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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #622C63 it is the complementary color #9DD39C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #622C63. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #622C63 shade: #672C5E, #783E71, #895084, #9A6297 and #AB74AA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #622C63. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #622C63 shade: #622C63, #511A50, #40083D, #2F002A and #1E0017

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #622C63 shade: #622C63, #632C55, #632C46, #632C38 and #632C2C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #622C63 shade: #622C63, #532C63, #442C63, #362C63 and #2C2C63

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #622C63 shade matches the following richer shades: #622C63, #6D216E, #78157A and #830A85

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #622C63 shade: #622C63, #563857, #4B434B, #404F40 and #355A34

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #622C63 shade: #442C63, #522C63, #612C63, #632C56 and #632C47

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #622C63 shade: #29132A, #451F46, #622C63, #7E397F and #9A469B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #622C63 shade: #622C63, #63352C and #2C634B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #622C63 shade: #622C63, #63612C and #2C6361

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #622C63 shade: #622C63, #63352C, #2E632C and #2C5963

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #622C63 shade: #622C63, #63462C, #2E632C and #2C4963

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 56 / 0 / 61

HEX #622C63

RGB 98 44 99

HSL 298.91, 0.38%, 0.28%

LAB 27.57, 33.04, -21.81

 

Complementary color

CMYK 26 / 0 / 26 / 17

HEX #9DD39C

RGB 157 211 156

HSL 118.91, 0.38%, 0.72%

LAB 79.7, -28.08, 21.75

 

CMYK 0 / 57 / 9 / 60

HEX #672C5E

RGB 103 44 94

HSL 309.15, 0.4%, 0.29%

LAB 28.1, 33.66, -17.69

 

CMYK 0 / 48 / 6 / 53

HEX #783E71

RGB 120 62 113

HSL 307.24, 0.32%, 0.36%

LAB 35.26, 32.96, -18.53

 

CMYK 0 / 42 / 4 / 46

HEX #895084

RGB 137 80 132

HSL 305.26, 0.26%, 0.43%

LAB 42.34, 32.16, -19.16

 

CMYK 0 / 36 / 2 / 40

HEX #9A6297

RGB 154 98 151

HSL 303.21, 0.22%, 0.49%

LAB 49.3, 31.37, -19.68

 

CMYK 0 / 32 / 1 / 33

HEX #AB74AA

RGB 171 116 170

HSL 301.09, 0.25%, 0.56%

LAB 56.14, 30.6, -20.14

 

CMYK 1 / 56 / 0 / 61

HEX #622C63

RGB 98 44 99

HSL 298.91, 0.38%, 0.28%

LAB 27.57, 33.04, -21.81

 

CMYK 0 / 68 / 1 / 68

HEX #511A50

RGB 81 26 80

HSL 301.09, 0.51%, 0.21%

LAB 20.31, 33.43, -20.83

 

CMYK 0 / 88 / 5 / 75

HEX #40083D

RGB 64 8 61

HSL 303.21, 0.78%, 0.14%

LAB 13.23, 32.77, -19.07

 

CMYK 0 / 100 / 11 / 82

HEX #2F002A

RGB 47 0 42

HSL 306.38, 1%, 0.09%

LAB 6.97, 28.88, -15.33

 

CMYK 0 / 100 / 23 / 88

HEX #1E0017

RGB 30 0 23

HSL 314, 1%, 0.06%

LAB 3.05, 15.11, -6.74

 

CMYK 1 / 56 / 0 / 61

HEX #622C63

RGB 98 44 99

HSL 298.91, 0.38%, 0.28%

LAB 27.57, 33.04, -21.81

 

CMYK 0 / 56 / 14 / 61

HEX #632C55

RGB 99 44 85

HSL 315.27, 0.38%, 0.28%

LAB 27.05, 30.68, -13.47

 

CMYK 0 / 56 / 29 / 61

HEX #632C46

RGB 99 44 70

HSL 331.64, 0.38%, 0.28%

LAB 26.44, 28.17, -4.44

 

CMYK 0 / 56 / 43 / 61

HEX #632C38

RGB 99 44 56

HSL 346.91, 0.38%, 0.28%

LAB 25.98, 26.22, 4.27

 

CMYK 0 / 56 / 56 / 61

HEX #632C2C

RGB 99 44 44

HSL 0, 0.38%, 0.28%

LAB 25.67, 24.86, 11.88

 

CMYK 1 / 56 / 0 / 61

HEX #622C63

RGB 98 44 99

HSL 298.91, 0.38%, 0.28%

LAB 27.57, 33.04, -21.81

 

CMYK 16 / 56 / 0 / 61

HEX #532C63

RGB 83 44 99

HSL 282.55, 0.38%, 0.28%

LAB 25.39, 28.37, -25.4

 

CMYK 31 / 56 / 0 / 61

HEX #442C63

RGB 68 44 99

HSL 266.18, 0.38%, 0.28%

LAB 23.44, 23.81, -28.6

 

CMYK 45 / 56 / 0 / 61

HEX #362C63

RGB 54 44 99

HSL 250.91, 0.38%, 0.28%

LAB 21.9, 19.84, -31.16

 

CMYK 56 / 56 / 0 / 61

HEX #2C2C63

RGB 44 44 99

HSL 240, 0.38%, 0.28%

LAB 20.97, 17.29, -32.7

 

CMYK 1 / 56 / 0 / 61

HEX #622C63

RGB 98 44 99

HSL 298.91, 0.38%, 0.28%

LAB 27.57, 33.04, -21.81

 

CMYK 1 / 70 / 0 / 57

HEX #6D216E

RGB 109 33 110

HSL 299.22, 0.54%, 0.28%

LAB 28.02, 43.64, -28.08

 

CMYK 2 / 83 / 0 / 52

HEX #78157A

RGB 120 21 122

HSL 298.81, 0.71%, 0.28%

LAB 29.25, 52.46, -33.65

 

CMYK 2 / 92 / 0 / 48

HEX #830A85

RGB 131 10 133

HSL 299.02, 0.86%, 0.28%

LAB 31.2, 58.73, -37.33

 

CMYK 1 / 56 / 0 / 61

HEX #622C63

RGB 98 44 99

HSL 298.91, 0.38%, 0.28%

LAB 27.57, 33.04, -21.81

 

CMYK 1 / 36 / 0 / 66

HEX #563857

RGB 86 56 87

HSL 298.06, 0.22%, 0.28%

LAB 28.1, 19.22, -13.32

 

CMYK 0 / 11 / 0 / 71

HEX #4B434B

RGB 75 67 75

HSL 300, 0.06%, 0.28%

LAB 29.46, 5.1, -3.58

 

CMYK 19 / 0 / 19 / 69

HEX #404F40

RGB 64 79 64

HSL 120, 0.1%, 0.28%

LAB 31.93, -9.32, 6.93

 

CMYK 41 / 0 / 42 / 65

HEX #355A34

RGB 53 90 52

HSL 118.42, 0.27%, 0.28%

LAB 34.63, -22.04, 17.89

 

CMYK 31 / 56 / 0 / 61

HEX #442C63

RGB 68 44 99

HSL 266.18, 0.38%, 0.28%

LAB 23.44, 23.81, -28.6

 

CMYK 17 / 56 / 0 / 61

HEX #522C63

RGB 82 44 99

HSL 281.45, 0.38%, 0.28%

LAB 25.25, 28.06, -25.62

 

CMYK 2 / 56 / 0 / 61

HEX #612C63

RGB 97 44 99

HSL 297.82, 0.38%, 0.28%

LAB 27.42, 32.73, -22.06

 

CMYK 0 / 56 / 13 / 61

HEX #632C56

RGB 99 44 86

HSL 314.18, 0.38%, 0.28%

LAB 27.09, 30.86, -14.06

 

CMYK 0 / 56 / 28 / 61

HEX #632C47

RGB 99 44 71

HSL 330.55, 0.38%, 0.28%

LAB 26.47, 28.32, -5.06

 

CMYK 2 / 55 / 0 / 84

HEX #29132A

RGB 41 19 42

HSL 297.39, 0.38%, 0.12%

LAB 9.83, 15.86, -10.92

 

CMYK 1 / 56 / 0 / 73

HEX #451F46

RGB 69 31 70

HSL 298.46, 0.39%, 0.2%

LAB 18.75, 24.87, -16.62

 

CMYK 1 / 56 / 0 / 61

HEX #622C63

RGB 98 44 99

HSL 298.91, 0.38%, 0.28%

LAB 27.57, 33.04, -21.81

 

CMYK 1 / 55 / 0 / 50

HEX #7E397F

RGB 126 57 127

HSL 299.14, 0.38%, 0.36%

LAB 35.78, 40.23, -26.39

 

CMYK 1 / 55 / 0 / 39

HEX #9A469B

RGB 154 70 155

HSL 299.29, 0.38%, 0.44%

LAB 43.68, 47.1, -30.78

 

CMYK 1 / 56 / 0 / 61

HEX #622C63

RGB 98 44 99

HSL 298.91, 0.38%, 0.28%

LAB 27.57, 33.04, -21.81

 

CMYK 0 / 46 / 56 / 61

HEX #63352C

RGB 99 53 44

HSL 9.82, 0.38%, 0.28%

LAB 27.79, 19.55, 14.7

 

CMYK 56 / 0 / 24 / 61

HEX #2C634B

RGB 44 99 75

HSL 153.82, 0.38%, 0.28%

LAB 37.78, -24.56, 8.19

 

CMYK 1 / 56 / 0 / 61

HEX #622C63

RGB 98 44 99

HSL 298.91, 0.38%, 0.28%

LAB 27.57, 33.04, -21.81

 

CMYK 0 / 2 / 56 / 61

HEX #63612C

RGB 99 97 44

HSL 57.82, 0.38%, 0.28%

LAB 40.22, -7.27, 30.12

 

CMYK 56 / 0 / 2 / 61

HEX #2C6361

RGB 44 99 97

HSL 177.82, 0.38%, 0.28%

LAB 38.41, -18.59, -4.41

 

CMYK 1 / 56 / 0 / 61

HEX #622C63

RGB 98 44 99

HSL 298.91, 0.38%, 0.28%

LAB 27.57, 33.04, -21.81

 

CMYK 0 / 46 / 56 / 61

HEX #63352C

RGB 99 53 44

HSL 9.82, 0.38%, 0.28%

LAB 27.79, 19.55, 14.7

 

CMYK 54 / 0 / 56 / 61

HEX #2E632C

RGB 46 99 44

HSL 117.82, 0.38%, 0.28%

LAB 37.27, -30.06, 25.73

 

CMYK 56 / 10 / 0 / 61

HEX #2C5963

RGB 44 89 99

HSL 190.91, 0.38%, 0.28%

LAB 35.16, -12.33, -10.52

 

CMYK 1 / 56 / 0 / 61

HEX #622C63

RGB 98 44 99

HSL 298.91, 0.38%, 0.28%

LAB 27.57, 33.04, -21.81

 

CMYK 0 / 29 / 56 / 61

HEX #63462C

RGB 99 70 44

HSL 28.36, 0.38%, 0.28%

LAB 32.29, 9.04, 20.5

 

CMYK 54 / 0 / 56 / 61

HEX #2E632C

RGB 46 99 44

HSL 117.82, 0.38%, 0.28%

LAB 37.27, -30.06, 25.73

 

CMYK 56 / 26 / 0 / 61

HEX #2C4963

RGB 44 73 99

HSL 208.36, 0.38%, 0.28%

LAB 29.92, -2.5, -18.56

 

Description

Color code: HEX #622C63 | qconv.com Color code: HEX #622C63 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 98 red, 44 green and 99 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
98 44 99 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, 56 magenta, none yellow and 61 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 56% 0% 61% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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