGB 59 55 179

HSL 241.94, 0.53%, 0.46%

LAB 31.62, 40.66, -65.08

 

CMYK 69 / 26 / 0 / 30

HEX #3784B2

RGB 55 132 178

HSL 202.44, 0.53%, 0.46%

LAB 52.43, -8.56, -31.15

 

CMYK 69 / 26 / 0 / 10

HEX #47AAE5

RGB 71 170 229

HSL 202.41, 0.75%, 0.59%

LAB 66.33, -10.25, -38.07

 

CMYK 68 / 24 / 0 / 90

HEX #081319

RGB 8 19 25

HSL 201.18, 0.52%, 0.06%

LAB 5.31, -2.05, -5.23

 

CMYK 70 / 26 / 0 / 70

HEX #17384C

RGB 23 56 76

HSL 202.64, 0.54%, 0.19%

LAB 22.06, -4.79, -15.84

 

CMYK 69 / 26 / 0 / 50

HEX #275E7F

RGB 39 94 127

HSL 202.5, 0.53%, 0.33%

LAB 37.79, -6.76, -23.81

 

CMYK 69 / 26 / 0 / 30

HEX #3784B2

RGB 55 132 178

HSL 202.44, 0.53%, 0.46%

LAB 52.43, -8.56, -31.15

 

CMYK 30 / 69 / 0 / 30

HEX #7D37B3

RGB 125 55 179

HSL 273.87, 0.53%, 0.46%

LAB 38.46, 52.19, -53.63

 

CMYK 0 / 2 / 69 / 30

HEX #B3AF37

RGB 179 175 55

HSL 58.06, 0.53%, 0.46%

LAB 69.84, -12.95, 58.95

 

CMYK 69 / 26 / 0 / 30

HEX #3784B2

RGB 55 132 178

HSL 202.44, 0.53%, 0.46%

LAB 52.43, -8.56, -31.15

 

CMYK 0 / 69 / 26 / 30

HEX #B33785

RGB 179 55 133

HSL 322.26, 0.53%, 0.46%

LAB 44.25, 57.18, -16.3

 

CMYK 26 / 0 / 69 / 30

HEX #85B337

RGB 133 179 55

HSL 82.26, 0.53%, 0.46%

LAB 67.65, -34, 55.66

 

CMYK 69 / 26 / 0 / 30

HEX #3784B2

RGB 55 132 178

HSL 202.44, 0.53%, 0.46%

LAB 52.43, -8.56, -31.15

 

CMYK 30 / 69 / 0 / 30

HEX #7D37B3

RGB 125 55 179

HSL 273.87, 0.53%, 0.46%

LAB 38.46, 52.19, -53.63

 

CMYK 0 / 44 / 69 / 30

HEX #B36437

RGB 179 100 55

HSL 21.77, 0.53%, 0.46%

LAB 50.66, 28, 38.73

 

CMYK 39 / 0 / 69 / 30

HEX #6DB337

RGB 109 179 55

HSL 93.87, 0.53%, 0.46%

LAB 66.34, -42.82, 53.89

 

CMYK 69 / 26 / 0 / 30

HEX #3784B2

RGB 55 132 178

HSL 202.44, 0.53%, 0.46%

LAB 52.43, -8.56, -31.15

 

CMYK 9 / 69 / 0 / 30

HEX #A237B3

RGB 162 55 179

HSL 291.77, 0.53%, 0.46%

LAB 43.75, 60.23, -44.84

 

CMYK 0 / 44 / 69 / 30

HEX #B36437

RGB 179 100 55

HSL 21.77, 0.53%, 0.46%

LAB 50.66, 28, 38.73

 

CMYK 60 / 0 / 69 / 30

HEX #47B337

RGB 71 179 55

HSL 112.26, 0.53%, 0.46%

LAB 64.85, -54.05, 51.87

 

Description

Color code: RGB 55 132 178 | qconv.com Color code: RGB 55 132 178 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 55 red, 132 green and 178 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
55 132 178 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, 26 magenta, none yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 26% 0% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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