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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 53 229 100 it is the complementary color RGB 202 26 155. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 53 229 100. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 53 229 100 shade: RGB 58 229 95, RGB 75 247 114, RGB 92 255 133, RGB 109 255 152 and RGB 126 255 171

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 53 229 100. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 53 229 100 shade: RGB 53 229 100, RGB 36 211 81, RGB 19 193 62, RGB 2 175 43 and RGB 0 157 24

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 53 229 100 shade: RGB 52 229 99, RGB 52 229 52, RGB 100 229 52, RGB 148 229 52 and RGB 195 229 52

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 53 229 100 shade: RGB 52 229 99, RGB 52 229 147, RGB 52 229 194, RGB 52 215 229 and RGB 52 168 229

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 53 229 100 shade matches the following richer shades: RGB 52 229 99 and RGB 33 247 90

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 53 229 100 shade: RGB 52 229 99, RGB 70 210 108, RGB 89 191 116, RGB 108 173 125 and RGB 126 154 134

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 53 229 100 shade: RGB 99 229 52, RGB 52 229 52, RGB 52 229 99, RGB 52 229 146 and RGB 52 229 193

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 53 229 100 shade: RGB 23 175 63, RGB 28 212 77, RGB 52 229 99, RGB 88 233 127 and RGB 125 238 155

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 53 229 100 shade: RGB 53 229 100, RGB 52 146 229 and RGB 229 52 75

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 53 229 100 shade: RGB 53 229 100, RGB 99 52 229 and RGB 229 99 52

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 53 229 100 shade: RGB 53 229 100, RGB 52 146 229, RGB 229 52 181 and RGB 229 134 52

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 53 229 100 shade: RGB 53 229 100, RGB 52 93 229, RGB 229 52 181 and RGB 229 187 52

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 0 / 56 / 10

HEX #35E564

RGB 53 229 100

HSL 136.02, 0.77%, 0.55%

LAB 80.58, -69.23, 50.02

 

Complementary color

CMYK 0 / 87 / 23 / 21

HEX #CA1A9B

RGB 202 26 155

HSL 316.02, 0.77%, 0.45%

LAB 46.53, 73.33, -25.74

 

CMYK 75 / 0 / 59 / 10

HEX #3AE55F

RGB 58 229 95

HSL 132.98, 0.77%, 0.56%

LAB 80.61, -69.19, 52.31

 

CMYK 70 / 0 / 54 / 3

HEX #4BF772

RGB 75 247 114

HSL 133.6, 0.91%, 0.63%

LAB 86.62, -70.14, 50.94

 

CMYK 64 / 0 / 48 / 0

HEX #5CFF85

RGB 92 255 133

HSL 135.09, 1%, 0.68%

LAB 89.62, -67.29, 45.86

 

CMYK 57 / 0 / 40 / 0

HEX #6DFF98

RGB 109 255 152

HSL 137.67, 1%, 0.71%

LAB 90.34, -60.92, 37.69

 

CMYK 51 / 0 / 33 / 0

HEX #7EFFAB

RGB 126 255 171

HSL 140.93, 1%, 0.75%

LAB 91.19, -53.82, 29.45

 

CMYK 77 / 0 / 56 / 10

HEX #35E564

RGB 53 229 100

HSL 136.02, 0.77%, 0.55%

LAB 80.58, -69.23, 50.02

 

CMYK 83 / 0 / 62 / 17

HEX #24D351

RGB 36 211 81

HSL 135.43, 0.71%, 0.48%

LAB 74.55, -67.77, 51.42

 

CMYK 90 / 0 / 68 / 24

HEX #13C13E

RGB 19 193 62

HSL 134.83, 0.82%, 0.42%

LAB 68.48, -65.71, 52.65

 

CMYK 99 / 0 / 75 / 31

HEX #02AF2B

RGB 2 175 43

HSL 134.22, 0.98%, 0.35%

LAB 62.38, -62.97, 53.49

 

CMYK 100 / 0 / 85 / 38

HEX #009D18

RGB 0 157 24

HSL 129.17, 1%, 0.31%

LAB 56.27, -59.13, 53.52

 

CMYK 77 / 0 / 57 / 10

HEX #34E563

RGB 52 229 99

HSL 135.93, 0.77%, 0.55%

LAB 80.55, -69.48, 50.44

 

CMYK 77 / 0 / 77 / 10

HEX #34E534

RGB 52 229 52

HSL 120, 0.77%, 0.55%

LAB 80.19, -73.97, 68.2

 

CMYK 56 / 0 / 77 / 10

HEX #64E534

RGB 100 229 52

HSL 103.73, 0.77%, 0.55%

LAB 81.29, -64.78, 69.64

 

CMYK 35 / 0 / 77 / 10

HEX #94E534

RGB 148 229 52

HSL 87.46, 0.77%, 0.55%

LAB 83.22, -50.35, 72.15

 

CMYK 15 / 0 / 77 / 10

HEX #C3E534

RGB 195 229 52

HSL 71.53, 0.77%, 0.55%

LAB 85.95, -32.76, 75.66

 

CMYK 77 / 0 / 57 / 10

HEX #34E563

RGB 52 229 99

HSL 135.93, 0.77%, 0.55%

LAB 80.55, -69.48, 50.44

 

CMYK 77 / 0 / 36 / 10

HEX #34E593

RGB 52 229 147

HSL 152.2, 0.77%, 0.55%

LAB 81.22, -61.7, 27.89

 

CMYK 77 / 0 / 15 / 10

HEX #34E5C2

RGB 52 229 194

HSL 168.14, 0.77%, 0.55%

LAB 82.2, -51.17, 4.72

 

CMYK 77 / 6 / 0 / 10

HEX #34D7E5

RGB 52 215 229

HSL 184.75, 0.77%, 0.55%

LAB 79.03, -35.38, -18.58

 

CMYK 77 / 27 / 0 / 10

HEX #34A8E5

RGB 52 168 229

HSL 200.68, 0.77%, 0.55%

LAB 65.27, -11.55, -39.75

 

CMYK 77 / 0 / 57 / 10

HEX #34E563

RGB 52 229 99

HSL 135.93, 0.77%, 0.55%

LAB 80.55, -69.48, 50.44

 

CMYK 87 / 0 / 64 / 3

HEX #21F75A

RGB 33 247 90

HSL 135.98, 0.93%, 0.55%

LAB 85.8, -77.91, 60.26

 

CMYK 77 / 0 / 57 / 10

HEX #34E563

RGB 52 229 99

HSL 135.93, 0.77%, 0.55%

LAB 80.55, -69.48, 50.44

 

CMYK 67 / 0 / 49 / 18

HEX #46D26C

RGB 70 210 108

HSL 136.29, 0.61%, 0.55%

LAB 75.13, -58.99, 39.66

 

CMYK 53 / 0 / 39 / 25

HEX #59BF74

RGB 89 191 116

HSL 135.88, 0.44%, 0.55%

LAB 69.93, -46.21, 29.03

 

CMYK 38 / 0 / 28 / 32

HEX #6CAD7D

RGB 108 173 125

HSL 135.69, 0.28%, 0.55%

LAB 65.4, -31.24, 18.27

 

CMYK 18 / 0 / 13 / 40

HEX #7E9A86

RGB 126 154 134

HSL 137.14, 0.12%, 0.55%

LAB 61.02, -13.92, 7.27

 

CMYK 57 / 0 / 77 / 10

HEX #63E534

RGB 99 229 52

HSL 104.07, 0.77%, 0.55%

LAB 81.26, -65.03, 69.6

 

CMYK 77 / 0 / 77 / 10

HEX #34E534

RGB 52 229 52

HSL 120, 0.77%, 0.55%

LAB 80.19, -73.97, 68.2

 

CMYK 77 / 0 / 57 / 10

HEX #34E563

RGB 52 229 99

HSL 135.93, 0.77%, 0.55%

LAB 80.55, -69.48, 50.44

 

CMYK 77 / 0 / 36 / 10

HEX #34E592

RGB 52 229 146

HSL 151.86, 0.77%, 0.55%

LAB 81.21, -61.9, 28.37

 

CMYK 77 / 0 / 16 / 10

HEX #34E5C1

RGB 52 229 193

HSL 167.8, 0.77%, 0.55%

LAB 82.17, -51.42, 5.21

 

CMYK 87 / 0 / 64 / 31

HEX #17AF3F

RGB 23 175 63

HSL 135.79, 0.77%, 0.39%

LAB 62.68, -59.75, 45.86

 

CMYK 87 / 0 / 64 / 17

HEX #1CD44D

RGB 28 212 77

HSL 135.98, 0.77%, 0.47%

LAB 74.74, -69.23, 53.33

 

CMYK 77 / 0 / 57 / 10

HEX #34E563

RGB 52 229 99

HSL 135.93, 0.77%, 0.55%

LAB 80.55, -69.48, 50.44

 

CMYK 62 / 0 / 45 / 9

HEX #58E97F

RGB 88 233 127

HSL 136.14, 0.77%, 0.63%

LAB 82.85, -61.02, 40.19

 

CMYK 47 / 0 / 35 / 7

HEX #7DEE9B

RGB 125 238 155

HSL 135.93, 0.77%, 0.71%

LAB 85.94, -49.87, 30.48

 

CMYK 77 / 0 / 56 / 10

HEX #35E564

RGB 53 229 100

HSL 136.02, 0.77%, 0.55%

LAB 80.58, -69.23, 50.02

 

CMYK 77 / 36 / 0 / 10

HEX #3492E5

RGB 52 146 229

HSL 208.14, 0.77%, 0.55%

LAB 58.92, 0.95, -49.75

 

CMYK 0 / 77 / 67 / 10

HEX #E5344B

RGB 229 52 75

HSL 352.2, 0.77%, 0.55%

LAB 51.41, 67.19, 30.38

 

CMYK 77 / 0 / 56 / 10

HEX #35E564

RGB 53 229 100

HSL 136.02, 0.77%, 0.55%

LAB 80.58, -69.23, 50.02

 

CMYK 57 / 77 / 0 / 10

HEX #6334E5

RGB 99 52 229

HSL 255.93, 0.77%, 0.55%

LAB 39.18, 62.07, -81.58

 

CMYK 0 / 57 / 77 / 10

HEX #E56334

RGB 229 99 52

HSL 15.93, 0.77%, 0.55%

LAB 57.87, 47.95, 50.16

 

CMYK 77 / 0 / 56 / 10

HEX #35E564

RGB 53 229 100

HSL 136.02, 0.77%, 0.55%

LAB 80.58, -69.23, 50.02

 

CMYK 77 / 36 / 0 / 10

HEX #3492E5

RGB 52 146 229

HSL 208.14, 0.77%, 0.55%

LAB 58.92, 0.95, -49.75

 

CMYK 0 / 77 / 21 / 10

HEX #E534B5

RGB 229 52 181

HSL 316.27, 0.77%, 0.55%

LAB 54.5, 76.59, -28.34

 

CMYK 0 / 41 / 77 / 10

HEX #E58634

RGB 229 134 52

HSL 27.8, 0.77%, 0.55%

LAB 64.93, 30.37, 57.12

 

CMYK 77 / 0 / 56 / 10

HEX #35E564

RGB 53 229 100

HSL 136.02, 0.77%, 0.55%

LAB 80.58, -69.23, 50.02

 

CMYK 77 / 59 / 0 / 10

HEX #345DE5

RGB 52 93 229

HSL 226.1, 0.77%, 0.55%

LAB 44.54, 33.81, -72.91

 

CMYK 0 / 77 / 21 / 10

HEX #E534B5

RGB 229 52 181

HSL 316.27, 0.77%, 0.55%

LAB 54.5, 76.59, -28.34

 

CMYK 0 / 18 / 77 / 10

HEX #E5BB34

RGB 229 187 52

HSL 45.76, 0.77%, 0.55%

LAB 77.55, 2.29, 69

 

Description

Color code: RGB 53 229 100 | qconv.com Color code: RGB 53 229 100 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 229 green and 100 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 229 100 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, none magenta, 56 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 0% 56% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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