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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 54 236 90 it is the complementary color RGB 201 19 165. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 54 236 90. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 54 236 90: RGB 59 236 85, RGB 76 254 104, RGB 93 255 123, RGB 110 255 142 and RGB 127 255 161

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 54 236 90. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 54 236 90: RGB 54 236 90, RGB 37 218 71, RGB 20 200 52, RGB 3 182 33 and RGB 0 164 14

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 0 / 62 / 7

HEX #36EC5A

RGB 54 236 90

HSL 131.87, 0.83%, 0.57%

LAB 82.65, -72.53, 56.81

 

Complementary color

CMYK 0 / 91 / 18 / 21

HEX #C913A5

RGB 201 19 165

HSL 311.87, 0.83%, 0.43%

LAB 46.45, 75.43, -31.86

 

CMYK 75 / 0 / 64 / 7

HEX #3BEC55

RGB 59 236 85

HSL 128.81, 0.82%, 0.58%

LAB 82.69, -72.41, 58.95

 

CMYK 70 / 0 / 59 / 0

HEX #4CFE68

RGB 76 254 104

HSL 129.44, 0.99%, 0.65%

LAB 88.65, -73.52, 57.78

 

CMYK 64 / 0 / 52 / 0

HEX #5DFF7B

RGB 93 255 123

HSL 131.11, 1%, 0.68%

LAB 89.52, -68.49, 50.42

 

CMYK 57 / 0 / 44 / 0

HEX #6EFF8E

RGB 110 255 142

HSL 133.24, 1%, 0.72%

LAB 90.22, -62.27, 42.42

 

CMYK 50 / 0 / 37 / 0

HEX #7FFFA1

RGB 127 255 161

HSL 135.94, 1%, 0.75%

LAB 91.06, -55.29, 34.28

 

CMYK 77 / 0 / 62 / 7

HEX #36EC5A

RGB 54 236 90

HSL 131.87, 0.83%, 0.57%

LAB 82.65, -72.53, 56.81

 

CMYK 83 / 0 / 67 / 15

HEX #25DA47

RGB 37 218 71

HSL 131.27, 0.71%, 0.5%

LAB 76.67, -70.89, 57.93

 

CMYK 90 / 0 / 74 / 22

HEX #14C834

RGB 20 200 52

HSL 130.67, 0.82%, 0.43%

LAB 70.67, -68.62, 58.71

 

CMYK 98 / 0 / 82 / 29

HEX #03B621

RGB 3 182 33

HSL 130.06, 0.97%, 0.36%

LAB 64.63, -65.62, 58.81

 

CMYK 100 / 0 / 91 / 36

HEX #00A40E

RGB 0 164 14

HSL 125.12, 1%, 0.32%

LAB 58.59, -61.55, 57.74

 

CMYK 77 / 0 / 62 / 7

HEX #36EC5A

RGB 54 236 90

HSL 131.87, 0.83%, 0.57%

LAB 82.65, -72.53, 56.81

 

CMYK 77 / 0 / 50 / 7

HEX #36EC76

RGB 54 236 118

HSL 141.1, 0.83%, 0.57%

LAB 82.96, -68.89, 44.52

 

CMYK 77 / 0 / 37 / 7

HEX #36EC94

RGB 54 236 148

HSL 150.99, 0.83%, 0.57%

LAB 83.4, -63.81, 30.29

 

CMYK 77 / 0 / 25 / 7

HEX #36ECB2

RGB 54 236 178

HSL 160.88, 0.83%, 0.57%

LAB 83.96, -57.57, 15.63

 

CMYK 77 / 0 / 11 / 7

HEX #36ECD1

RGB 54 236 209

HSL 171.1, 0.83%, 0.57%

LAB 84.68, -50.05, 0.42

 

CMYK 77 / 0 / 62 / 7

HEX #36EC5A

RGB 54 236 90

HSL 131.87, 0.83%, 0.57%

LAB 82.65, -72.53, 56.81

 

CMYK 78 / 0 / 63 / 87

HEX #07200C

RGB 7 32 12

HSL 132, 0.64%, 0.08%

LAB 9.84, -14.93, 9.44

 

CMYK 77 / 0 / 61 / 67

HEX #135320

RGB 19 83 32

HSL 132.19, 0.63%, 0.2%

LAB 30.47, -32.04, 23.92

 

CMYK 77 / 0 / 62 / 47

HEX #1F8633

RGB 31 134 51

HSL 131.65, 0.62%, 0.32%

LAB 48.98, -46.54, 35.87

 

CMYK 77 / 0 / 62 / 27

HEX #2AB947

RGB 42 185 71

HSL 132.17, 0.63%, 0.45%

LAB 66.25, -59.92, 46.41

 

CMYK 77 / 0 / 62 / 7

HEX #36EC5A

RGB 54 236 90

HSL 131.87, 0.83%, 0.57%

LAB 82.65, -72.53, 56.81

 

CMYK 77 / 30 / 0 / 7

HEX #36A6EC

RGB 54 166 236

HSL 203.08, 0.83%, 0.57%

LAB 65.05, -7.81, -43.94

 

CMYK 0 / 77 / 61 / 7

HEX #EC365D

RGB 236 54 93

HSL 347.14, 0.83%, 0.57%

LAB 53.23, 69.55, 22.26

 

CMYK 77 / 0 / 62 / 7

HEX #36EC5A

RGB 54 236 90

HSL 131.87, 0.83%, 0.57%

LAB 82.65, -72.53, 56.81

 

CMYK 63 / 77 / 0 / 7

HEX #5736EC

RGB 87 54 236

HSL 250.88, 0.83%, 0.57%

LAB 39.11, 61.79, -85.72

 

CMYK 0 / 63 / 77 / 7

HEX #EC5736

RGB 236 87 54

HSL 10.88, 0.83%, 0.57%

LAB 56.99, 55.86, 48.65

 

CMYK 77 / 0 / 62 / 7

HEX #36EC5A

RGB 54 236 90

HSL 131.87, 0.83%, 0.57%

LAB 82.65, -72.53, 56.81

 

CMYK 77 / 30 / 0 / 7

HEX #36A6EC

RGB 54 166 236

HSL 203.08, 0.83%, 0.57%

LAB 65.05, -7.81, -43.94

 

CMYK 0 / 77 / 14 / 7

HEX #EC36CA

RGB 236 54 202

HSL 311.21, 0.83%, 0.57%

LAB 56.82, 80.32, -36.76

 

CMYK 0 / 47 / 77 / 7

HEX #EC7C36

RGB 236 124 54

HSL 23.08, 0.83%, 0.57%

LAB 63.77, 38.42, 55.44

 

CMYK 77 / 0 / 62 / 7

HEX #36EC5A

RGB 54 236 90

HSL 131.87, 0.83%, 0.57%

LAB 82.65, -72.53, 56.81

 

CMYK 77 / 53 / 0 / 7

HEX #366FEC

RGB 54 111 236

HSL 221.21, 0.83%, 0.57%

LAB 49.75, 25.2, -68.38

 

CMYK 0 / 77 / 14 / 7

HEX #EC36CA

RGB 236 54 202

HSL 311.21, 0.83%, 0.57%

LAB 56.82, 80.32, -36.76

 

CMYK 0 / 25 / 77 / 7

HEX #ECB236

RGB 236 178 54

HSL 40.88, 0.83%, 0.57%

LAB 76.03, 10.08, 67.16

 

Description

Color code: RGB 54 236 90 | qconv.com Color code: RGB 54 236 90 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 54 red, 236 green and 90 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
54 236 90 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, none magenta, 62 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 0% 62% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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