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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 54 200 127 it is the complementary color RGB 201 55 128. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 54 200 127. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 54 200 127: RGB 59 200 122, RGB 76 218 141, RGB 93 236 160, RGB 110 254 179 and RGB 127 255 198

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 54 200 127. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 54 200 127: RGB 54 200 127, RGB 37 182 108, RGB 20 164 89, RGB 3 146 70 and RGB 0 128 51

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 0 / 37 / 22

HEX #36C87F

RGB 54 200 127

HSL 150, 0.57%, 0.5%

LAB 71.98, -54.61, 25.84

 

Complementary color

CMYK 0 / 73 / 36 / 21

HEX #C93780

RGB 201 55 128

HSL 330, 0.57%, 0.5%

LAB 47.89, 62.57, -7.38

 

CMYK 71 / 0 / 39 / 22

HEX #3BC87A

RGB 59 200 122

HSL 146.81, 0.56%, 0.51%

LAB 71.99, -54.81, 28.48

 

CMYK 65 / 0 / 35 / 15

HEX #4CDA8D

RGB 76 218 141

HSL 147.46, 0.66%, 0.58%

LAB 78.23, -55.24, 27.03

 

CMYK 61 / 0 / 32 / 7

HEX #5DECA0

RGB 93 236 160

HSL 148.11, 0.79%, 0.65%

LAB 84.41, -55.46, 25.68

 

CMYK 57 / 0 / 30 / 0

HEX #6EFEB3

RGB 110 254 179

HSL 148.75, 0.99%, 0.71%

LAB 90.53, -55.53, 24.43

 

CMYK 50 / 0 / 22 / 0

HEX #7FFFC6

RGB 127 255 198

HSL 153.28, 1%, 0.75%

LAB 91.73, -48.46, 16.48

 

CMYK 73 / 0 / 37 / 22

HEX #36C87F

RGB 54 200 127

HSL 150, 0.57%, 0.5%

LAB 71.98, -54.61, 25.84

 

CMYK 80 / 0 / 41 / 29

HEX #25B66C

RGB 37 182 108

HSL 149.38, 0.66%, 0.43%

LAB 65.7, -53.76, 27.42

 

CMYK 88 / 0 / 46 / 36

HEX #14A459

RGB 20 164 89

HSL 148.75, 0.78%, 0.36%

LAB 59.36, -52.45, 29.15

 

CMYK 98 / 0 / 52 / 43

HEX #039246

RGB 3 146 70

HSL 148.11, 0.96%, 0.29%

LAB 52.97, -50.55, 31

 

CMYK 100 / 0 / 60 / 50

HEX #008033

RGB 0 128 51

HSL 143.91, 1%, 0.25%

LAB 46.55, -47.63, 32.94

 

CMYK 73 / 0 / 37 / 22

HEX #36C87F

RGB 54 200 127

HSL 150, 0.57%, 0.5%

LAB 71.98, -54.61, 25.84

 

CMYK 73 / 0 / 25 / 22

HEX #36C897

RGB 54 200 151

HSL 159.86, 0.57%, 0.5%

LAB 72.45, -49.49, 13.72

 

CMYK 73 / 0 / 13 / 22

HEX #36C8AF

RGB 54 200 175

HSL 169.73, 0.57%, 0.5%

LAB 73.02, -43.58, 1.57

 

CMYK 73 / 0 / 0 / 22

HEX #36C8C8

RGB 54 200 200

HSL 180, 0.57%, 0.5%

LAB 73.72, -36.71, -10.96

 

CMYK 73 / 13 / 0 / 22

HEX #36AFC8

RGB 54 175 200

HSL 190.27, 0.57%, 0.5%

LAB 66.22, -24.61, -22.28

 

CMYK 73 / 0 / 37 / 22

HEX #36C87F

RGB 54 200 127

HSL 150, 0.57%, 0.5%

LAB 71.98, -54.61, 25.84

 

CMYK 73 / 0 / 37 / 2

HEX #44FB9F

RGB 68 251 159

HSL 149.84, 0.96%, 0.63%

LAB 88.32, -65.39, 31.36

 

CMYK 72 / 0 / 36 / 82

HEX #0D2F1E

RGB 13 47 30

HSL 150, 0.57%, 0.12%

LAB 16.56, -17.31, 7.36

 

CMYK 73 / 0 / 37 / 62

HEX #1A623E

RGB 26 98 62

HSL 150, 0.58%, 0.24%

LAB 36.56, -31.27, 14.28

 

CMYK 73 / 0 / 36 / 42

HEX #28955F

RGB 40 149 95

HSL 150.28, 0.58%, 0.37%

LAB 54.84, -43.25, 20

 

CMYK 73 / 0 / 37 / 22

HEX #36C87F

RGB 54 200 127

HSL 150, 0.57%, 0.5%

LAB 71.98, -54.61, 25.84

 

CMYK 73 / 51 / 0 / 22

HEX #3662C8

RGB 54 98 200

HSL 221.92, 0.57%, 0.5%

LAB 43.78, 20.18, -57.57

 

CMYK 0 / 66 / 73 / 22

HEX #C84536

RGB 200 69 54

HSL 6.16, 0.57%, 0.5%

LAB 48.01, 51.2, 37.2

 

CMYK 73 / 0 / 37 / 22

HEX #36C87F

RGB 54 200 127

HSL 150, 0.57%, 0.5%

LAB 71.98, -54.61, 25.84

 

CMYK 37 / 73 / 0 / 22

HEX #7F36C8

RGB 127 54 200

HSL 270, 0.57%, 0.5%

LAB 40.12, 57.96, -63.25

 

CMYK 0 / 37 / 73 / 22

HEX #C87F36

RGB 200 127 54

HSL 30, 0.57%, 0.5%

LAB 59.64, 22.08, 49.72

 

CMYK 73 / 0 / 37 / 22

HEX #36C87F

RGB 54 200 127

HSL 150, 0.57%, 0.5%

LAB 71.98, -54.61, 25.84

 

CMYK 73 / 51 / 0 / 22

HEX #3662C8

RGB 54 98 200

HSL 221.92, 0.57%, 0.5%

LAB 43.78, 20.18, -57.57

 

CMYK 0 / 73 / 37 / 22

HEX #C8367F

RGB 200 54 127

HSL 330, 0.57%, 0.5%

LAB 47.56, 62.53, -7.29

 

CMYK 0 / 22 / 73 / 22

HEX #C89C36

RGB 200 156 54

HSL 41.92, 0.57%, 0.5%

LAB 66.77, 6.26, 56.94

 

CMYK 73 / 0 / 37 / 22

HEX #36C87F

RGB 54 200 127

HSL 150, 0.57%, 0.5%

LAB 71.98, -54.61, 25.84

 

CMYK 73 / 73 / 0 / 22

HEX #3636C8

RGB 54 54 200

HSL 240, 0.57%, 0.5%

LAB 33.12, 47.64, -74.99

 

CMYK 0 / 73 / 37 / 22

HEX #C8367F

RGB 200 54 127

HSL 330, 0.57%, 0.5%

LAB 47.56, 62.53, -7.29

 

CMYK 0 / 0 / 73 / 22

HEX #C8C836

RGB 200 200 54

HSL 60, 0.57%, 0.5%

LAB 78.38, -16.7, 68.16

 

Description

Color code: RGB 54 200 127 | qconv.com Color code: RGB 54 200 127 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 54 red, 200 green and 127 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
54 200 127 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, none magenta, 37 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 0% 37% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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