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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 53 192 146 it is the complementary color RGB 202 63 109. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 53 192 146. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 53 192 146 shade: RGB 58 192 141, RGB 75 210 160, RGB 92 228 179, RGB 109 246 198 and RGB 126 255 217

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 53 192 146. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 53 192 146 shade: RGB 53 192 146, RGB 36 174 127, RGB 19 156 108, RGB 2 138 89 and RGB 0 120 70

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 53 192 146 shade: RGB 53 192 146, RGB 53 192 108, RGB 53 192 71, RGB 72 192 53 and RGB 110 192 53

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 53 192 146 shade: RGB 53 192 146, RGB 53 192 184, RGB 53 163 192, RGB 53 125 192 and RGB 53 88 192

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 53 192 146 shade matches the following richer shades: RGB 53 192 146, RGB 33 212 153 and RGB 13 232 159

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 53 192 146 shade: RGB 53 192 146, RGB 72 172 139, RGB 92 153 133, RGB 112 133 126 and RGB 132 113 119

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 53 192 146 shade: RGB 53 192 71, RGB 53 192 108, RGB 53 192 146, RGB 53 192 183 and RGB 53 164 192

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 53 192 146 shade: RGB 35 127 97, RGB 44 160 121, RGB 53 192 146, RGB 79 207 165 and RGB 112 216 181

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 53 192 146 shade: RGB 53 192 146, RGB 53 71 192 and RGB 192 90 53

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 53 192 146 shade: RGB 53 192 146, RGB 146 53 192 and RGB 192 146 53

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 53 192 146 shade: RGB 53 192 146, RGB 53 71 192, RGB 192 53 99 and RGB 192 174 53

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 53 192 146 shade: RGB 53 192 146, RGB 76 53 192, RGB 192 53 99 and RGB 169 192 53

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 0 / 24 / 25

HEX #35C092

RGB 53 192 146

HSL 160.14, 0.57%, 0.48%

LAB 69.85, -47.52, 12.76

 

Complementary color

CMYK 0 / 69 / 46 / 21

HEX #CA3F6D

RGB 202 63 109

HSL 340.14, 0.57%, 0.52%

LAB 48.53, 58.05, 5.13

 

CMYK 70 / 0 / 27 / 25

HEX #3AC08D

RGB 58 192 141

HSL 157.16, 0.54%, 0.49%

LAB 69.84, -47.93, 15.47

 

CMYK 64 / 0 / 24 / 18

HEX #4BD2A0

RGB 75 210 160

HSL 157.78, 0.6%, 0.56%

LAB 76.15, -48.29, 14.18

 

CMYK 60 / 0 / 21 / 11

HEX #5CE4B3

RGB 92 228 179

HSL 158.38, 0.72%, 0.63%

LAB 82.39, -48.48, 13

 

CMYK 56 / 0 / 20 / 4

HEX #6DF6C6

RGB 109 246 198

HSL 158.98, 0.88%, 0.7%

LAB 88.56, -48.54, 11.91

 

CMYK 51 / 0 / 15 / 0

HEX #7EFFD9

RGB 126 255 217

HSL 162.33, 1%, 0.75%

LAB 92.12, -44.65, 7.24

 

CMYK 72 / 0 / 24 / 25

HEX #35C092

RGB 53 192 146

HSL 160.14, 0.57%, 0.48%

LAB 69.85, -47.52, 12.76

 

CMYK 79 / 0 / 27 / 32

HEX #24AE7F

RGB 36 174 127

HSL 159.57, 0.66%, 0.41%

LAB 63.49, -46.76, 14.18

 

CMYK 88 / 0 / 31 / 39

HEX #139C6C

RGB 19 156 108

HSL 158.98, 0.78%, 0.34%

LAB 57.07, -45.59, 15.76

 

CMYK 99 / 0 / 36 / 46

HEX #028A59

RGB 2 138 89

HSL 158.38, 0.97%, 0.27%

LAB 50.58, -43.95, 17.53

 

CMYK 100 / 0 / 42 / 53

HEX #007846

RGB 0 120 70

HSL 155, 1%, 0.24%

LAB 44.05, -41.37, 19.56

 

CMYK 72 / 0 / 24 / 25

HEX #35C092

RGB 53 192 146

HSL 160.14, 0.57%, 0.48%

LAB 69.85, -47.52, 12.76

 

CMYK 72 / 0 / 44 / 25

HEX #35C06C

RGB 53 192 108

HSL 143.74, 0.57%, 0.48%

LAB 69.14, -55.29, 31.97

 

CMYK 72 / 0 / 63 / 25

HEX #35C047

RGB 53 192 71

HSL 127.77, 0.57%, 0.48%

LAB 68.69, -60.59, 49.22

 

CMYK 63 / 0 / 72 / 25

HEX #48C035

RGB 72 192 53

HSL 111.8, 0.57%, 0.48%

LAB 68.99, -58.59, 56.93

 

CMYK 43 / 0 / 72 / 25

HEX #6EC035

RGB 110 192 53

HSL 95.4, 0.57%, 0.48%

LAB 70.37, -48.01, 58.77

 

CMYK 72 / 0 / 24 / 25

HEX #35C092

RGB 53 192 146

HSL 160.14, 0.57%, 0.48%

LAB 69.85, -47.52, 12.76

 

CMYK 72 / 0 / 4 / 25

HEX #35C0B8

RGB 53 192 184

HSL 176.55, 0.57%, 0.48%

LAB 70.81, -37.71, -6.56

 

CMYK 72 / 15 / 0 / 25

HEX #35A3C0

RGB 53 163 192

HSL 192.52, 0.57%, 0.48%

LAB 62.3, -21.13, -23.83

 

CMYK 72 / 35 / 0 / 25

HEX #357DC0

RGB 53 125 192

HSL 208.92, 0.57%, 0.48%

LAB 50.96, 0.2, -41.51

 

CMYK 72 / 54 / 0 / 25

HEX #3558C0

RGB 53 88 192

HSL 224.89, 0.57%, 0.48%

LAB 40.48, 23.55, -58.28

 

CMYK 72 / 0 / 24 / 25

HEX #35C092

RGB 53 192 146

HSL 160.14, 0.57%, 0.48%

LAB 69.85, -47.52, 12.76

 

CMYK 84 / 0 / 28 / 17

HEX #21D499

RGB 33 212 153

HSL 160.22, 0.73%, 0.48%

LAB 75.89, -55.95, 17.43

 

CMYK 94 / 0 / 31 / 9

HEX #0DE89F

RGB 13 232 159

HSL 160, 0.89%, 0.48%

LAB 82, -63.09, 22.71

 

CMYK 72 / 0 / 24 / 25

HEX #35C092

RGB 53 192 146

HSL 160.14, 0.57%, 0.48%

LAB 69.85, -47.52, 12.76

 

CMYK 58 / 0 / 19 / 33

HEX #48AC8B

RGB 72 172 139

HSL 160.2, 0.41%, 0.48%

LAB 63.96, -37.24, 8.32

 

CMYK 40 / 0 / 13 / 40

HEX #5C9985

RGB 92 153 133

HSL 160.33, 0.25%, 0.48%

LAB 58.74, -24.58, 4.32

 

CMYK 16 / 0 / 5 / 48

HEX #70857E

RGB 112 133 126

HSL 160, 0.09%, 0.48%

LAB 53.74, -9.08, 1.23

 

CMYK 0 / 14 / 10 / 48

HEX #847177

RGB 132 113 119

HSL 341.05, 0.08%, 0.48%

LAB 49.55, 8.51, -0.57

 

CMYK 72 / 0 / 63 / 25

HEX #35C047

RGB 53 192 71

HSL 127.77, 0.57%, 0.48%

LAB 68.69, -60.59, 49.22

 

CMYK 72 / 0 / 44 / 25

HEX #35C06C

RGB 53 192 108

HSL 143.74, 0.57%, 0.48%

LAB 69.14, -55.29, 31.97

 

CMYK 72 / 0 / 24 / 25

HEX #35C092

RGB 53 192 146

HSL 160.14, 0.57%, 0.48%

LAB 69.85, -47.52, 12.76

 

CMYK 72 / 0 / 5 / 25

HEX #35C0B7

RGB 53 192 183

HSL 176.12, 0.57%, 0.48%

LAB 70.78, -37.99, -6.06

 

CMYK 72 / 15 / 0 / 25

HEX #35A4C0

RGB 53 164 192

HSL 192.09, 0.57%, 0.48%

LAB 62.6, -21.65, -23.37

 

CMYK 72 / 0 / 24 / 50

HEX #237F61

RGB 35 127 97

HSL 160.43, 0.57%, 0.32%

LAB 47.49, -34.22, 8.71

 

CMYK 73 / 0 / 24 / 37

HEX #2CA079

RGB 44 160 121

HSL 159.83, 0.57%, 0.4%

LAB 59.03, -41.35, 11.27

 

CMYK 72 / 0 / 24 / 25

HEX #35C092

RGB 53 192 146

HSL 160.14, 0.57%, 0.48%

LAB 69.85, -47.52, 12.76

 

CMYK 62 / 0 / 20 / 19

HEX #4FCFA5

RGB 79 207 165

HSL 160.31, 0.57%, 0.56%

LAB 75.45, -45.18, 10.55

 

CMYK 48 / 0 / 16 / 15

HEX #70D8B5

RGB 112 216 181

HSL 159.81, 0.57%, 0.64%

LAB 79.55, -38.49, 8

 

CMYK 72 / 0 / 24 / 25

HEX #35C092

RGB 53 192 146

HSL 160.14, 0.57%, 0.48%

LAB 69.85, -47.52, 12.76

 

CMYK 72 / 63 / 0 / 25

HEX #3547C0

RGB 53 71 192

HSL 232.23, 0.57%, 0.48%

LAB 36.12, 34.52, -65.39

 

CMYK 0 / 53 / 72 / 25

HEX #C05A35

RGB 192 90 53

HSL 15.97, 0.57%, 0.48%

LAB 50.42, 38.42, 40.06

 

CMYK 72 / 0 / 24 / 25

HEX #35C092

RGB 53 192 146

HSL 160.14, 0.57%, 0.48%

LAB 69.85, -47.52, 12.76

 

CMYK 24 / 72 / 0 / 25

HEX #9235C0

RGB 146 53 192

HSL 280.14, 0.57%, 0.48%

LAB 41.94, 60.2, -55.5

 

CMYK 0 / 24 / 72 / 25

HEX #C09235

RGB 192 146 53

HSL 40.14, 0.57%, 0.48%

LAB 63.36, 8.14, 53.67

 

CMYK 72 / 0 / 24 / 25

HEX #35C092

RGB 53 192 146

HSL 160.14, 0.57%, 0.48%

LAB 69.85, -47.52, 12.76

 

CMYK 72 / 63 / 0 / 25

HEX #3547C0

RGB 53 71 192

HSL 232.23, 0.57%, 0.48%

LAB 36.12, 34.52, -65.39

 

CMYK 0 / 72 / 48 / 25

HEX #C03563

RGB 192 53 99

HSL 340.14, 0.57%, 0.48%

LAB 45.16, 57.88, 6.2

 

CMYK 0 / 9 / 72 / 25

HEX #C0AE35

RGB 192 174 53

HSL 52.23, 0.57%, 0.48%

LAB 70.69, -6.88, 60.92

 

CMYK 72 / 0 / 24 / 25

HEX #35C092

RGB 53 192 146

HSL 160.14, 0.57%, 0.48%

LAB 69.85, -47.52, 12.76

 

CMYK 60 / 72 / 0 / 25

HEX #4C35C0

RGB 76 53 192

HSL 249.93, 0.57%, 0.48%

LAB 33.75, 48.15, -69.21

 

CMYK 0 / 72 / 48 / 25

HEX #C03563

RGB 192 53 99

HSL 340.14, 0.57%, 0.48%

LAB 45.16, 57.88, 6.2

 

CMYK 12 / 0 / 72 / 25

HEX #A9C035

RGB 169 192 53

HSL 69.93, 0.57%, 0.48%

LAB 73.8, -25.79, 63.31

 

Description

Color code: RGB 53 192 146 | qconv.com Color code: RGB 53 192 146 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 192 green and 146 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 192 146 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, none magenta, 24 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 0% 24% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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