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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 53 193 159 it is the complementary color RGB 202 62 96. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 53 193 159. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 53 193 159 shade: RGB 58 193 154, RGB 75 211 173, RGB 92 229 192, RGB 109 247 211 and RGB 126 255 230

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 53 193 159. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 53 193 159 shade: RGB 53 193 159, RGB 36 175 140, RGB 19 157 121, RGB 2 139 102 and RGB 0 121 83

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 53 193 159 shade: RGB 53 192 158, RGB 53 192 121, RGB 53 192 83, RGB 60 192 53 and RGB 97 192 53

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 53 193 159 shade: RGB 53 192 158, RGB 53 188 192, RGB 53 151 192, RGB 53 113 192 and RGB 53 76 192

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 53 193 159 shade matches the following richer shades: RGB 53 192 158, RGB 33 212 168 and RGB 13 232 179

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 53 193 159 shade: RGB 53 192 158, RGB 72 172 148, RGB 92 153 138, RGB 112 133 128 and RGB 132 113 118

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 53 193 159 shade: RGB 53 192 83, RGB 53 192 120, RGB 53 192 157, RGB 53 190 192 and RGB 53 153 192

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 53 193 159 shade: RGB 35 127 105, RGB 44 160 132, RGB 53 192 158, RGB 79 207 176 and RGB 112 216 190

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 53 193 159 shade: RGB 53 193 159, RGB 53 60 192 and RGB 192 101 53

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 53 193 159 shade: RGB 53 193 159, RGB 157 53 192 and RGB 192 157 53

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 53 193 159 shade: RGB 53 193 159, RGB 53 60 192, RGB 192 53 88 and RGB 192 185 53

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 53 193 159 shade: RGB 53 193 159, RGB 88 53 192, RGB 192 53 88 and RGB 157 192 53

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 0 / 18 / 24

HEX #35C19F

RGB 53 193 159

HSL 165.43, 0.57%, 0.48%

LAB 70.46, -44.8, 6.57

 

Complementary color

CMYK 0 / 69 / 52 / 21

HEX #CA3E60

RGB 202 62 96

HSL 345.43, 0.57%, 0.52%

LAB 48.07, 57.3, 12.4

 

CMYK 70 / 0 / 20 / 24

HEX #3AC19A

RGB 58 193 154

HSL 162.67, 0.54%, 0.49%

LAB 70.44, -45.32, 9.27

 

CMYK 64 / 0 / 18 / 17

HEX #4BD3AD

RGB 75 211 173

HSL 163.24, 0.61%, 0.56%

LAB 76.74, -45.72, 8.08

 

CMYK 60 / 0 / 16 / 10

HEX #5CE5C0

RGB 92 229 192

HSL 163.8, 0.72%, 0.63%

LAB 82.98, -45.95, 7

 

CMYK 56 / 0 / 15 / 3

HEX #6DF7D3

RGB 109 247 211

HSL 164.35, 0.9%, 0.7%

LAB 89.15, -46.06, 6

 

CMYK 51 / 0 / 10 / 0

HEX #7EFFE6

RGB 126 255 230

HSL 168.37, 1%, 0.75%

LAB 92.43, -41.69, 0.98

 

CMYK 73 / 0 / 18 / 24

HEX #35C19F

RGB 53 193 159

HSL 165.43, 0.57%, 0.48%

LAB 70.46, -44.8, 6.57

 

CMYK 79 / 0 / 20 / 31

HEX #24AF8C

RGB 36 175 140

HSL 164.89, 0.66%, 0.41%

LAB 64.1, -44.01, 7.86

 

CMYK 88 / 0 / 23 / 38

HEX #139D79

RGB 19 157 121

HSL 164.35, 0.78%, 0.35%

LAB 57.69, -42.83, 9.32

 

CMYK 99 / 0 / 27 / 45

HEX #028B66

RGB 2 139 102

HSL 163.8, 0.97%, 0.28%

LAB 51.2, -41.22, 10.96

 

CMYK 100 / 0 / 31 / 53

HEX #007953

RGB 0 121 83

HSL 161.16, 1%, 0.24%

LAB 44.66, -38.76, 12.87

 

CMYK 72 / 0 / 18 / 25

HEX #35C09E

RGB 53 192 158

HSL 165.32, 0.57%, 0.48%

LAB 70.12, -44.62, 6.63

 

CMYK 72 / 0 / 37 / 25

HEX #35C079

RGB 53 192 121

HSL 149.35, 0.57%, 0.48%

LAB 69.35, -52.89, 25.47

 

CMYK 72 / 0 / 57 / 25

HEX #35C053

RGB 53 192 83

HSL 132.95, 0.57%, 0.48%

LAB 68.81, -59.13, 43.92

 

CMYK 69 / 0 / 72 / 25

HEX #3CC035

RGB 60 192 53

HSL 116.98, 0.57%, 0.48%

LAB 68.69, -61.08, 56.53

 

CMYK 49 / 0 / 72 / 25

HEX #61C035

RGB 97 192 53

HSL 101.01, 0.57%, 0.48%

LAB 69.82, -52.05, 58.04

 

CMYK 72 / 0 / 18 / 25

HEX #35C09E

RGB 53 192 158

HSL 165.32, 0.57%, 0.48%

LAB 70.12, -44.62, 6.63

 

CMYK 72 / 2 / 0 / 25

HEX #35BCC0

RGB 53 188 192

HSL 181.73, 0.57%, 0.48%

LAB 69.84, -33.55, -12.39

 

CMYK 72 / 21 / 0 / 25

HEX #3597C0

RGB 53 151 192

HSL 197.7, 0.57%, 0.48%

LAB 58.69, -14.72, -29.39

 

CMYK 72 / 41 / 0 / 25

HEX #3571C0

RGB 53 113 192

HSL 214.1, 0.57%, 0.48%

LAB 47.46, 7.56, -47.06

 

CMYK 72 / 60 / 0 / 25

HEX #354CC0

RGB 53 76 192

HSL 230.07, 0.57%, 0.48%

LAB 37.36, 31.32, -63.36

 

CMYK 72 / 0 / 18 / 25

HEX #35C09E

RGB 53 192 158

HSL 165.32, 0.57%, 0.48%

LAB 70.12, -44.62, 6.63

 

CMYK 84 / 0 / 21 / 17

HEX #21D4A8

RGB 33 212 168

HSL 165.25, 0.73%, 0.48%

LAB 76.21, -52.42, 9.91

 

CMYK 94 / 0 / 23 / 9

HEX #0DE8B3

RGB 13 232 179

HSL 165.48, 0.89%, 0.48%

LAB 82.41, -58.56, 12.86

 

CMYK 72 / 0 / 18 / 25

HEX #35C09E

RGB 53 192 158

HSL 165.32, 0.57%, 0.48%

LAB 70.12, -44.62, 6.63

 

CMYK 58 / 0 / 14 / 33

HEX #48AC94

RGB 72 172 148

HSL 165.6, 0.41%, 0.48%

LAB 64.18, -35.06, 3.64

 

CMYK 40 / 0 / 10 / 40

HEX #5C998A

RGB 92 153 138

HSL 165.25, 0.25%, 0.48%

LAB 58.87, -23.41, 1.67

 

CMYK 16 / 0 / 4 / 48

HEX #708580

RGB 112 133 128

HSL 165.71, 0.09%, 0.48%

LAB 53.79, -8.64, 0.15

 

CMYK 0 / 14 / 11 / 48

HEX #847176

RGB 132 113 118

HSL 344.21, 0.08%, 0.48%

LAB 49.52, 8.32, -0.02

 

CMYK 72 / 0 / 57 / 25

HEX #35C053

RGB 53 192 83

HSL 132.95, 0.57%, 0.48%

LAB 68.81, -59.13, 43.92

 

CMYK 72 / 0 / 38 / 25

HEX #35C078

RGB 53 192 120

HSL 148.92, 0.57%, 0.48%

LAB 69.34, -53.08, 25.98

 

CMYK 72 / 0 / 18 / 25

HEX #35C09D

RGB 53 192 157

HSL 164.89, 0.57%, 0.48%

LAB 70.1, -44.87, 7.14

 

CMYK 72 / 1 / 0 / 25

HEX #35BEC0

RGB 53 190 192

HSL 180.86, 0.57%, 0.48%

LAB 70.45, -34.49, -11.49

 

CMYK 72 / 20 / 0 / 25

HEX #3599C0

RGB 53 153 192

HSL 196.83, 0.57%, 0.48%

LAB 59.29, -15.81, -28.46

 

CMYK 72 / 0 / 17 / 50

HEX #237F69

RGB 35 127 105

HSL 165.65, 0.57%, 0.32%

LAB 47.7, -32.13, 4.3

 

CMYK 73 / 0 / 18 / 37

HEX #2CA084

RGB 44 160 132

HSL 165.52, 0.57%, 0.4%

LAB 59.29, -38.6, 5.46

 

CMYK 72 / 0 / 18 / 25

HEX #35C09E

RGB 53 192 158

HSL 165.32, 0.57%, 0.48%

LAB 70.12, -44.62, 6.63

 

CMYK 62 / 0 / 15 / 19

HEX #4FCFB0

RGB 79 207 176

HSL 165.47, 0.57%, 0.56%

LAB 75.71, -42.57, 5.01

 

CMYK 48 / 0 / 12 / 15

HEX #70D8BE

RGB 112 216 190

HSL 165, 0.57%, 0.64%

LAB 79.77, -36.45, 3.52

 

CMYK 73 / 0 / 18 / 24

HEX #35C19F

RGB 53 193 159

HSL 165.43, 0.57%, 0.48%

LAB 70.46, -44.8, 6.57

 

CMYK 72 / 69 / 0 / 25

HEX #353CC0

RGB 53 60 192

HSL 236.98, 0.57%, 0.48%

LAB 33.55, 41.35, -69.59

 

CMYK 0 / 47 / 72 / 25

HEX #C06535

RGB 192 101 53

HSL 20.72, 0.57%, 0.48%

LAB 52.7, 32.71, 42.54

 

CMYK 73 / 0 / 18 / 24

HEX #35C19F

RGB 53 193 159

HSL 165.43, 0.57%, 0.48%

LAB 70.46, -44.8, 6.57

 

CMYK 18 / 72 / 0 / 25

HEX #9D35C0

RGB 157 53 192

HSL 284.89, 0.57%, 0.48%

LAB 43.54, 62.42, -52.85

 

CMYK 0 / 18 / 72 / 25

HEX #C09D35

RGB 192 157 53

HSL 44.89, 0.57%, 0.48%

LAB 66.2, 2.16, 56.51

 

CMYK 73 / 0 / 18 / 24

HEX #35C19F

RGB 53 193 159

HSL 165.43, 0.57%, 0.48%

LAB 70.46, -44.8, 6.57

 

CMYK 72 / 69 / 0 / 25

HEX #353CC0

RGB 53 60 192

HSL 236.98, 0.57%, 0.48%

LAB 33.55, 41.35, -69.59

 

CMYK 0 / 72 / 54 / 25

HEX #C03558

RGB 192 53 88

HSL 344.89, 0.57%, 0.48%

LAB 44.88, 56.96, 12.62

 

CMYK 0 / 4 / 72 / 25

HEX #C0B935

RGB 192 185 53

HSL 56.98, 0.57%, 0.48%

LAB 73.65, -12.57, 63.78

 

CMYK 73 / 0 / 18 / 24

HEX #35C19F

RGB 53 193 159

HSL 165.43, 0.57%, 0.48%

LAB 70.46, -44.8, 6.57

 

CMYK 54 / 72 / 0 / 25

HEX #5835C0

RGB 88 53 192

HSL 255.11, 0.57%, 0.48%

LAB 34.86, 49.86, -67.35

 

CMYK 0 / 72 / 54 / 25

HEX #C03558

RGB 192 53 88

HSL 344.89, 0.57%, 0.48%

LAB 44.88, 56.96, 12.62

 

CMYK 18 / 0 / 72 / 25

HEX #9DC035

RGB 157 192 53

HSL 75.11, 0.57%, 0.48%

LAB 72.97, -30.68, 62.22

 

Description

Color code: RGB 53 193 159 | qconv.com Color code: RGB 53 193 159 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 193 green and 159 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 193 159 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, none magenta, 18 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 0% 18% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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