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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 53 89 52 it is the complementary color RGB 202 166 203. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 53 89 52. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 53 89 52 shade: RGB 58 89 47, RGB 75 107 66, RGB 92 125 85, RGB 109 143 104 and RGB 126 161 123

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 53 89 52. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 53 89 52 shade: RGB 53 89 52, RGB 36 71 33, RGB 19 53 14, RGB 2 35 0 and RGB 0 17 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 53 89 52 shade: RGB 54 90 53, RGB 64 90 53, RGB 74 90 53, RGB 84 90 53 and RGB 90 86 53

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 53 89 52 shade: RGB 54 90 53, RGB 53 90 62, RGB 53 90 72, RGB 53 90 82 and RGB 53 88 90

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 53 89 52 shade matches the following richer shades: RGB 54 90 53, RGB 43 102 41, RGB 32 113 30, RGB 21 125 18 and RGB 10 136 7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 53 89 52 shade: RGB 54 90 53, RGB 65 78 64, RGB 76 67 76, RGB 87 55 87 and RGB 98 44 99

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 53 89 52 shade: RGB 74 90 53, RGB 64 90 53, RGB 54 90 53, RGB 53 90 61 and RGB 53 90 71

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 53 89 52 shade: RGB 23 38 22, RGB 38 64 38, RGB 54 90 53, RGB 69 116 68 and RGB 85 142 83

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 53 89 52 shade: RGB 53 89 52, RGB 53 84 90 and RGB 90 53 69

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 53 89 52 shade: RGB 53 89 52, RGB 53 54 90 and RGB 90 53 54

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 53 89 52 shade: RGB 53 89 52, RGB 53 84 90, RGB 89 53 90 and RGB 90 59 53

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 53 89 52 shade: RGB 53 89 52, RGB 53 73 90, RGB 89 53 90 and RGB 90 70 53

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 0 / 42 / 65

HEX #355934

RGB 53 89 52

HSL 118.38, 0.26%, 0.28%

LAB 34.29, -21.52, 17.44

 

Complementary color

CMYK 0 / 18 / 0 / 20

HEX #CAA6CB

RGB 202 166 203

HSL 298.38, 0.26%, 0.72%

LAB 72.32, 19.6, -13.89

 

CMYK 35 / 0 / 47 / 65

HEX #3A592F

RGB 58 89 47

HSL 104.29, 0.31%, 0.27%

LAB 34.5, -20.47, 20.72

 

CMYK 30 / 0 / 38 / 58

HEX #4B6B42

RGB 75 107 66

HSL 106.83, 0.24%, 0.34%

LAB 41.85, -20.27, 19.37

 

CMYK 26 / 0 / 32 / 51

HEX #5C7D55

RGB 92 125 85

HSL 109.5, 0.19%, 0.41%

LAB 49.01, -20.05, 18.13

 

CMYK 24 / 0 / 27 / 44

HEX #6D8F68

RGB 109 143 104

HSL 112.31, 0.16%, 0.48%

LAB 55.98, -19.84, 16.99

 

CMYK 22 / 0 / 24 / 37

HEX #7EA17B

RGB 126 161 123

HSL 115.26, 0.17%, 0.56%

LAB 62.81, -19.65, 15.94

 

CMYK 40 / 0 / 42 / 65

HEX #355934

RGB 53 89 52

HSL 118.38, 0.26%, 0.28%

LAB 34.29, -21.52, 17.44

 

CMYK 49 / 0 / 54 / 72

HEX #244721

RGB 36 71 33

HSL 115.26, 0.37%, 0.2%

LAB 26.71, -21.72, 18.91

 

CMYK 64 / 0 / 74 / 79

HEX #13350E

RGB 19 53 14

HSL 112.31, 0.58%, 0.13%

LAB 18.87, -21.6, 20.31

 

CMYK 94 / 0 / 100 / 86

HEX #022300

RGB 2 35 0

HSL 116.57, 1%, 0.07%

LAB 10.67, -20.33, 15.51

 

CMYK 100 / 0 / 100 / 93

HEX #001100

RGB 0 17 0

HSL 120, 1%, 0.03%

LAB 3.62, -7.4, 5.29

 

CMYK 40 / 0 / 41 / 65

HEX #365A35

RGB 54 90 53

HSL 118.38, 0.26%, 0.28%

LAB 34.71, -21.5, 17.4

 

CMYK 29 / 0 / 41 / 65

HEX #405A35

RGB 64 90 53

HSL 102.16, 0.26%, 0.28%

LAB 35.32, -17.65, 18.32

 

CMYK 18 / 0 / 41 / 65

HEX #4A5A35

RGB 74 90 53

HSL 85.95, 0.26%, 0.28%

LAB 36.03, -13.48, 19.38

 

CMYK 7 / 0 / 41 / 65

HEX #545A35

RGB 84 90 53

HSL 69.73, 0.26%, 0.28%

LAB 36.84, -9.07, 20.59

 

CMYK 0 / 4 / 41 / 65

HEX #5A5635

RGB 90 86 53

HSL 53.51, 0.26%, 0.28%

LAB 36.15, -3.97, 19.8

 

CMYK 40 / 0 / 41 / 65

HEX #365A35

RGB 54 90 53

HSL 118.38, 0.26%, 0.28%

LAB 34.71, -21.5, 17.4

 

CMYK 41 / 0 / 31 / 65

HEX #355A3E

RGB 53 90 62

HSL 134.59, 0.26%, 0.28%

LAB 34.84, -20.11, 12.11

 

CMYK 41 / 0 / 20 / 65

HEX #355A48

RGB 53 90 72

HSL 150.81, 0.26%, 0.28%

LAB 35.08, -17.87, 6.27

 

CMYK 41 / 0 / 9 / 65

HEX #355A52

RGB 53 90 82

HSL 167.03, 0.26%, 0.28%

LAB 35.36, -15.37, 0.45

 

CMYK 41 / 2 / 0 / 65

HEX #35585A

RGB 53 88 90

HSL 183.24, 0.26%, 0.28%

LAB 34.95, -12.02, -5.16

 

CMYK 40 / 0 / 41 / 65

HEX #365A35

RGB 54 90 53

HSL 118.38, 0.26%, 0.28%

LAB 34.71, -21.5, 17.4

 

CMYK 58 / 0 / 60 / 60

HEX #2B6629

RGB 43 102 41

HSL 118.03, 0.43%, 0.28%

LAB 38.16, -32.73, 28.37

 

CMYK 72 / 0 / 73 / 56

HEX #20711E

RGB 32 113 30

HSL 118.55, 0.58%, 0.28%

LAB 41.55, -41.15, 37.31

 

CMYK 83 / 0 / 86 / 51

HEX #157D12

RGB 21 125 18

HSL 118.32, 0.75%, 0.28%

LAB 45.46, -48.06, 45.33

 

CMYK 93 / 0 / 95 / 47

HEX #0A8807

RGB 10 136 7

HSL 118.6, 0.9%, 0.28%

LAB 49.12, -53.05, 50.92

 

CMYK 40 / 0 / 41 / 65

HEX #365A35

RGB 54 90 53

HSL 118.38, 0.26%, 0.28%

LAB 34.71, -21.5, 17.4

 

CMYK 17 / 0 / 18 / 69

HEX #414E40

RGB 65 78 64

HSL 115.71, 0.1%, 0.28%

LAB 31.68, -8.32, 6.59

 

CMYK 0 / 12 / 0 / 70

HEX #4C434C

RGB 76 67 76

HSL 300, 0.06%, 0.28%

LAB 29.59, 5.74, -4.02

 

CMYK 0 / 37 / 0 / 66

HEX #573757

RGB 87 55 87

HSL 300, 0.23%, 0.28%

LAB 27.97, 20.22, -13.51

 

CMYK 1 / 56 / 0 / 61

HEX #622C63

RGB 98 44 99

HSL 298.91, 0.38%, 0.28%

LAB 27.57, 33.04, -21.81

 

CMYK 18 / 0 / 41 / 65

HEX #4A5A35

RGB 74 90 53

HSL 85.95, 0.26%, 0.28%

LAB 36.03, -13.48, 19.38

 

CMYK 29 / 0 / 41 / 65

HEX #405A35

RGB 64 90 53

HSL 102.16, 0.26%, 0.28%

LAB 35.32, -17.65, 18.32

 

CMYK 40 / 0 / 41 / 65

HEX #365A35

RGB 54 90 53

HSL 118.38, 0.26%, 0.28%

LAB 34.71, -21.5, 17.4

 

CMYK 41 / 0 / 32 / 65

HEX #355A3D

RGB 53 90 61

HSL 132.97, 0.26%, 0.28%

LAB 34.81, -20.31, 12.69

 

CMYK 41 / 0 / 21 / 65

HEX #355A47

RGB 53 90 71

HSL 149.19, 0.26%, 0.28%

LAB 35.05, -18.11, 6.86

 

CMYK 39 / 0 / 42 / 85

HEX #172616

RGB 23 38 22

HSL 116.25, 0.27%, 0.12%

LAB 13.39, -10.54, 8.65

 

CMYK 41 / 0 / 41 / 75

HEX #264026

RGB 38 64 38

HSL 120, 0.25%, 0.2%

LAB 24.38, -16.35, 12.85

 

CMYK 40 / 0 / 41 / 65

HEX #365A35

RGB 54 90 53

HSL 118.38, 0.26%, 0.28%

LAB 34.71, -21.5, 17.4

 

CMYK 41 / 0 / 41 / 55

HEX #457444

RGB 69 116 68

HSL 118.75, 0.26%, 0.36%

LAB 44.48, -26.69, 21.6

 

CMYK 40 / 0 / 42 / 44

HEX #558E53

RGB 85 142 83

HSL 117.97, 0.26%, 0.44%

LAB 53.92, -31.31, 25.69

 

CMYK 40 / 0 / 42 / 65

HEX #355934

RGB 53 89 52

HSL 118.38, 0.26%, 0.28%

LAB 34.29, -21.52, 17.44

 

CMYK 41 / 7 / 0 / 65

HEX #35545A

RGB 53 84 90

HSL 189.73, 0.26%, 0.28%

LAB 33.64, -9.66, -7.12

 

CMYK 0 / 41 / 23 / 65

HEX #5A3545

RGB 90 53 69

HSL 334.05, 0.26%, 0.28%

LAB 27.16, 19.12, -2.86

 

CMYK 40 / 0 / 42 / 65

HEX #355934

RGB 53 89 52

HSL 118.38, 0.26%, 0.28%

LAB 34.29, -21.52, 17.44

 

CMYK 41 / 40 / 0 / 65

HEX #35365A

RGB 53 54 90

HSL 238.38, 0.26%, 0.28%

LAB 24.11, 9.77, -21.76

 

CMYK 0 / 41 / 40 / 65

HEX #5A3536

RGB 90 53 54

HSL 358.38, 0.26%, 0.28%

LAB 26.7, 16.76, 6.42

 

CMYK 40 / 0 / 42 / 65

HEX #355934

RGB 53 89 52

HSL 118.38, 0.26%, 0.28%

LAB 34.29, -21.52, 17.44

 

CMYK 41 / 7 / 0 / 65

HEX #35545A

RGB 53 84 90

HSL 189.73, 0.26%, 0.28%

LAB 33.64, -9.66, -7.12

 

CMYK 1 / 41 / 0 / 65

HEX #59355A

RGB 89 53 90

HSL 298.38, 0.26%, 0.28%

LAB 27.87, 22.85, -15.6

 

CMYK 0 / 34 / 41 / 65

HEX #5A3B35

RGB 90 59 53

HSL 9.73, 0.26%, 0.28%

LAB 28.27, 12.84, 9.28

 

CMYK 40 / 0 / 42 / 65

HEX #355934

RGB 53 89 52

HSL 118.38, 0.26%, 0.28%

LAB 34.29, -21.52, 17.44

 

CMYK 41 / 19 / 0 / 65

HEX #35495A

RGB 53 73 90

HSL 207.57, 0.26%, 0.28%

LAB 30.06, -2.86, -12.54

 

CMYK 1 / 41 / 0 / 65

HEX #59355A

RGB 89 53 90

HSL 298.38, 0.26%, 0.28%

LAB 27.87, 22.85, -15.6

 

CMYK 0 / 22 / 41 / 65

HEX #5A4635

RGB 90 70 53

HSL 27.57, 0.26%, 0.28%

LAB 31.37, 5.88, 13.51

 

Description

Color code: RGB 53 89 52 | qconv.com Color code: RGB 53 89 52 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 89 green and 52 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 89 52 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, none magenta, 42 yellow and 65 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 0% 42% 65% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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