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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 55 124 209 it is the complementary color RGB 200 131 46. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 55 124 209. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 55 124 209: RGB 60 124 204, RGB 77 142 223, RGB 94 160 242, RGB 111 178 255 and RGB 128 196 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 55 124 209. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 55 124 209: RGB 55 124 209, RGB 38 106 190, RGB 21 88 171, RGB 4 70 152 and RGB 0 52 133

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 41 / 0 / 18

HEX #377CD1

RGB 55 124 209

HSL 213.12, 0.63%, 0.52%

LAB 51.65, 7.26, -50.1

 

Complementary color

CMYK 0 / 35 / 77 / 22

HEX #C8832E

RGB 200 131 46

HSL 33.12, 0.63%, 0.48%

LAB 60.52, 19.54, 54.11

 

CMYK 71 / 39 / 0 / 20

HEX #3C7CCC

RGB 60 124 204

HSL 213.33, 0.59%, 0.52%

LAB 51.54, 6.14, -47.42

 

CMYK 65 / 36 / 0 / 13

HEX #4D8EDF

RGB 77 142 223

HSL 213.29, 0.7%, 0.59%

LAB 58.28, 4.64, -47.39

 

CMYK 61 / 34 / 0 / 5

HEX #5EA0F2

RGB 94 160 242

HSL 213.24, 0.85%, 0.66%

LAB 64.91, 3.44, -47.36

 

CMYK 56 / 30 / 0 / 0

HEX #6FB2FF

RGB 111 178 255

HSL 212.08, 1%, 0.72%

LAB 71.17, 0.58, -44.54

 

CMYK 50 / 23 / 0 / 0

HEX #80C4FF

RGB 128 196 255

HSL 207.87, 1%, 0.75%

LAB 76.85, -5.71, -35.63

 

CMYK 74 / 41 / 0 / 18

HEX #377CD1

RGB 55 124 209

HSL 213.12, 0.63%, 0.52%

LAB 51.65, 7.26, -50.1

 

CMYK 80 / 44 / 0 / 25

HEX #266ABE

RGB 38 106 190

HSL 213.16, 0.67%, 0.45%

LAB 44.85, 9.38, -50.09

 

CMYK 88 / 49 / 0 / 33

HEX #1558AB

RGB 21 88 171

HSL 213.2, 0.78%, 0.38%

LAB 37.98, 12.07, -50.03

 

CMYK 97 / 54 / 0 / 40

HEX #044698

RGB 4 70 152

HSL 213.24, 0.95%, 0.31%

LAB 31.05, 15.47, -49.85

 

CMYK 100 / 61 / 0 / 48

HEX #003485

RGB 0 52 133

HSL 216.54, 1%, 0.26%

LAB 24.16, 19.84, -49.36

 

CMYK 74 / 41 / 0 / 18

HEX #377CD1

RGB 55 124 209

HSL 213.12, 0.63%, 0.52%

LAB 51.65, 7.26, -50.1

 

CMYK 74 / 53 / 0 / 18

HEX #3763D1

RGB 55 99 209

HSL 222.86, 0.63%, 0.52%

LAB 44.72, 22.99, -61.23

 

CMYK 74 / 65 / 0 / 18

HEX #3749D1

RGB 55 73 209

HSL 232.99, 0.63%, 0.52%

LAB 38.16, 39.51, -71.91

 

CMYK 70 / 74 / 0 / 18

HEX #3F37D1

RGB 63 55 209

HSL 243.12, 0.63%, 0.52%

LAB 34.79, 50.84, -77.45

 

CMYK 58 / 74 / 0 / 18

HEX #5837D1

RGB 88 55 209

HSL 252.86, 0.63%, 0.52%

LAB 36.76, 53.73, -74.13

 

CMYK 74 / 41 / 0 / 18

HEX #377CD1

RGB 55 124 209

HSL 213.12, 0.63%, 0.52%

LAB 51.65, 7.26, -50.1

 

CMYK 80 / 40 / 0 / 98

HEX #010305

RGB 1 3 5

HSL 210, 0.67%, 0.01%

LAB 0.75, -0.24, -0.94

 

CMYK 73 / 41 / 0 / 78

HEX #0F2138

RGB 15 33 56

HSL 213.66, 0.58%, 0.14%

LAB 12.45, 1.52, -17.16

 

CMYK 74 / 41 / 0 / 58

HEX #1C3F6B

RGB 28 63 107

HSL 213.42, 0.59%, 0.26%

LAB 26.34, 3.71, -29.34

 

CMYK 73 / 41 / 0 / 38

HEX #2A5E9E

RGB 42 94 158

HSL 213.1, 0.58%, 0.39%

LAB 39.52, 5.29, -39.79

 

CMYK 74 / 41 / 0 / 18

HEX #377CD1

RGB 55 124 209

HSL 213.12, 0.63%, 0.52%

LAB 51.65, 7.26, -50.1

 

CMYK 18 / 74 / 0 / 18

HEX #AB37D1

RGB 171 55 209

HSL 285.19, 0.63%, 0.52%

LAB 46.97, 67.77, -57.07

 

CMYK 11 / 0 / 74 / 18

HEX #BAD137

RGB 186 209 55

HSL 68.96, 0.63%, 0.52%

LAB 79.79, -26.88, 68.8

 

CMYK 74 / 41 / 0 / 18

HEX #377CD1

RGB 55 124 209

HSL 213.12, 0.63%, 0.52%

LAB 51.65, 7.26, -50.1

 

CMYK 0 / 74 / 41 / 18

HEX #D1377C

RGB 209 55 124

HSL 333.12, 0.63%, 0.52%

LAB 49.18, 64.32, -2.88

 

CMYK 41 / 0 / 74 / 18

HEX #7CD137

RGB 124 209 55

HSL 93.12, 0.63%, 0.52%

LAB 76.17, -50.16, 64.04

 

CMYK 74 / 41 / 0 / 18

HEX #377CD1

RGB 55 124 209

HSL 213.12, 0.63%, 0.52%

LAB 51.65, 7.26, -50.1

 

CMYK 18 / 74 / 0 / 18

HEX #AB37D1

RGB 171 55 209

HSL 285.19, 0.63%, 0.52%

LAB 46.97, 67.77, -57.07

 

CMYK 0 / 33 / 74 / 18

HEX #D18C37

RGB 209 140 55

HSL 33.12, 0.63%, 0.52%

LAB 63.83, 18.9, 53.91

 

CMYK 55 / 0 / 74 / 18

HEX #5ED137

RGB 94 209 55

HSL 104.81, 0.63%, 0.52%

LAB 74.99, -59.07, 62.48

 

CMYK 74 / 41 / 0 / 18

HEX #377CD1

RGB 55 124 209

HSL 213.12, 0.63%, 0.52%

LAB 51.65, 7.26, -50.1

 

CMYK 0 / 74 / 3 / 18

HEX #D137CA

RGB 209 55 202

HSL 302.73, 0.63%, 0.52%

LAB 52.46, 74.31, -43.94

 

CMYK 0 / 33 / 74 / 18

HEX #D18C37

RGB 209 140 55

HSL 33.12, 0.63%, 0.52%

LAB 63.83, 18.9, 53.91

 

CMYK 74 / 0 / 70 / 18

HEX #37D13F

RGB 55 209 63

HSL 123.12, 0.63%, 0.52%

LAB 74.04, -66.6, 58.31

 

Description

Color code: RGB 55 124 209 | qconv.com Color code: RGB 55 124 209 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 55 red, 124 green and 209 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
55 124 209 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, 41 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 41% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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