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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 57 / 77 / 0 / 10 it is the complementary color CMYK 23 / 0 / 88 / 21. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 57 / 77 / 0 / 10. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 57 / 77 / 0 / 10: CMYK 54 / 76 / 0 / 12, CMYK 50 / 71 / 0 / 4, CMYK 46 / 65 / 0 / 0, CMYK 39 / 58 / 0 / 0 and CMYK 33 / 51 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 57 / 77 / 0 / 10. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 57 / 77 / 0 / 10: CMYK 57 / 77 / 0 / 10, CMYK 61 / 83 / 0 / 17, CMYK 66 / 91 / 0 / 25, CMYK 72 / 100 / 0 / 32 and CMYK 80 / 100 / 0 / 40

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 77 / 0 / 10

HEX #6335E6

RGB 99 53 230

HSL 255.59, 0.78%, 0.55%

LAB 39.43, 61.9, -81.74

 

Complementary color

CMYK 23 / 0 / 88 / 21

HEX #9CCA19

RGB 156 202 25

HSL 75.59, 0.78%, 0.45%

LAB 75.69, -36.8, 72.25

 

CMYK 54 / 76 / 0 / 12

HEX #6835E1

RGB 104 53 225

HSL 257.79, 0.74%, 0.55%

LAB 39.45, 61.18, -78.84

 

CMYK 50 / 71 / 0 / 4

HEX #7947F4

RGB 121 71 244

HSL 257.34, 0.89%, 0.62%

LAB 45.78, 60.24, -79.16

 

CMYK 46 / 65 / 0 / 0

HEX #8A59FF

RGB 138 89 255

HSL 257.71, 1%, 0.67%

LAB 51.57, 56.94, -75.76

 

CMYK 39 / 58 / 0 / 0

HEX #9B6BFF

RGB 155 107 255

HSL 259.46, 1%, 0.71%

LAB 56.79, 50.77, -67.24

 

CMYK 33 / 51 / 0 / 0

HEX #AC7DFF

RGB 172 125 255

HSL 261.69, 1%, 0.75%

LAB 62.22, 44.89, -58.43

 

CMYK 57 / 77 / 0 / 10

HEX #6335E6

RGB 99 53 230

HSL 255.59, 0.78%, 0.55%

LAB 39.43, 61.9, -81.74

 

CMYK 61 / 83 / 0 / 17

HEX #5223D3

RGB 82 35 211

HSL 256.02, 0.72%, 0.48%

LAB 33.35, 62.44, -80.94

 

CMYK 66 / 91 / 0 / 25

HEX #4111C0

RGB 65 17 192

HSL 256.46, 0.84%, 0.41%

LAB 27.66, 61.92, -79.31

 

CMYK 72 / 100 / 0 / 32

HEX #3000AD

RGB 48 0 173

HSL 256.65, 1%, 0.34%

LAB 22.46, 60.08, -76.66

 

CMYK 80 / 100 / 0 / 40

HEX #1F009A

RGB 31 0 154

HSL 252.08, 1%, 0.3%

LAB 18.47, 54.81, -71.77

 

CMYK 57 / 77 / 0 / 10

HEX #6335E6

RGB 99 53 230

HSL 255.59, 0.78%, 0.55%

LAB 39.43, 61.9, -81.74

 

CMYK 45 / 78 / 0 / 10

HEX #7D32E5

RGB 125 50 229

HSL 265.14, 0.77%, 0.55%

LAB 41.69, 66.24, -77.37

 

CMYK 32 / 78 / 0 / 10

HEX #9B32E5

RGB 155 50 229

HSL 275.2, 0.77%, 0.55%

LAB 45.51, 70.72, -70.97

 

CMYK 19 / 78 / 0 / 10

HEX #B932E5

RGB 185 50 229

HSL 285.25, 0.77%, 0.55%

LAB 49.8, 75.75, -63.8

 

CMYK 7 / 78 / 0 / 10

HEX #D632E5

RGB 214 50 229

HSL 294.97, 0.77%, 0.55%

LAB 54.27, 80.97, -56.37

 

CMYK 57 / 77 / 0 / 10

HEX #6335E6

RGB 99 53 230

HSL 255.59, 0.78%, 0.55%

LAB 39.43, 61.9, -81.74

 

CMYK 58 / 77 / 0 / 90

HEX #0B061A

RGB 11 6 26

HSL 255, 0.63%, 0.06%

LAB 2.49, 5.21, -10.14

 

CMYK 57 / 77 / 0 / 70

HEX #21124D

RGB 33 18 77

HSL 255.25, 0.62%, 0.19%

LAB 11.22, 24.81, -33.78

 

CMYK 57 / 77 / 0 / 50

HEX #371D80

RGB 55 29 128

HSL 255.76, 0.63%, 0.31%

LAB 21.02, 38.55, -51.25

 

CMYK 57 / 77 / 0 / 30

HEX #4D29B3

RGB 77 41 179

HSL 255.65, 0.63%, 0.43%

LAB 30.44, 50.57, -66.95

 

CMYK 57 / 77 / 0 / 10

HEX #6335E6

RGB 99 53 230

HSL 255.59, 0.78%, 0.55%

LAB 39.43, 61.9, -81.74

 

CMYK 0 / 78 / 35 / 10

HEX #E53295

RGB 229 50 149

HSL 326.82, 0.77%, 0.55%

LAB 53.07, 73.45, -11.72

 

CMYK 66 / 0 / 78 / 10

HEX #4DE532

RGB 77 229 50

HSL 110.95, 0.77%, 0.55%

LAB 80.65, -70.03, 69.4

 

CMYK 57 / 77 / 0 / 10

HEX #6335E6

RGB 99 53 230

HSL 255.59, 0.78%, 0.55%

LAB 39.43, 61.9, -81.74

 

CMYK 0 / 59 / 78 / 10

HEX #E55F32

RGB 229 95 50

HSL 15.08, 0.77%, 0.55%

LAB 57.15, 49.73, 50.4

 

CMYK 78 / 0 / 59 / 10

HEX #32E55F

RGB 50 229 95

HSL 135.08, 0.77%, 0.55%

LAB 80.48, -70.23, 52.14

 

CMYK 57 / 77 / 0 / 10

HEX #6335E6

RGB 99 53 230

HSL 255.59, 0.78%, 0.55%

LAB 39.43, 61.9, -81.74

 

CMYK 0 / 78 / 35 / 10

HEX #E53295

RGB 229 50 149

HSL 326.82, 0.77%, 0.55%

LAB 53.07, 73.45, -11.72

 

CMYK 19 / 0 / 78 / 10

HEX #B9E532

RGB 185 229 50

HSL 74.75, 0.77%, 0.55%

LAB 85.29, -36.78, 75.39

 

CMYK 78 / 0 / 43 / 10

HEX #32E583

RGB 50 229 131

HSL 147.15, 0.77%, 0.55%

LAB 80.94, -64.88, 35.6

 

CMYK 57 / 77 / 0 / 10

HEX #6335E6

RGB 99 53 230

HSL 255.59, 0.78%, 0.55%

LAB 39.43, 61.9, -81.74

 

CMYK 0 / 78 / 59 / 10

HEX #E5325F

RGB 229 50 95

HSL 344.92, 0.77%, 0.55%

LAB 51.57, 68.89, 18.6

 

CMYK 19 / 0 / 78 / 10

HEX #B9E532

RGB 185 229 50

HSL 74.75, 0.77%, 0.55%

LAB 85.29, -36.78, 75.39

 

CMYK 78 / 0 / 19 / 10

HEX #32E5B9

RGB 50 229 185

HSL 165.25, 0.77%, 0.55%

LAB 81.96, -53.59, 9.12

 

Description

Color code: CMYK 57 / 77 / 0 / 10 | qconv.com Color code: CMYK 57 / 77 / 0 / 10 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 99 red, 53 green and 230 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
99 53 230 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, 77 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 77% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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