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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 54 201 106 it is the complementary color RGB 201 54 149. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 54 201 106. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 54 201 106: RGB 59 201 101, RGB 76 219 120, RGB 93 237 139, RGB 110 255 158 and RGB 127 255 177

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 54 201 106. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 54 201 106: RGB 54 201 106, RGB 37 183 87, RGB 20 165 68, RGB 3 147 49 and RGB 0 129 30

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 0 / 47 / 21

HEX #36C96A

RGB 54 201 106

HSL 141.22, 0.58%, 0.5%

LAB 71.96, -58.73, 36.59

 

Complementary color

CMYK 0 / 73 / 26 / 21

HEX #C93695

RGB 201 54 149

HSL 321.22, 0.58%, 0.5%

LAB 48.54, 65.34, -19.05

 

CMYK 71 / 0 / 50 / 21

HEX #3BC965

RGB 59 201 101

HSL 137.75, 0.57%, 0.51%

LAB 71.99, -58.74, 39.13

 

CMYK 65 / 0 / 45 / 14

HEX #4CDB78

RGB 76 219 120

HSL 138.46, 0.67%, 0.58%

LAB 78.2, -59.29, 37.65

 

CMYK 61 / 0 / 41 / 7

HEX #5DED8B

RGB 93 237 139

HSL 139.17, 0.8%, 0.65%

LAB 84.36, -59.59, 36.23

 

CMYK 57 / 0 / 38 / 0

HEX #6EFF9E

RGB 110 255 158

HSL 139.86, 1%, 0.72%

LAB 90.46, -59.71, 34.89

 

CMYK 50 / 0 / 31 / 0

HEX #7FFFB1

RGB 127 255 177

HSL 143.44, 1%, 0.75%

LAB 91.33, -52.51, 26.62

 

CMYK 73 / 0 / 47 / 21

HEX #36C96A

RGB 54 201 106

HSL 141.22, 0.58%, 0.5%

LAB 71.96, -58.73, 36.59

 

CMYK 80 / 0 / 52 / 28

HEX #25B757

RGB 37 183 87

HSL 140.55, 0.66%, 0.43%

LAB 65.71, -57.72, 38.19

 

CMYK 88 / 0 / 59 / 35

HEX #14A544

RGB 20 165 68

HSL 139.86, 0.78%, 0.36%

LAB 59.41, -56.14, 39.81

 

CMYK 98 / 0 / 67 / 42

HEX #039331

RGB 3 147 49

HSL 139.17, 0.96%, 0.29%

LAB 53.07, -53.86, 41.32

 

CMYK 100 / 0 / 77 / 49

HEX #00811E

RGB 0 129 30

HSL 133.95, 1%, 0.25%

LAB 46.7, -50.38, 42.46

 

CMYK 73 / 0 / 47 / 21

HEX #36C96A

RGB 54 201 106

HSL 141.22, 0.58%, 0.5%

LAB 71.96, -58.73, 36.59

 

CMYK 74 / 0 / 36 / 21

HEX #35C981

RGB 53 201 129

HSL 150.81, 0.58%, 0.5%

LAB 72.31, -54.74, 25.22

 

CMYK 74 / 0 / 23 / 21

HEX #35C99A

RGB 53 201 154

HSL 160.95, 0.58%, 0.5%

LAB 72.8, -49.33, 12.61

 

CMYK 74 / 0 / 11 / 21

HEX #35C9B3

RGB 53 201 179

HSL 171.08, 0.58%, 0.5%

LAB 73.41, -43.09, -0.03

 

CMYK 74 / 1 / 0 / 21

HEX #35C6C9

RGB 53 198 201

HSL 181.22, 0.58%, 0.5%

LAB 73.13, -35.6, -12.38

 

CMYK 73 / 0 / 47 / 21

HEX #36C96A

RGB 54 201 106

HSL 141.22, 0.58%, 0.5%

LAB 71.96, -58.73, 36.59

 

CMYK 73 / 0 / 47 / 1

HEX #44FC85

RGB 68 252 133

HSL 141.2, 0.97%, 0.63%

LAB 88.23, -70.16, 44.01

 

CMYK 73 / 0 / 48 / 81

HEX #0D3019

RGB 13 48 25

HSL 140.57, 0.57%, 0.12%

LAB 16.84, -19.05, 11.1

 

CMYK 73 / 0 / 47 / 61

HEX #1B6334

RGB 27 99 52

HSL 140.83, 0.57%, 0.25%

LAB 36.75, -33.59, 20.44

 

CMYK 73 / 0 / 47 / 41

HEX #28964F

RGB 40 150 79

HSL 141.27, 0.58%, 0.37%

LAB 54.9, -46.7, 28.78

 

CMYK 73 / 0 / 47 / 21

HEX #36C96A

RGB 54 201 106

HSL 141.22, 0.58%, 0.5%

LAB 71.96, -58.73, 36.59

 

CMYK 74 / 40 / 0 / 21

HEX #3578C9

RGB 53 120 201

HSL 212.84, 0.58%, 0.5%

LAB 49.99, 6.53, -48.19

 

CMYK 0 / 74 / 70 / 21

HEX #C9353C

RGB 201 53 60

HSL 357.16, 0.58%, 0.5%

LAB 46.03, 57.94, 31.49

 

CMYK 73 / 0 / 47 / 21

HEX #36C96A

RGB 54 201 106

HSL 141.22, 0.58%, 0.5%

LAB 71.96, -58.73, 36.59

 

CMYK 48 / 74 / 0 / 21

HEX #6935C9

RGB 105 53 201

HSL 261.08, 0.58%, 0.5%

LAB 37.42, 54.95, -68.34

 

CMYK 0 / 48 / 74 / 21

HEX #C96935

RGB 201 105 53

HSL 21.08, 0.58%, 0.5%

LAB 54.84, 34.25, 45.22

 

CMYK 73 / 0 / 47 / 21

HEX #36C96A

RGB 54 201 106

HSL 141.22, 0.58%, 0.5%

LAB 71.96, -58.73, 36.59

 

CMYK 74 / 40 / 0 / 21

HEX #3578C9

RGB 53 120 201

HSL 212.84, 0.58%, 0.5%

LAB 49.99, 6.53, -48.19

 

CMYK 0 / 74 / 26 / 21

HEX #C93595

RGB 201 53 149

HSL 321.08, 0.58%, 0.5%

LAB 48.43, 65.67, -19.23

 

CMYK 0 / 33 / 74 / 21

HEX #C98635

RGB 201 134 53

HSL 32.84, 0.58%, 0.5%

LAB 61.42, 18.64, 52.03

 

CMYK 73 / 0 / 47 / 21

HEX #36C96A

RGB 54 201 106

HSL 141.22, 0.58%, 0.5%

LAB 71.96, -58.73, 36.59

 

CMYK 74 / 63 / 0 / 21

HEX #354BC9

RGB 53 75 201

HSL 231.08, 0.58%, 0.5%

LAB 37.85, 35.2, -67.79

 

CMYK 0 / 74 / 26 / 21

HEX #C93595

RGB 201 53 149

HSL 321.08, 0.58%, 0.5%

LAB 48.43, 65.67, -19.23

 

CMYK 0 / 11 / 74 / 21

HEX #C9B335

RGB 201 179 53

HSL 51.08, 0.58%, 0.5%

LAB 72.84, -5.58, 63.28

 

Description

Color code: RGB 54 201 106 | qconv.com Color code: RGB 54 201 106 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 54 red, 201 green and 106 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
54 201 106 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, none magenta, 47 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 0% 47% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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