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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 53 194 109 it is the complementary color RGB 202 61 146. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 53 194 109. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 53 194 109 shade: RGB 58 194 104, RGB 75 212 123, RGB 92 230 142, RGB 109 248 161 and RGB 126 255 180

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 53 194 109. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 53 194 109 shade: RGB 53 194 109, RGB 36 176 90, RGB 19 158 71, RGB 2 140 52 and RGB 0 122 33

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 53 194 109 shade: RGB 53 192 108, RGB 53 192 70, RGB 72 192 53, RGB 110 192 53 and RGB 148 192 53

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 53 194 109 shade: RGB 53 192 108, RGB 53 192 146, RGB 53 192 183, RGB 53 163 192 and RGB 53 126 192

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 53 194 109 shade matches the following richer shades: RGB 53 192 108, RGB 33 212 104 and RGB 13 232 100

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 53 194 109 shade: RGB 53 192 108, RGB 72 172 112, RGB 92 153 116, RGB 112 133 120 and RGB 132 113 124

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 53 194 109 shade: RGB 74 192 53, RGB 53 192 69, RGB 53 192 106, RGB 53 192 143 and RGB 53 192 181

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 53 194 109 shade: RGB 35 127 72, RGB 44 160 90, RGB 53 192 108, RGB 79 207 130 and RGB 112 216 153

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 53 194 109 shade: RGB 53 194 109, RGB 53 111 192 and RGB 192 53 55

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 53 194 109 shade: RGB 53 194 109, RGB 106 53 192 and RGB 192 106 53

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 53 194 109 shade: RGB 53 194 109, RGB 53 111 192, RGB 192 53 139 and RGB 192 134 53

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 53 194 109 shade: RGB 53 194 109, RGB 53 69 192, RGB 192 53 139 and RGB 192 176 53

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 0 / 44 / 24

HEX #35C26D

RGB 53 194 109

HSL 143.83, 0.57%, 0.48%

LAB 69.79, -55.85, 32.29

 

Complementary color

CMYK 0 / 70 / 28 / 21

HEX #CA3D92

RGB 202 61 146

HSL 323.83, 0.57%, 0.52%

LAB 49.46, 62.81, -15.84

 

CMYK 70 / 0 / 46 / 24

HEX #3AC268

RGB 58 194 104

HSL 140.29, 0.54%, 0.49%

LAB 69.81, -55.9, 34.89

 

CMYK 65 / 0 / 42 / 17

HEX #4BD47B

RGB 75 212 123

HSL 141.02, 0.61%, 0.56%

LAB 76.08, -56.38, 33.4

 

CMYK 60 / 0 / 38 / 10

HEX #5CE68E

RGB 92 230 142

HSL 141.74, 0.73%, 0.63%

LAB 82.28, -56.61, 31.99

 

CMYK 56 / 0 / 35 / 3

HEX #6DF8A1

RGB 109 248 161

HSL 142.45, 0.91%, 0.7%

LAB 88.43, -56.69, 30.68

 

CMYK 51 / 0 / 29 / 0

HEX #7EFFB4

RGB 126 255 180

HSL 145.12, 1%, 0.75%

LAB 91.35, -52.19, 25.12

 

CMYK 73 / 0 / 44 / 24

HEX #35C26D

RGB 53 194 109

HSL 143.83, 0.57%, 0.48%

LAB 69.79, -55.85, 32.29

 

CMYK 80 / 0 / 49 / 31

HEX #24B05A

RGB 36 176 90

HSL 143.14, 0.66%, 0.42%

LAB 63.48, -54.92, 33.9

 

CMYK 88 / 0 / 55 / 38

HEX #139E47

RGB 19 158 71

HSL 142.45, 0.79%, 0.35%

LAB 57.12, -53.45, 35.6

 

CMYK 99 / 0 / 63 / 45

HEX #028C34

RGB 2 140 52

HSL 141.74, 0.97%, 0.28%

LAB 50.71, -51.31, 37.29

 

CMYK 100 / 0 / 73 / 52

HEX #007A21

RGB 0 122 33

HSL 136.23, 1%, 0.24%

LAB 44.27, -47.91, 38.76

 

CMYK 72 / 0 / 44 / 25

HEX #35C06C

RGB 53 192 108

HSL 143.74, 0.57%, 0.48%

LAB 69.14, -55.29, 31.97

 

CMYK 72 / 0 / 64 / 25

HEX #35C046

RGB 53 192 70

HSL 127.34, 0.57%, 0.48%

LAB 68.68, -60.7, 49.65

 

CMYK 63 / 0 / 72 / 25

HEX #48C035

RGB 72 192 53

HSL 111.8, 0.57%, 0.48%

LAB 68.99, -58.59, 56.93

 

CMYK 43 / 0 / 72 / 25

HEX #6EC035

RGB 110 192 53

HSL 95.4, 0.57%, 0.48%

LAB 70.37, -48.01, 58.77

 

CMYK 23 / 0 / 72 / 25

HEX #94C035

RGB 148 192 53

HSL 78.99, 0.57%, 0.48%

LAB 72.4, -34.26, 61.46

 

CMYK 72 / 0 / 44 / 25

HEX #35C06C

RGB 53 192 108

HSL 143.74, 0.57%, 0.48%

LAB 69.14, -55.29, 31.97

 

CMYK 72 / 0 / 24 / 25

HEX #35C092

RGB 53 192 146

HSL 160.14, 0.57%, 0.48%

LAB 69.85, -47.52, 12.76

 

CMYK 72 / 0 / 5 / 25

HEX #35C0B7

RGB 53 192 183

HSL 176.12, 0.57%, 0.48%

LAB 70.78, -37.99, -6.06

 

CMYK 72 / 15 / 0 / 25

HEX #35A3C0

RGB 53 163 192

HSL 192.52, 0.57%, 0.48%

LAB 62.3, -21.13, -23.83

 

CMYK 72 / 34 / 0 / 25

HEX #357EC0

RGB 53 126 192

HSL 208.49, 0.57%, 0.48%

LAB 51.25, -0.4, -41.04

 

CMYK 72 / 0 / 44 / 25

HEX #35C06C

RGB 53 192 108

HSL 143.74, 0.57%, 0.48%

LAB 69.14, -55.29, 31.97

 

CMYK 84 / 0 / 51 / 17

HEX #21D468

RGB 33 212 104

HSL 143.8, 0.73%, 0.48%

LAB 75.08, -65.26, 41.42

 

CMYK 94 / 0 / 57 / 9

HEX #0DE864

RGB 13 232 100

HSL 143.84, 0.89%, 0.48%

LAB 81.14, -73.33, 50.58

 

CMYK 72 / 0 / 44 / 25

HEX #35C06C

RGB 53 192 108

HSL 143.74, 0.57%, 0.48%

LAB 69.14, -55.29, 31.97

 

CMYK 58 / 0 / 35 / 33

HEX #48AC70

RGB 72 172 112

HSL 144, 0.41%, 0.48%

LAB 63.39, -43.06, 22.35

 

CMYK 40 / 0 / 24 / 40

HEX #5C9974

RGB 92 153 116

HSL 143.61, 0.25%, 0.48%

LAB 58.34, -28.29, 13.35

 

CMYK 16 / 0 / 10 / 48

HEX #708578

RGB 112 133 120

HSL 142.86, 0.09%, 0.48%

LAB 53.57, -10.33, 4.47

 

CMYK 0 / 14 / 6 / 48

HEX #84717C

RGB 132 113 124

HSL 325.26, 0.08%, 0.48%

LAB 49.7, 9.45, -3.31

 

CMYK 61 / 0 / 72 / 25

HEX #4AC035

RGB 74 192 53

HSL 110.94, 0.57%, 0.48%

LAB 69.05, -58.13, 57.01

 

CMYK 72 / 0 / 64 / 25

HEX #35C045

RGB 53 192 69

HSL 126.91, 0.57%, 0.48%

LAB 68.67, -60.81, 50.07

 

CMYK 72 / 0 / 45 / 25

HEX #35C06A

RGB 53 192 106

HSL 142.88, 0.57%, 0.48%

LAB 69.11, -55.64, 32.95

 

CMYK 72 / 0 / 26 / 25

HEX #35C08F

RGB 53 192 143

HSL 158.85, 0.57%, 0.48%

LAB 69.78, -48.21, 14.29

 

CMYK 72 / 0 / 6 / 25

HEX #35C0B5

RGB 53 192 181

HSL 175.25, 0.57%, 0.48%

LAB 70.73, -38.55, -5.05

 

CMYK 72 / 0 / 43 / 50

HEX #237F48

RGB 35 127 72

HSL 144.13, 0.57%, 0.32%

LAB 46.98, -39.81, 22.37

 

CMYK 73 / 0 / 44 / 37

HEX #2CA05A

RGB 44 160 90

HSL 143.79, 0.57%, 0.4%

LAB 58.43, -47.91, 27.48

 

CMYK 72 / 0 / 44 / 25

HEX #35C06C

RGB 53 192 108

HSL 143.74, 0.57%, 0.48%

LAB 69.14, -55.29, 31.97

 

CMYK 62 / 0 / 37 / 19

HEX #4FCF82

RGB 79 207 130

HSL 143.91, 0.57%, 0.56%

LAB 74.76, -52.43, 28.09

 

CMYK 48 / 0 / 29 / 15

HEX #70D899

RGB 112 216 153

HSL 143.65, 0.57%, 0.64%

LAB 78.96, -44.26, 21.96

 

CMYK 73 / 0 / 44 / 24

HEX #35C26D

RGB 53 194 109

HSL 143.83, 0.57%, 0.48%

LAB 69.79, -55.85, 32.29

 

CMYK 72 / 42 / 0 / 25

HEX #356FC0

RGB 53 111 192

HSL 214.96, 0.57%, 0.48%

LAB 46.88, 8.81, -47.98

 

CMYK 0 / 72 / 71 / 25

HEX #C03537

RGB 192 53 55

HSL 359.14, 0.57%, 0.48%

LAB 44.27, 54.91, 31.95

 

CMYK 73 / 0 / 44 / 24

HEX #35C26D

RGB 53 194 109

HSL 143.83, 0.57%, 0.48%

LAB 69.79, -55.85, 32.29

 

CMYK 45 / 72 / 0 / 25

HEX #6A35C0

RGB 106 53 192

HSL 262.88, 0.57%, 0.48%

LAB 36.77, 52.75, -64.13

 

CMYK 0 / 45 / 72 / 25

HEX #C06A35

RGB 192 106 53

HSL 22.88, 0.57%, 0.48%

LAB 53.78, 30.05, 43.71

 

CMYK 73 / 0 / 44 / 24

HEX #35C26D

RGB 53 194 109

HSL 143.83, 0.57%, 0.48%

LAB 69.79, -55.85, 32.29

 

CMYK 72 / 42 / 0 / 25

HEX #356FC0

RGB 53 111 192

HSL 214.96, 0.57%, 0.48%

LAB 46.88, 8.81, -47.98

 

CMYK 0 / 72 / 28 / 25

HEX #C0358B

RGB 192 53 139

HSL 322.88, 0.57%, 0.48%

LAB 46.47, 62.13, -16.35

 

CMYK 0 / 30 / 72 / 25

HEX #C08635

RGB 192 134 53

HSL 34.96, 0.57%, 0.48%

LAB 60.35, 14.73, 50.6

 

CMYK 73 / 0 / 44 / 24

HEX #35C26D

RGB 53 194 109

HSL 143.83, 0.57%, 0.48%

LAB 69.79, -55.85, 32.29

 

CMYK 72 / 64 / 0 / 25

HEX #3545C0

RGB 53 69 192

HSL 233.09, 0.57%, 0.48%

LAB 35.63, 35.79, -66.18

 

CMYK 0 / 72 / 28 / 25

HEX #C0358B

RGB 192 53 139

HSL 322.88, 0.57%, 0.48%

LAB 46.47, 62.13, -16.35

 

CMYK 0 / 8 / 72 / 25

HEX #C0B035

RGB 192 176 53

HSL 53.09, 0.57%, 0.48%

LAB 71.22, -7.93, 61.44

 

Description

Color code: RGB 53 194 109 | qconv.com Color code: RGB 53 194 109 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 194 green and 109 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 194 109 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, none magenta, 44 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 0% 44% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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